Название | It was a Lover and his Lass |
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Автор произведения | Oliphant Margaret |
Жанр | Зарубежная классика |
Серия | |
Издательство | Зарубежная классика |
Год выпуска | 0 |
isbn | http://www.gutenberg.org/ebooks/49597 |
"Oh, play us another, Mr. Murray," cried the girls.
"Tut, tut," said Mrs. Seton, bustling in, "is that all your manners? So impatient that you made him stop that beautiful sonata, which it was just a privilege to hear, and then pestering him to play waltzes, which is a thing no good musician will do. I am sure, Mr. Murray, you have behaved like a perfect angel; but these girls shall not tyrannize over you. No, no, I'll just take the piano myself; it is no trouble to me. You will think it is bold of me, playing before such a performer, but I just never mind: and they like me as well as anyone. Come now, Katie, and see that Mr. Murray gets a nice partner. He will take a turn himself."
And with this the indefatigable little woman of the house sat down, and played waltzes, polkas, and schottisches (which latter made Lewis open his eyes) for hours on end, indicating meanwhile with her vigilant glances, and with little nods of her lively head, to her husband and children the various little offices in which it was necessary they should replace her. Thus a nod in the direction of Mrs. Borrodaile called the minister's attention to the terrible fact that one of his guests was going to sleep: while a movement of the eyebrows directed towards the factor's youngest daughter showed Katie that the young woman in question was partnerless, while a young man in another corner had escaped observation. Mrs. Seton managed to talk also all the time to Miss Jean, who sat beside her.
"I am so used to it; it is really no trouble to me. When you have young people growing up, you must just make up your mind to this sort of thing. Yes, yes, it becomes a kind of mechanical. Dear me, I must not talk; that bar was all wrong. But they're not particular, poor things, so long as you just keep on, and keep the time: but playing set pieces was always beyond me," Mrs. Seton said. And on she went for hours, with a hard but lively hand, keeping capital time, and never tired.
The "set pieces" which she thus deprecated, and which had been beyond her, meant by implication the sonata which Lewis had begun to play.
As for that young man himself, he found pleasure in everything. The country girls were perhaps a little wanting in grace, and did not valse as high-born ladies do in the lands where the valse is indigenous; but they were light and lively, and the evening flew by to his great entertainment. Then there was a reel danced, at which he looked on delighted. Katie, who was a little ashamed of these pranks, stood by him primly, and pretended to be bored.
"You must not think that is the sort of thing we care for in Scotland," she said. "It is quite old-fashioned. You see, it amuses the country people, and mamma will always insist upon having one to keep up the old fashion; but you must not think that we care for it," Katie said.
"That is unfortunate," said Lewis. "It is so much like the national dance everywhere. The tarantella – you have heard of the tarantella? It is like that. For my part, I like what is old-fashioned."
"Oh, yes, in furniture – and things," said Katie, vaguely. And she took pains not to commit herself further.
He was so good a dancer that she neglected Philip Stormont for him, to the great discontent of that young athlete, who thereupon devoted himself to Annie Borrodaile in a way which it went to Katie's heart to see. The windows stood wide open, the scent of the flowers came in; the roses and the tall white lilies shone in the silvery light. Everything was quaint and unreal to Lewis, to whom it had never happened to dance in the lingering daylight before. The strange evening radiance would have suited his own poetic valse better than the sharp, hard, unvaried music which Mrs. Seton continued to make with so much industry. When the reel was over, he went to the piano to relieve that lady.
"Let me play now. I shall like it; and you must be tired – you ought to be tired," he said.
"Mr. Murray is the most considerate young man I ever saw," said Mrs. Seton, shaking on her bracelets again. "You see he has relieved me whether I would or not. As a matter of fact, I'm never tired so long as they go on; I'm so used to it. But when somebody comes, you know, and really says to you, I would rather – though it is difficult to understand it, with so many nice girls dancing. And so you would not bring Lilias, Miss Margaret? I did hope, I must say, just for to-night."
"You see," said Miss Margaret, solemnly, "she is not out yet."
"Oh, you can't think that matters among friends. Katie is not out, the monkey. But, to be sure, as I tell her always, she is very different. Poor Lilias! don't you think it would be better for her just to see what the world is like a little before she comes out. She will be forming such high-flown ideas. I always say to mine, 'Don't be excited. Oh, no, no, don't be excited. A ball in London will just be very much like a ball at home.'"
"That is true enough in one way," said Miss Margaret. "Her Majesty, I suppose, is just like any other person: She has the same number of fingers and toes: but, when a young girl makes her curtsey to the Queen, I hope that will not be the way she will look upon her sovereign."
"Oh, if you take it like that, nobody will beat me in loyalty," said Mrs. Seton. "It was just as near a thing as possible last summer that Robert would have been sent for to preach at Crathie; and I am sure I would not have known if I was on my head or my heels. It's a thing that will come sooner or later; but there will be all the difference, no doubt, between seeing the Queen dressed up at a drawing-room, and seeing her in her own house, just as you might see a friend."
"The difference will be all in Mr. Seton's advantage – when that comes to pass," said Miss Margaret, with some satire in her voice.
"And do the wives go, too? Dear me, that will be a delightful ploy for you," said Miss Jean, who, for her part, had not the slightest intention of offence.
At this Mrs. Seton, who was very good-natured, ended the episode by a laugh.
"I am sure they ought to; for what is a man without his wife? Robert, I am sure, would never put on his collar straight, if I was not there," she said; and hurried away, intent on hospitable cares. It was then that Miss Jean found courage to address the stranger, who had left the piano for the moment, in consequence of a little bustle about supper, and was standing by, with his friendly face smiling upon the party in general, but without any individual occupation.
"You will excuse me," said Miss Jean, "but I must make you my compliment upon your music – and more than your music," she said, looking, to see how he would take it, into his face.
"There has not been very much music," he said, with a smile. "It was a mistake to begin anything serious."
"It was perhaps a mistake; for you did not know how little the grand music is understood," said Miss Jean. "But, if you will let me say it, it was very fine of you, being just a young man, not used to be disappointed."
"Indeed," said Lewis, "I am not unused to be disappointed." Then he laughed. "It was not worth calling a disappointment. It is all new here, and it amused me like the rest."
"But I call it a fine thing to change like that in a moment, and play their waltz for them," said Miss Jean. "It means a fine nature – neither dour nor hasty."
"Jean," said Miss Margaret, with an admonitory glance, "you