Doing Criticism. James Chandler

See Gösta Werner, “James Joyce and Sergej Eisenstein,” trans. Erik Gunnemark, James Joyce Quarterly, vol. 27 (Spring 1990): 504.

      45 45. See Annette Michelson, “Reading Eisenstein Reading Capital (Part 2),” October, vol. 3 (Spring 1977): 82–89.

      46 46. Eliot wrote in 1936, “At no period is the visual imagination conspicuous in Milton’s poetry.” T. S. Eliot, “Milton I” in Selected Prose of T. S. Eliot, ed. Frank Kermode (Cambridge, Mass.: Harvard University Press, 1975), p. 259.

      47 47. Sergei Eisenstein, The Film Sense, trans. and ed. Jay Leyda (New York: Harcourt Brace, 1975), p. 32.

      48 48. John Milton, Paradise Lost, ed. Alastair Fowler (New York: Routledge, 2013), lines 1–26.

      49 49. See John Barrell’s discussion of blank verse in Poetry, Language and Politics (Manchester, UK: Manchester University Press, 1988), esp. pp. 108–9.

      50 50. See Eisenstein, The Film Sense, p. 46.