At age nineteen, Pat Ardley packed up her belongings and left Winnipeg for Vancouver, looking for adventure. Little did she know that she’d spend the next forty years in the wilderness, thirty of which would be spent with a man known as George “Hurricane” Ardley. Pat met George soon after arriving in Vancouver, and not long after that the two of them set out for Addenbroke Island to work as junior lighthouse keepers. The journey up to the little island in the Fitz Hugh Sound, 483 km north of Vancouver, took four rolling days by Coast Guard ship—and a huge leap in lifestyle. There, the couple fell in love with the wilderness lifestyle and each other. They learned to grow their own produce, keep chickens, can clams and salmon, build their own furniture, and in the evenings they read aloud to each other for entertainment. But, of course, it wasn’t always easy. Pat’s fear of the ocean made for a constant struggle in her marine environment, and being the partner of an adrenalin junky (he didn’t earn the nickname “Hurricane” for nothing!) sometimes made for a wild ride. Soon Pat and George were starting their own remote fishing lodge in Rivers Inlet, not so far from where the adventure began on Addenbroke Island. Financed by their wilderness odd jobs, the lodge came together slowly but surely through the couple’s hard work. George proudly added a nursery to the float lodge when their family grew, and they made sure the little ones knew not to step out the door without wearing a life jacket. Life was full of both challenges and rewards, and dealt plenty of disasters and close calls (including grizzly encounters) but the lodge business supported the family, and gained a steady clientele who were enticed back year after year by the warm welcome, beautiful setting and plentiful salmon, giant halibut and ling cod. After running the lodge together for twenty-seven years, George passed away from cancer. Despite all the advice she received to the contrary, Pat decided to run the business on her own with the assistance of her two children. Through resolve and strength in adversity, Pat outgrew the shadow of Hurricane Ardley and earned an intimidating nickname of her own: Don’t-Mess-with-Me Ardley. Reminiscent of British Columbia classics like Fishing with John , I Heard the Owl Call My Name and the evocative wilderness writings of Chris Czajkowski, this memoir is a touching tribute to coastal life.
In 1970, twenty-two-year-old Thom Henley left Michigan and drifted around the northwest coast, getting by on odd jobs and advice from even odder characters. He rode the rails, built a squatter shack on a beach, came to be known as «Huckleberry» and embarked on adventures along the West Coast and abroad that, just like his Mark Twain namesake, situated him in all the right and wrong places at all the right and wrong times. Eventually, a hippie named Stormy directed him to Haida Gwaii where, upon arrival, a Haida Elder affirmed to the perplexed Huckleberry that she had been expecting him. From that point onward, Henley's life unfolded as if destiny were at work–perhaps with a little help from Raven, the legendary trickster. While kayaking the remote area around South Moresby Island, Henley was struck by the clear-cut logging and desecration of ancient Haida village sites. Henley collaborated with the Haida for the next fourteen years to spearhead the largest environmental campaign in Canadian history and the creation of Gwaii Haanas National Park. Later, he became a co-founder of Rediscovery–a wilderness program for First Nations and non-aboriginal youth that would become a global model for reconciliation. Henley's story is peppered with a cast of unlikely characters serendipitously drawn together, such as the time he hosted then-Prime Minister Pierre Elliott Trudeau and entourage, including five-year-old Justin Trudeau, at his remote driftwood hippie hut (the visit was unanticipated and at the time the helicopter touched down, Henley and a friend were doing laundry). Over and over, Henley found himself at the epicentre of significant events that included a historic train caravan across Canada, an epic Haida canoe voyage, an indigenous rights campaign world tour for the Penan tribespeople of Borneo, as well as two global disasters–the 2004 South Asian tsunami and the 2015 Nepal earthquake. Beautifully recounted with passion, humour and humility, Raven Walks around the World is a moving and thoughtful account of a life lived in harmony with the land and community.
This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations.Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into “black files" and “red files." In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: “I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father's surname, treaty card, Cree accent echo, metal bits, grit— / and I will still have room to cock a fist."The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.
In this debut poetry collection by award-winning author Kim Fu, incantations, mythical creatures and extreme violence illuminate small scenes of domestic life and the banal tragedies of modern love and modern death.A sharp edge of humour slices through Fu's poetry, drawing attention to the distance between contemporary existence and the basic facts of life: “In the classrooms of tomorrow, starved youth will be asked to imagine a culture that kept thin pamphlets of poetry pinned to a metal box full of food, who honoured their gods of plenty by describing ingredients in lush language."Alternating between incisive wit and dark beauty, Fu brings the rich symbolism of fairy tales to bear on our image-obsessed age. From “The Unicorn Princess": “She applies gold spray paint to her horn each morning, / hoping to imitate the brass tusks / on the unicorns skewered to the carousel, / their brittle, painted smiles, harnesses / embedded in their backs and shellacked to high gloss." These poems are utterly of-the-moment, capturing the rage, irony and isolation of the era we live in.
