John Ames, Native Commissioner: A Romance of the Matabele Rising. Mitford Bertram

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Название John Ames, Native Commissioner: A Romance of the Matabele Rising
Автор произведения Mitford Bertram
Жанр Зарубежная классика
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Издательство Зарубежная классика
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day. Then the above decision was arrived at and reported to the proper quarter, and in the result, it not being his first offence of the kind, Nanzicele was adjudged to lose his stripes.

      There were three parties to whom this decision was exceedingly unwelcome. The first was represented by the comrades of the degraded man, who looked up to him on account of the very derelictions which had brought him into trouble – his high-handed thoroughness, to wit. The second was Inglefield, who felt that he had lost a particularly smart non-com., and one that was useful to him in another capacity, for Nanzicele was a skilful hunter, and could always show his officer where sport was to be obtained; whereas now, Nanzicele, sulky and reduced to the ranks, would probably revenge himself by a falling off in this direction.

      The third was Nanzicele himself, and, his fierce and sullen spirit smouldering with bitter resentment, he inwardly vowed vengeance against Madúla and his following. But greater vengeance still did he vow against the white race in general, and John Ames in particular. There was point in this, because he was in a position to suppose that the day might not be so very far distant when his vow should be repaid to the uttermost.

      Chapter Three.

      Shiminya the Sorcerer

      Shiminya the sorcerer was seated within his “múti” kraal on the banks of the Umgwane river.

      This kraal was situated in the heart of a vast thicket of “wait-a-bit” thorns. It was enclosed by a closely woven fence of the same redoubtable growth, whose height and bristling solidity laughed to scorn the efforts of man or beast. The main approach consisted of a narrow labyrinthine passage; other approaches there were, but known only to its weird occupant, who had mechanical but secret means of his own of being warned of any advance, even by the recognised way, some time before the visitor or visitors should arrive at the gate.

      This formidable stockade enclosed a space in which stood three huts, circular, with low conical roofs of thatch, and in front of these Shiminya was squatting. He had a large bowl in his hands, which he kept turning from side to side, narrowly scrutinising its contents, which smelt abominably, half muttering, half singing to himself the while. In front, its head couched between its paws, dog-like, blinking its yellow eyes, lay an animal. Yet it was not a dog, but represented the smaller species of hyaena – the South African “wolf.”

      This brute looked grim and uncanny enough, but not more so than his master. The latter was a native of small stature and very black hue, with features of an aquiline, almost Semitic cast. But the glance of his eye was baleful, cruel as that of a serpent, keen, rapacious as that of a hawk; and while the muscular development of his frame was slight almost to puniness, his sinister features showed that which must ever dominate over mere brutal sinew and brawn, viz. Mind. Craft, guile, cunning, illimitable patience, and dauntless courage all fought for the mastery in the thin cruel features of the sorcerer.

      His whole aspect differed as widely as possible from the pure-blood Matabele, which is scarcely surprising, seeing that he could boast no strain of that warrior race. He was, in fact, of the Amaholi, or slave caste; but as among other and more powerful nations of both new and old civilisation, Mind is bound to tell Shiminya – at the time we make his acquaintance and for some years previously – was one of the highest in the ranks of the mysterious hierarchy known to the natives as “Children of the Umlimo.”

      The origin of the cultus of this sinister abstraction has never been located with certainty. Its hierarchy was protected, if not encouraged, by Lo Bengula and his warrior sire, probably out of three parts political motive to a fourth superstitious; and now, at the period of our story, when the dynasty and despotism of the Matabele kings had gone down before the Maxims of the Chartered Company, the shadowy-sayings of the Umlimo began to be sought out eagerly by the conquered race, and a rosy time seemed likely to set in for the myrmidons of the abstraction.

