The Bondman: A New Saga. Hall Sir Caine

Wearing such borrowed plumes and a brazen smile of defiance, Liza strutted up to the Communion rail, looking impudently into the men's faces, and saucily into the women's – for the church was thronged with an odorous mob that kept up the jabbering of frogs at spawn – and Stephen Orry slouched after her in his blowzy garments with a downward, shame-faced, nervous look that his hulky manners could not conceal. Then what a wedding feast it was that followed! The little cabin in Port-y-Vullin reeked and smoked with men and women, and ran out on to the sand and pebbles of the beach, for the time of year was spring and the day was clear and warm. Liza's old lovers were there in troops. With a keg of rum over his shoulder Nary Crowe, the innkeeper, had come down from the "Hibernian" to give her joy, and Cleave Kinley, the butcher, had brought her up half a lamb from Ballaglass, and Matt Mylechreest, the net maker – a venal old skinflint – had charged his big snuff horn to the brim for the many noses of the guests. On the table, the form, the three-legged stool, the bed and the hearth, they sat together cheek by jowl their hats hung on the roof rafters, their plates perched on their knees.

      And loud was their laughter and dubious their talk. Old Thurstan Coobragh led off on the advantages of marriage, saying it was middlin' plain that the gels nowadays must be wedded when they were babies in arms, for bye-childers were common, and a gel's father didn't care in a general way to look like a fool; but Nary Crowe saw no harm in a bit of sweetheartin', and Cleave Kinley said no, of course, not if a man wasn't puttin' notions into a gel's head, and Matt Mylechreest, for his part, thought the gels were amazin' like the ghosts, for they got into every skeleton closet about the house.

      "But then," said Matt, "I'm an ould bachelor, as the sayin' is, and don't know nothin'."

      "Ha, ha, ha! of course not," laughed the others; and then there was a taste of a toast to Liza's future in Nary's rum.

      "Drop it," said Liza, as Nary, lifting his cup, leaned over to whisper.

      "So I will, but it'll be into your ear, woman," said Nary. "So here's to the king that's comin'."

      By this time Stephen had slipped out of the noisome place, and was rambling on the quiet shore alone, with head bent, cheeks ashy pale, eyes fixed, and his brawny hands thrust deep into his pockets. At last, through the dense fumes within the house, Bella Coobragh noted Stephen's absence, and "Where's your man?" she said to Liza, with a tantalizing light in her eyes.

      "Maybe where yours is, Bella," said Liza, with a toss of the head; "near enough, perhaps, but not visible to the naked eye."

      The effects of going to church on Liza Killey were what they often are of a woman of base nature. With a man to work for her she became more idle than before, and with nothing to fear from scandal more reckless and sluttish. Having hidden her nakedness in the gown of marriage, she lost the last rag of womanly shame.

      The effects on Stephen Orry were the deepening of his sloth, his gloom and his helplessness. What purpose in life he ever had was paralyzed. On his first coming to the island he had sailed to the mackerel fishing in the boats of Kane Wade – a shrewd Manxman, who found the big, dumb Icelander a skilful fisherman. Now he neglected his work, lost self-reliance, and lay about for hours, neither thinking nor feeling, but with a look of sheer stupidity. And so the two sat together in their ditch, sinking day by day deeper and yet deeper into the mire of idleness, moroseness, and mutual loathing. Nevertheless, they had their cheerful hours together.

      The "king" of Nary's toast soon came. A child was born – a bonny, sunny boy as ever yet drew breath; but Liza looked on it as a check to her freedom, a drain on her energy, something helpless and looking to her for succor. So the unnatural mother neglected it, and Stephen, who was reminded by its coming that Rachel had been about to give birth to a child, turned his heart from it and ignored it.

      Thus three spirit-breaking years dragged on, and Stephen Orry grew woe-begone and stone-eyed. Of old he had been slothful and spiritless indeed, but not a base man. Now his whole nature was all but gone to the gutter. He had once been a truth-teller, but living with a woman who assumed that he must be a liar, he had ended by becoming one. He had no company save her company, for his slow wit had found it hard to learn the English tongue, and she alone could rightly follow him; he had no desires save the petty ones of daily food and drink; he had no purpose save the degrading purpose of defeating the nightly wanderings of his drunken wife. Thus without any human eye upon him in the dark way he was going, Stephen Orry had grown coarse and base.

      But the end was not yet, of all this than was to be and know. One night, after spending the day on the sea with the lines for cod, the year deepening to winter, the air muggy and cold, he went away home, hungry, and wet and cold, leaving his mates at the door of the "Plough," where there was good company within and the cheer of a busy fire! Home! On reaching Port-y-Vullin he found the door open, the hearth cold, the floor in a puddle from the driving rain, not a bite or sup in the cupboard, and his wife lying drunk across the bed, with the child in its grimy blueness creeping and crying about her head.

      It was the beginning of the end. Once again he fumbled the haft of his seaman's knife, and then by a quick impulse he plucked up the child in his arms.

      "Now God be praised for your poor face," he said, and while he dried the child's pitiful eyes, the hot drops started to his own.

      He lit the fire, he cooked a cod he had brought home with him, he ate himself and fed the little one. Then he sat before the hearth with the child at his breast, as any mother might do, for at length it had come to him to know that, if it was not to be lost and worse than orphaned, he must henceforth be father and mother both to it.

      And when the little eyes, wet no longer, but laughing like sunshine into the big seared face above them struggled in vain with sleep, he wrapped the child in his ragged guernsey and put it to lie like a bundle where the fire could warm it. Then all being done he sat again, and leaning his elbows on his knees covered his ears with his hands, so that they might shut out the sound of the woman's heavy breathing.

      It was on that night, for the first time since he fled from Iceland, that he saw the full depth of his offence. Offence? Crime it was, and that of the blackest; and in the terror of his loneliness he trembled at the thought that some day his horrible dumb secret would become known, that something would happen to tell it – that he was married already when he married the woman who lay behind him.

      At that he saw how low he had fallen – from her who once had been so pure and true beside him, and had loved him and given up father, and home, and fame for him; to this trull, who now dragged him through the slush, and trod on him and hated him. Then the bitter thought came that what she had suffered for him who had given him everything, he could never repay by one kind word or look. Lost she was to him forever and ever, and parted from him by a yet wider gulf than eight hundred miles of sea. Such was the agony of his shame, and through it all the snore of the sleeping woman went like iron through his head, so that at last he wrapped his arms about it and sobbed out to the dead fire at his feet, "Rachel! Rachel! Rachel!"

      All at once he became conscious that the heavy breathing had ceased, that the house was silent, that something had touched him on the shoulder, and that a gaunt shadow stood beside him. It was the woman, who at the sound of his voice had arisen from her drunken sleep, and now gasped,

      "Who is Rachel?"

      At that word his blood ran cold, and shivering in his clothes, he crouched lower at the hearth, neither answering her nor looking up.

      Then with eyes of hate she cried again,

      "Who is Rachel?"

      But the only voice that answered her was the voice that rang within him – "I'm a lost man, God help me."

      "Who is Rachel?" the woman cried once more, and the sound of that name from her lips, hardening it, brutalizing it, befouling it, was the most awful thing by which his soul had yet been shaken out of its stupor.

      "Who is she, I say? Answer me," she cried in a raging voice; but he crouched there still, with his haggard face and misty eyes turned down.

      Then she laid her hand on his shoulder and shook him, and cried bitterly.

      "Who is she, this light o' love – this baggage?"

      At that he stiffened himself up, shuddered from head to foot, flung her from