Wigford is a small town in rural Southwestern Ontario, home to a cast of recurring characters: Buzz, a drunk-driving father of two; his wife, who should have married Bert Walmsley instead; Happy Henry, a devout, socially inept apostle who loves to play the organ; Elmer, a stroke survivor.Wigford Rememberies tells this community's stories through an impressionistic series of vignettes. The language is inventive, innovative and exciting, and whether describing mucking out the pig barn—“there in the dust and the sweet smells of grain and straw and the heavy brown odour of shit so strong it makes you sneeze"—or helping a drunk articulate how to manipulate God's forgiveness—“‘if I gave my heart to Jesus—right there on my deathbed the minute before I died—he'd forgive everything an I'd go up into Heaven and be saved just as much as the other guy who never did nothin' wrong at all with no difference?'"—Harness wields words with an eye for detail, musicality and style.Visceral, reflective and lyrical, Wigford Rememberies is a poetic evocation of mood and epiphanic realizations, and will resonate with anyone who has ever confronted suffering, love or the unknowable.
Each fisherman steps onto the docks, sees Peter Gordon's boat the MV Kalua, glances at the other members of the charter and feels a rush of anticipation. The challenge is on to see who will catch the biggest fish.Told with a skipper's authority, Stalking Salmon and Wrestling Drunks recounts the highs and lows of fishing with tourists, including dealing with rowdy guests, bad weather, near death experiences, lost fish, tangled lines, and sometimes even tragedy. Gordon's humour and tenacity shines through each tale to create an energetic memoir that will appeal to fishing enthusiasts, observers of human behaviour, travellers and anyone interested in recreational fishing.Stalking Salmon and Wrestling Drunks exemplifies the quintessential BC West Coast experience; however, the stories are much more than great fishing trips. As the skipper, each charter brought Gordon the challenge of “bringing together the most unlikely people, people who would never choose to spend four or five hours together.” It might be as simple as children or jobs, but Gordon thrived on deeper, more powerful connections like re-introducing two men who had been in the same concentration camp together during World War II and hadn't seen each other since.For Gordon, each charter was not only about a skipper and his crew, but was an opportunity to encourage each person to have an exceptional experience. Stalking Salmon and Wrestling Drunks tells each story with precision, an eye for detail and the good-natured humour that carried the author through each day on the rough seas. This collection is a delightful balance between the adventure of open-water fishing, helping people cross the last item off their bucket list and making life-long friends in the process.
From the monk who sets himself on fire in a crowded intersection of Saigon (“the familiar corded tendons of his hands, become / a bracken of ashes, a carbon twine of burnt”), to the salmon run in British Columbia (“The salmon word / for home is glacierdust and once-tall trees unlimbed, / a taste, no matter where, they know”), Johnson writes of topics varied and eclectic, unified by a focus on moments both declining and revenant.Startling and haunting, the poems delve into the ways in which these moments are transformative, beautiful and unexpected. Being eaten by a lion is a gift rather than a loss, an opportunity for grace: “Instead, focus on your life, / its crimson liquor he grows drunk on. / Notice the way the red highlights his face, / how the snub nose is softened, the lips made / fuller; notice his deft musculature, his rapture.”Lyrical and rich with visceral imagery, How to Be Eaten by a Lion lingers, exploring the world with an eye for detail and an ear for music.
Some people win games. Some achieve success. But when it comes right down to it, most people don’t. Failure is a guest no one invites, yet it shows up almost everywhere. The gifts it brings are easy to overlook.The Uninvited Guest is a whirlwind ride featuring Romanian hockey superstars growing up in Montreal, Danish prostitutes working in Sweden, Russian mobsters, the perils of parking in Penitanguishene, and how not to die if you want to make it home on time.Most of all, it’s the story of Stan Cooper, hockey timekeeper/custodian-turned-trophy-keeper; Tony, a young Italian Canadian man and new Cup keeper; and Dragos Petrescu, the first Romanian-born hockey player to win the Stanley Cup. Over a period of 50 years, the lives of the three men weave in and out of each other, with themes of love, hate, family, jealousy and ultimately, forgiveness.
Like all great adventures, this one starts with someone trying to get a girl. After all, King Meneleaus didn't go to Troy for the baklava.Playwright, journalist, comedian and bestselling author Mark Leiren-Young recalls his teenage escapades in this hilarious memoir and coming-of-age story. A geeky bully-magnet, Mark was seventeen and wanted to be a playwright, but even more than that, he wanted to impress Sarah, the girl he’d pined for since elementary school. It’s 1980 and, thanks to Doug Henning, magic is hip, so Mark hooks up with Randy, a stoner magician, and Kyle, an ambitious young actor, to chase fame—and the women of their dreams. Seeing a chance at having all of their desires come true, they risk everything to create a show they know will be like Star Wars on stage. But is getting a date worth having your head cut off?
Russell Thornton's latest collection of poems, Birds, Metals, Stones and Rain, explores powerful, primary human relationships through images of two worlds: the natural and the urban industrial.Simple grass is the iron of an invisible forging within nature that involves the human creative consciousness. A scavenger alley crow is the universal creative spirit in brutal primordial disguise. A murderously violent father and son are integrated into a single new man who walks «bright as a song in the air.» A young daughter flings up her arms to seagulls that «collect up the world, opening it like a door.» An infant son fights the “anger in him … the death … with the heaven in living flailing hands."Intensely personal, Birds, Metals, Stones and Rain reveals how essential human identity reinitiates human consciousness in a participatory universe.