For the Major: A Novelette. Woolson Constance Fenimore

I am in bed myself soon after ten. Your home-coming is an extraordinary one."

      "And extraordinarily glad it makes me," said Sara. "I wonder, mamma, if you know how glad? I have fairly pined during this last year and a half at Longfields – yes, in spite of all Uncle John's kindness. Do you think me heartless?"

      "No," said Madam Carroll, as they went up the stairs together. "You loved your uncle, I know. You did your best to make him happy. But your father, Sara – your father, you have always adored."

      "And I continue to do it," answered the daughter, gayly. "I shall be down early, early in the morning to see him."

      "He does not come to breakfast at present. His strength has not yet fully returned. I have written you of this."

      "Not that he did not come to breakfast, mamma. That is so unlike him; he was always so cheerful and bright at the breakfast-table. But at least I can take his breakfast in to him?"

      "I think he would rather see you later – about ten, or half-past."

      A flush rose in Sara's face: no one would have called her colorless now. She looked hurt and angry. "Pray, who does take in his breakfast, then?" she asked. "I should think I might be as welcome as Judith Inches."

      "I take it," replied Madam Carroll, gently.

      "Very well, mamma; I will not begin by being jealous of you?"

      "You never have been, my daughter. And I – have appreciated it." Madam Carroll spoke in low tones: they were approaching the Major's door. She pointed towards it warningly. "We must not waken him," she said. She led her daughter in silence to the room she had fitted up for her with much taste and care. They kissed each other, and separated.

      Left alone, Sara Carroll looked round her room. As much had been done to make it bright as woman's hands, with but a small purse to draw upon, could accomplish. The toilet-table, the curtains, the low lounge, with its great, cool, chintz-covered pillows, the hanging shelves, the easy-chair, the writing-table – all these were miracles of prettiness and ingenuity. But the person for whom this had been done saw it but vaguely. She was thinking of only one thing – her father; that he had not waited to welcome her; that she should not see him until half-past ten the next morning. What could this mean? If he were ill, should not his daughter be the first to see him, the first to take care of him? She had told Madam Carroll that she would not begin the new home life by being jealous of her. But there was something very like jealousy in the disappointment which filled her heart as she laid her head upon the pillow. She had looked forward to her home-coming so long; and now that she held it in her grasp it was not at all what she had been sure it would be.

      Upon this same Saturday evening, at dusk, light was shining from the porch and windows of St. John in the Wilderness, the Episcopal church of Far Edgerley. This light shone brightest from the porch, for there was a choir rehearsal within, and the four illuminating candles were down by the door, where stood the organ. Two of the candles illumined the organist, Miss Rendlesham the second, that is, Miss Millie; the others lighted the high music-stand, behind which stood the choir in two rows, the first very crowded, the second looking with some difficulty over the shoulders of the first at the lighted books which served for both, little Miss Tappen, indeed, who was short, being obliged to stand on four unused chant-books, piled. In the front row were the soprani, eight in number, namely, Miss Rendlesham the elder, and her sister; the three Misses Greer; Miss Dalley and her two cousins, the Farrens, who were (which was so interesting) twins. In the back row were the two contralti, Miss Bolt and the already-mentioned Miss Tappen on her books, together with the tenor, Mr. Phipps; there, too, was the basso, Mr. Ferdinand Kenneway, a bachelor of amiable aspect, but the possessor also, in spite of amiability, of several singularly elusive qualities which had tried the patience of not a few.

      The music-stand, no doubt, was very much too short for this company. But then it was intended for a quartette only, and had served without question for four estimable persons during the long, peaceful rectorship of good old Parson Montgomery, who had but recently passed away. Since the advent of his successor, the Reverend Frederick Owen, three months before, the choir had trebled its size without trebling that of the stand; the result was naturally that which has been described.

      The Reverend Frederick Owen was an unmarried man.

      St. John in the Wilderness had as its rector's study a little one-story building standing in the church-yard, not far from the church; on Saturday evenings the rector was generally there. Upon the present evening Miss Rendlesham the elder, that is, Miss Corinna, sent the juvenile organ-blower, Alexander Mann by name, across to this study for the numbers of the hymns, as usual. But the rector did not return with Alexander Mann, as usual, bringing the hymns with him: he sent the numbers, written on a slip of paper. Under these circumstances the choir began its practising. And its practising was, on the whole, rather spiritless. That is, in sound, but not in continuance; for, two hours later, they were still bravely at work. The time had been principally filled with Te Deums. During the past three months the choir had had a new Te Deum every Sunday – to the discomfiture of Senator Ashley, who liked to join in "old Jackson's."

      This gentleman, who was junior warden, had dropped in, soon after Alexander Mann's departure with the hymns, to talk over some church matters with the rector. The church matters finished, he remained a while longer to talk over matters more secular. The junior warden had a talent for talking. But this gift (as is often the case with gifts) was not encouraged at home, Miss Honoria Ashley, his daughter, not being of a listening disposition. The junior warden was therefore obliged to carry his talent elsewhere. He was a small old gentleman, lean and wizened, but active, and even lively, in spite of his age, save for a harassing little cough, which could, however, end with surprising adaptation to circumstances in either a chuckle or a groan. The possessor of this cough wore an old-fashioned dress-coat, with a high stock and very neat, shining little shoes. He had always in his button-hole a flower in summer, and in winter a geranium leaf.

      The chanting of the choir came through the open windows. "I should think they would be exhausted over there," he said. "How long do they keep it up? Ferdinand Kenneway must be voiceless by this time. He has only a thread of a voice to begin with."

      "He sings with unusual correctness, I believe," said the rector.

      "Oh, he's correc t– very! It's his only characteristic. I don't know of any other, unless you include his health: he lives principally for the purpose of not taking cold. Your choir is rather predominately feminine just now, isn't it?" added the old gentleman, slyly.

      "Choirs are apt to be, are they not? I mean the volunteer ones. For the women everywhere come to church far more than the men do. It is one of the problems with which clergymen of the present day find themselves confronted."

      "That the women come?"

      "That the men do not." The rector spoke gravely. He was but little over thirty himself, yet he had been obliged more than once to put a mildly restraining pressure upon the somewhat too active gay-mindedness of his venerable junior warden.

      "What's that thing they're trying now?" said this official, abandoning his jocularity. "Dull and see-saw it sounds to me; dull and see-saw."

      "It's a Te Deum I selected for Trinity Sunday."

      "Ah, if you selected it – But it can never equal 'old Jackson's,' never! That's Sophy Greer on the solo. She can no more do it than a consumptive hen. But, sir, I'll tell you who can – Sara Carroll. They expect her home to-night."

      "Madam Carroll's daughter?"

      "No, the Major's. Madam Carroll is the Major's second wife – didn't you know that? Sara Carroll, sir, can never hope to equal her step-mother in beauty, grace, or charm. But she is a fine girl in her way – as indeed she ought to be: her mother was a Witherspoon-Meredith."

      The rector looked unimpressed. The junior warden, seeing this, drew up his chair. "The Witherspoon-Merediths, Mr. Owen, are one of our oldest families." (The rector resigned himself.) "When Scarborough Carroll married the beautiful Sara of that name, a noble pair they were, indeed, as they stood at the altar. I speak, sir, from knowledge: I was there. Their children – two boys – died, to their great grief. The last child was this daughter Sara; and the accomplished