      These, with the astuteness of their craft all the world over, saw their time. The conquered race, strange to say, was not satisfied. It had signally failed to appreciate the blessings of civilisation. If life was a trifle less secure under the rule of the King, why, that was all in accordance with national custom. In the good old days there was plenty of fun and fighting, of raids far and near; of the mustering of regiments at the King’s kraal, and cattle-killing and feasting and dancing. Yes, life was life in those days, when looked at from the point, of view of a warrior nation. But now, all this had given place to a state of things which from that point of view was utterly nauseous. The great circle of Bulawayo proudly dominating the land was razed to the ground, its place occupied by a solitary house, whence the white man governed a nation of conquered slaves. Below, in the valley, which formerly shook to the hum and thunder of marching impis, the white man was dumping down his iron houses and calling it his town. Throughout the land even the oldest and most powerful indunas were under white officials, to whom they were obliged to give deferential greeting, and all the little phases of excitement incidental to former days were sternly forbidden. Moreover, the conquerors had seized all the cattle of the nation, and now the land was flooded with arrogant, masterful whites, to whom no spot was sacred if only it was thought to contain a little gold. Outwardly patient, but with black rage and inexhaustible hostility gnawing at their hearts, chiefs and people alike sullenly brooded; and on such dry tinder the sparks, artfully kindled by the “Abantwana ’Mlimo,” fell as on well-prepared ground.

      Seated there upon the ground, Shiminya continued to shake his bowl of hell-broth. Save for a few birds’ claws and a bladder or two fastened in his thick wool – for he was not ringed – he was destitute of the revolting gewgaws of his profession. Suddenly the wolf emitted a low snarl, simultaneously with an inarticulate wail which proceeded from the hut behind.

      “Ha – my Lupiswana! Ha – ha, my good little beast!” chuckled Shiminya, apostrophising the creature. “Tea – lick thy jaws, for I think it is time for more blood – only a little – only a taste. Hau!”

      As though understanding these words the brute rose, and sneaked over to the wicker door of the hut, sniffing at the fastenings, sullenly growling. Rising, the wizard followed, and, pushing back the animal, crept into the hut, and slapped the door to in its jaws. At his appearance the low moaning rose again, and in its note was the very extremity of pain and fear.

      It proceeded from a long dark form lying on the ground, which the eyes, becoming accustomed to the semi-light of the interior, would have no hesitation in pronouncing as human. Further investigation would reveal it a female form, securely bound and lashed to a pole; a female form too, dowered with no small share of symmetry and comeliness. The face, when undistorted by pain and terror, must have been a pleasing one in the extreme.

      “Ah – ah, Nompiza!” chuckled the wizard, rubbing his hands together. “The children of Umlimo have pretty houses, do they not – pretty houses?” And he glanced gleefully around his horrible den.

      For this is just what it was. Human skulls and bones decked the plastered wall, but the most dreadful object of all was the whole skin of the head and face of a man – of a white man too, with a long heavy beard. This awful object glowered down in the semi-gloom, a gruesome expression of pain in the pucker of the parchment-like hide. Great snake-skins depended from the roof – the heads artfully stuffed, and the attitudes arranged to simulate life; and many a horrid object, suggestive of torture and death, was disposed around.

      “A pretty house, Nompiza – ah – ah – a pretty house, is it not?” chuckled Shiminya, leering down into the young woman’s face. “And thou hast only to speak one word to be taken out of it. Yet I wonder not at thy refusal.”

      “I will not speak it, Shiminya,” she replied, with some fire of spirit. “The rattle of these old bones has no terror for me. And if thou harmest me further, there are those who will avenge me, child of the Umlimo or not.”

      For all answer the wizard laughed softly but disdainfully. Then reaching to the door, he opened it. The wolf leaped in, snarling.

      “See now, thou obstinate Nompiza,” he went on, restraining the brute with a flourish of a large stick painted red, before which it cowered back. “This is Lupiswana – no ordinary wolf. Whoever this one bites becomes tagati, and will be hunted through the night by him after death, until they can escape only by riding on him as