Toby Tyler: or, Ten Weeks with a Circus. Otis James

as it might have been.

      Still, he had no thought of breaking the engagement which he had made. He went to his room, made a bundle of his worldly possessions, and crept out of the back door, down the road to the circus.

      Mr. Lord saw him as soon as he arrived on the grounds, and as he passed another ticket to Toby he took his bundle from him, saying, as he did so, "I'll pack up your bundle with my things, and then you'll be sure not to lose it. Don't you want some candy?"

      Toby shook his head; he had just discovered that there was possibly some connection between his heart and his stomach, for his grief at leaving home had taken from him all desire for good things. It is also more than possible that Mr. Lord had had experience enough with boys to know that they might be homesick on the eve of starting to travel with a circus; and in order to make sure that Toby would keep to his engagement he was unusually kind.

      That evening was the longest Toby ever knew. He wandered from one cage of animals to another; then to see the performance in the ring, and back again to the animals, in the vain hope of passing the time pleasantly. But it was of no use; that lump in his throat would remain there, and the thoughts of what he was about to do would trouble him severely. The performance failed to interest him, and the animals did not attract until he had visited the monkey-cage for the third or fourth time. Then he fancied that the same venerable monkey who had looked so knowing in the afternoon was gazing at him with a sadness which could only have come from a thorough knowledge of all the grief and doubt that was in his heart.

      There was no one around the cages, and Toby got just as near to the iron bars as possible. No sooner had he flattened his little pug-nose against the iron than the aged monkey came down from the ring in which he had been swinging, and, seating himself directly in front of Toby's face, looked at him most compassionately.

      It would not have surprised the boy just then if the animal had spoken; but as he did not, Toby did the next best thing, and spoke to him.

      "I s'pose you remember that you saw me this afternoon, an' somebody told you that I was goin' to join the circus, didn't they?"

      The monkey made no reply, though Toby fancied that he winked an affirmative answer; and he looked so sympathetic that he continued, confidentially,

      "Well, I'm the same feller, an' I don't mind telling you that I'm awfully sorry I promised that candy man I'd go with him. Do you know that I came near crying at the supper table to-night; an' Uncle Dan'l looked real good an' nice, though I never thought so before. I wish I wasn't goin', after all, 'cause it don't seem a bit like a good time now; but I s'pose I must, 'cause I promised to, an' 'cause the candy man has got all my things."

      The big tears had begun to roll down Toby's cheeks, and as he ceased speaking the monkey reached out one little paw, which Toby took as earnestly as if it had been done purposely to console him.

      "You're real good, you are," continued Toby; "an' I hope I shall see you real often, for it seems to me now, when there hain't any folks around, as if you was the only friend I've got in this great big world. It's awful when a feller feels the way I do, an' when he don't seem to want anything to eat. Now if you'll stick to me, I'll stick to you, an' then it won't be half so bad when we feel this way."

      During this speech Toby had still clung to the little brown paw, which the monkey now withdrew, and continued to gaze into the boy's face.

      "The fellers all say I don't amount to anything," sobbed Toby, "an' Uncle Dan'l says I don't, an' I s'pose they know; but I tell you I feel just as bad, now that I'm goin' away from them all, as if I was as good as any of them."

      At this moment Toby saw Mr. Lord enter the tent, and he knew that the summons to start was about to be given.

      "Good-bye," he said to the monkey, as he vainly tried to take him by the hand again; "remember what I've told you, an' don't forget that Toby Tyler is feelin' worse to-night than if he was twice as big an' twice as good."

      Mr. Lord had come to summon him away, and he now told Toby that he would show him with which man he was to ride that night.

      Toby looked another good-bye at the venerable monkey, who was watching him closely, and then followed his employer out of the tent, among the ropes and poles and general confusion attendant upon the removal of a circus from one place to another.

      Chapter III.

      THE NIGHT RIDE

      The wagon on which Mr. Lord was to send his new-found employé was, by the most singular chance, the one containing the monkeys, and Toby accepted this as a good omen. He would be near his venerable friend all night, and there was some consolation in that. The driver instructed the boy to watch his movements, and when he saw him leading his horses around, "to look lively, and be on hand, for he never waited for any one."

      Toby not only promised to do as ordered, but he followed the driver around so closely that, had he desired, he could not have rid himself of his little companion.

      The scene which presented itself to Toby's view was strange and weird in the extreme. Shortly after he had attached himself to the man with whom he was to ride, the performance was over, and the work of putting the show and its belongings into such a shape as could be conveyed from one town to another was soon in active operation. Toby forgot his grief, forgot that he was running away from the only home he had ever known – in fact, forgot everything concerning himself – so interested was he in that which was going on about him.

      As soon as the audience had got out of the tent – and almost before – the work of taking down the canvas was begun.

      Torches were stuck in the earth at regular intervals, the lights that had shone so brilliantly in and around the ring had been extinguished, the canvas sides had been taken off, and the boards that had formed the seats were being packed into one of the carts with a rattling sound that seemed as if a regular fusillade of musketry was being indulged in. Men were shouting; horses were being driven hither and thither, harnessed to the wagons, or drawing the huge carts away as soon as they were loaded; and everything seemed in the greatest state of confusion, while really the work was being done in the most systematic manner possible.

      Toby had not long to wait before the driver informed him that the time for starting had arrived, and assisted him to climb up to the narrow seat whereon he was to ride that night.

      The scene was so exciting, and his efforts to stick to the narrow seat so great, that he really had no time to attend to the homesick feeling that had crept over him during the first part of the evening.

      The long procession of carts and wagons drove slowly out of the town, and when the last familiar house had been passed the driver spoke to Toby for the first time since they started.

      "Pretty hard work to keep on – eh, sonny?"

      "Yes," replied the boy, as the wagon jolted over a rock, bouncing him high in air, and he, by strenuous efforts, barely succeeded in alighting on the seat again, "it is pretty hard work; an' my name's Toby Tyler."

      Toby heard a queer sound that seemed to come from the man's throat, and for a few moments he feared that his companion was choking. But he soon understood that this was simply an attempt to laugh, and he at once decided that it was a very poor style of laughing.

      "So you object to being called sonny, do you?"

      "Well, I'd rather be called Toby, for, you see, that's my name."

      "All right, my boy; we'll call you Toby. I suppose you thought it was a mighty fine thing to run away an' jine a circus, didn't you?"

      Toby started in affright, looked around cautiously, and then tried to peer down through the small square aperture, guarded by iron rods, that opened into the cage just back of the seat they were sitting on. Then he turned slowly around to the driver, and asked, in a voice sunk to a whisper, "How did you know that I was runnin' away? Did he tell you?" and Toby motioned with his thumb as if he were pointing out some one behind him.

      It was the driver's turn now to look around in search of the "he" referred to by Toby.

      "Who do you mean?" asked the man, impatiently.

      "Why, the old feller; the one in the cart there.