Eminent Authors of the Nineteenth Century. Georg Brandes

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The fables of the past century (for instance, Lessing's fables) are merely ethic.

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G. Brandes: S. Kierkegaards. Ein literarisches Charakterlied. Leipsic, 1879.

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The following composition was recently written in Copenhagen by a little maiden of ten years on the theme, "An Unexpected Joy." "There dwelt in Copenhagen a man and his wife who were very happy. All went well with them, and they were extremely fond of each other; but they felt very sorry because they had no children. They waited a long time, still they got none. At last the husband went away on a long journey and was gone ten years. When the time was at an end, he returned home, entered his house, and was happy indeed to find five little children in the nursery, some playing, some in the cradle. This was an unexpected joy!" This composition, however is an example of the kind of naivete' which Andersen never uses. The point would attract a French story-teller, but, like everything else that alludes to sex, it leaves Andersen perfectly cold.

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There is not a single Danish poet, who, to such a degree as Andersen, has scorned to produce effect through the romance of the past; even in the nursery story, which from the beginning has been handled by the romantic school of Germany in a manner that can he compared with the style of the Middle Ages, he is always solely and entirely in the present. He, as well as Oersted, dares to sacrifice the interesting element in his enthusiasm for King John and his time, and he heartily joins with Ovid in exclaiming, —

Prisca juvent alios! ego me nunc denique natum Gratulor. Haec aetas moribus apta meis. – ARS. AMAT. III. 121.