The Crime and the Criminal. Marsh Richard

odd, very odd indeed, that both you and I should seem to evince so much interest in a person whose name we have merely heard casually mentioned. It occurred to me that, when you found the name confronting you, you appeared-shall I say startled? – as if it or its owner was connected in your mind with disagreeable associations. Perhaps, however, that was simply a consequence of the general ill-health from which you say you suffer. And, I must say myself, that you don't look well. I hope that, next time I see you, you will be better."

      He carried it off with an air. But I did not believe him. I felt persuaded that he knew more of Louise O'Donnel than he chose to confess. What he knew was more than I could say. But I felt equally persuaded that he wished that he knew less. He went off without saying anything further about the little deal which he had said that he wanted me to do for him. It had, apparently, escaped his recollection. I, too, had forgotten it till after he had gone. I had never felt less inclined for business in my life.

      Scarcely had I returned to the office than the door opened, and, wholly unannounced, the stranger of the night before came in. He might, almost, have been waiting and watching for my return.

      CHAPTER IV

      BLACKMAIL

      Again I was struck by the man's resemblance to Mr. Townsend. It was obvious even in the way in which he advanced towards me across the room. It was almost as if Townsend had slipped on some costume of a masquerade, and reappeared in it to play tricks with me. The fellow, going to the centre of the room, crossed his arms, in theatrical fashion, across his chest, and stood and stared at me-glared at me would be the more correct expression. Not caring to meet his glances, and to return him glare for glare, as if we were two madmen trying to outstare each other, I fumbled with the papers on my table.

      "You have called for that handkerchief of yours? I am obliged to you for the loan of it; but I had to leave home for town so early this morning that my wife was not able to get it ready in time for me to bring it with me. If you will give me your address I will see that it is sent to you through the post."

      There was a considerable interval before he answered me-an interval during which he continued to glare, and I to fumble with my papers. When he did speak, it was in one of those portentous and assumed bass voices, which one inevitably connects with the proverbial "Villain at the Vic."

      "I have not called for my handkerchief."

      "Then, may I ask to what I am indebted for the pleasure of your presence here. I have only just come in, and I have some rather pressing business which I must do."

      "Your business has nothing to do with me."

      "Probably not; but it has with me."

      He came a step nearer, still keeping his arms crossed upon his chest. This time he spoke in a sort of a hiss. It seemed obvious that at some period of his career he must have had something to do with the stage.

      "Do you not know what has brought me here. Does your own conscience not tell you, man?"

      I began to suspect that he had been drinking. I looked up at him. He was eyeing me with a scowl which, to say the least of it, was scarcely civil.

      "How should I know what has brought you here, if it is not a desire to regain possession of your property? I take it that you hardly intend to suggest a further deposit."

      I do not think that he altogether relished the allusion. His scowl became less theatrical, and a good deal more natural. He seemed, for a moment, to be at a loss as to what to say. Then a word came from between his lips which startled me.

      "Murderer!"

      That was rather more than I could stand. I sprang to my feet.

      "What do you mean, sir, by addressing me like that? Are you mad?"

      My assumption of indignation did not seem to impress him in the least. He returned to the basso profundo.

      "Have you seen the evening papers?"

      At the question something began to swim before my eyes. I had to lean against the edge of the table.

      "No; what is there in the evening papers to interest me?"

      "I will show you."

      He began to unfold a paper which he took from his pocket. Laying the open sheet before me on the table, he pointed to a column of leaded type.

      "Read, mark, learn, and inwardly digest that, if you can."

      The heading of the column was enough for me. It was headed, "Tragedy on the Brighton Line." I could read no farther. I dropped down into my chair again. The stranger continued to regard me with accusatory eyes.

      "What's the matter with you? You don't seem well."

      "I've not been feeling well all day."

      "So I should imagine. Else you had been more or less than human. Since you are not able to read the paper yourself, at which I am not surprised, I will read it for you. The paper says that the body of a woman has been found on the up side of the Brighton line, just before Three Bridges Station."

      "Dead?"

      "Dead-murdered."

      I was speechless, tongue-tied. The whole hideous folly of which I had been guilty rose in front of me, and paralysed my brain. I saw, too clearly, and too late, the dreadful nature of the error I had made. I realised the awful something which, owing to my own cowardice, now stared me in the face. It might have been bad enough if I had played the man; but it would have been better than this.

      The stranger kept his eyes fixed on my countenance. I have no doubt that on it was seen some of the horror which racked me. His voice sounded to me like an echo from far away.

      "That explains how it was that I saw a woman get into your carriage at Brighton, and that she was not there when we reached Victoria. You had left her on the line."

      I made an effort to shake off the stupor which oppressed me. It was out of the question that I should continue to sit there passively, and allow this fellow to jump, in his own fashion, at his own conclusions. Better late than never! There might still be time for me to play the man. I took out my handkerchief to wipe away the moisture from my brow. I looked at the man in front of me.

      "May I ask you for your name, sir?"

      "My name is immaterial."

      "Excuse me, but it is not immaterial. You thrust yourself upon me last night, you thrust yourself upon me again to-day. If I am to have anything to say to you, I must know with whom I am dealing."

      "You are dealing with the witness of your crime."

      "That is not the case. I have been guilty of no crime."

      "Why do you lie to me? Don't you know that I could go straight from this room and hang you?" He raised his voice in a manner which told upon my nerves. I looked furtively about the room. I had to wipe the moisture from my brow again.

      "Is it necessary that you should speak so loudly, sir! Do you wish to be overheard? There are clerks in the adjoining room."

      "Then send them away; or don't try to hoodwink me-me!" He struck his hand against his chest, accentuating the second "me," as if he were an individual altogether separate and apart. "If I were to follow the promptings of my bosom, I should go at once to the police, and leave you to dangle on the gallows."

      "You are under a misapprehension, sir. I give you my word of honour that you are. I may have been guilty-I have been guilty-of an error of judgment, but not of a crime."

      "Do you call murder an error of judgment?"

      "There has been no murder-I swear it!"

      He held up his hand to check me. "Let me tell you how much I know about the business before you go out of your way to lie to me." Seating himself on the edge of my writing-table, he brought his right hand down upon it now and then to emphasise his words. "Directly the train started I heard two voices in the compartment next to mine-in your compartment. The voices were raised in quarrelling. I had, by the purest accident, seen a woman get into your compartment just as we were leaving Brighton, and I knew that the voices were yours and hers. The quarrelling