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Скачивание или чтение онлайн электронных книг.Twenty-One Cardinals
The twenty-one children of the Cardinal family have congregated to celebrate their father, who discovered the mine around which their now-desolate town was built. As the siblings run wild, we discover that Angèle, the only Cardinal with a penchant for happiness, is missing—although everyone pretends not to notice. Why the silence? What secrets does the mine hold? Jocelyne Saucier is the author of several novels, including Il pleuvait des oiseaux , which won the Prix des Cinq Continents de la Francophonie. Rhonda Mullins was shortlisted for the Governor General's Award for her translation of Saucier's And the Birds Rained Down .
Theatre of the Unimpressed
Tannahill is a mover and shaker in the Toronto arts scene, and his work has gained international attention at festivals and galleries. He directed the world premiere of Sheila Heti's All Our Happy Days Are Stupid at his storefront theatre Videofag in 2014; the play will be remounted by McSweeney's in NYC in 2015.Declining theatre patronage have forced many once-vibrant companies and venues into difficult financial situations; Vancouver's celebrated Playhouse Theatre closed in 2012, despite public outcry. We tend to mourn the loss of these cultural institutions and move on. Tannahill suggests that contemporary theatre could be more engaging, forward-thinking and accessible than it is, and do more to grow its audience instead of blaming slow ticket sales on society's lack of cultural engagement.
Dear Leader
I'm ill-equipped  for this. I sit    by a fake fireplacethat frames a real flame.  I've been crossed    by two crows today.‘Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: «O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter.» Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar «Dear Reader» or Dickinson's «Dear Master» … Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean — the mem of memory — and the fabric we make of the uncertain in-between.’— Hoa Nguyen, The Boston Review‘How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart under assault, bleeding but unbroken. Part Orpheus, part pop-heroine who can “paint the daytime black,” all, an original act of aesthetic violence and pure, dauntless, love.’— Lynn Crosbie’In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that’s the magic: this is a poetry that refuses to be staged or to succumb to cliché or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. “Say you’re a poet,” Rogers advises us, tongue-in-cheek, “Maybe you mean / Hi, I have a lot of feelings.” Striking that balance between one-liners and mourning is no small feat.‘—Trillium Award Jury CitationPraise for Paper Radio: ‘Paper Radio jumped out at me and I can’t say why, but that’s what you want poetry to do, and I never want to say why. Because it’s real and talking to me. Because it’s bloody and horrifying beauty. It’s the Clash and Buckminster Fuller, Auden and Bowie.— Bob HolmanOriginally from the Detroit area, Damian Rogers now lives in Toronto where she works as the poetry editor of House of Anansi Press and as the creative director of Poetry in Voice. Her first book, Paper Radio, was nominated for the Pat Lowther Memorial Award.
The Sleepworker
"As New York, capital of the twentieth century, recedes from memory, it becomes more like Paris; we flock to it to pay tribute to the great things that once happened there. New York is now a miasma of apocryphal myths feasting on its own corpse. On these pages, Martinez spins hazy rumor and wilting gossip into blistering contemporary fiction, holding up Warhol's mirror to the myth of Warhol himself. The result is a delicious celebration of simulacra where, like New York New York itself, nothing is true, but everything is permitted."—Kenneth GoldsmithJohn is a poet. Only John almost never writes poems, because he is also unemployed. He lives with four friends, and they squat in a loft in New York New York, a fantastical city that resembles the Big Apple, but also any other city where artists live. They throw fabulous parties and practice group sodomy. That is, until John meets Andy.Andy is an artist. Well, he is if you define art as something that people don't want but the artist wants to give them anyway. A gallery owner with Tourette syndrome «discovers» his work and Andy is on his way to being famous. John, on the other hand, is hard at work at being unemployed, drinking all night and sleeping all day—which leaves him very little time for writing poems. Andy, watching him sleep, has an intriguing idea for a piece of art that he thinks will allow John to get paid for what he does best.Using the story of Andy Warhol and John Giorno and their film Sleep as a starting point, The Sleepworker reads like a Warhol film on fast-forward. Cyrille Martinez is a poet and novelist living in Paris. This is his English debut. Joseph Patrick Stancil has studied French and translation at UNC-Chapel Hill and New York University. He currently lives in New York, New York.
The Inspection House
In 1787, British philosopher and social reformer Jeremy Bentham conceived of the panopticon, a ring of cells observed by a central watchtower, as a labor-saving device for those in authority. While Bentham's design was ostensibly for a prison, he believed that any number of places that require supervision—factories, poorhouses, hospitals, and schools—would benefit from such a design. The French philosopher Michel Foucault took Bentham at his word. In his groundbreaking 1975 study, Discipline and Punish , the panopticon became a metaphor to describe the creeping effects of personalized surveillance as a means for ever-finer mechanisms of control.Forty years later, the available tools of scrutiny, supervision, and discipline are far more capable and insidious than Foucault dreamed, and yet less effective than Bentham hoped. Shopping malls, container ports, terrorist holding cells, and social networks all bristle with cameras, sensors, and trackers. But, crucially, they are also rife with resistance and prime opportunities for revolution. The Inspection House is a tour through several of these sites—from Guantánamo Bay to the Occupy Oakland camp and the authors' own mobile devices—providing a stark, vivid portrait of our contemporary surveillance state and its opponents. Tim Maly is a regular contributor to Wired , the Atlantic , and Urban Omnivore and is a 2014 fellow at Harvard University's Metalab. Emily Horne is the designer and photographer of the webcomic A Softer World .
The Poetic Edda
"This is a wonderful new edition of the Poetic Edda . It captures the language, vitality, and rhythms of the original."—Jesse Byock, PhD, UCLAGods, giants, the undead, dwarves, Valkyries, heroes, kidnapping, dragons, and a giant wolf are just some of the stars in these Norse tales. Committed to vellum in Iceland around 1270, The Poetic Edda has compelled the likes of Richard Wagner, J. R. R. Tolkien, Jorges Luis Borges, and W.H. Auden. Jeramy Dodds transmits the Old Icelandic text into English without chipping the patina of the original. Jeramy Dodds 's Crabwise to the Hounds was shortlisted for the Griffin Poetry Prize and won the Trillium Book Award for poetry.
Gods of the Hammer
In the late 1970s and early 1980s, no Canadian band rocked harder, louder or to more hardcore fans than Teenage Head. This high-energy quartet – consisting of four guys who'd known each other since high school – were a balls-to-the-walls sonic assault. And they almost became world-famous. Almost. This is their story, told for the first time.
The Stonehenge Letters
While researching why Freud failed to win a Nobel Prize at the Nobel Archives in Sweden, a psychiatrist makes an unusual discovery. Among the piles of papers in the 'Crackpot' file are letters addressed to the executor of Alfred Nobel's will, written by several notable Nobel laureates — including Rudyard Kipling and Marie Curie — each offering an explanation of why and how Stonehenge was constructed. Diligent research uncovers that Alfred Nobel added a secret codicil to his will, a prize for the Nobel laureate who solves the mystery of Stonehenge.Weaving together a wealth of primary sources — photos, letters, wills — The Stonehenge Letters tells the tale of a fascinating secret competition.Praise for The Stonehenge Letters:'This little novel is a delight from its first word to its last. The Stonehenge Letters is by turns thoughtful, whimsical, haunting and laugh-out-loud funny. Reading this book was like skating over the smoothest ice; I was blissfully unaware of the transition from history to fiction and back again'— Annabel Lyon, author of The Sweet Girl'In his alarmingly smart and dangerously absorbing Freud-tinged romance/detective story, Harry Karlinsky deploys explosions, earthworms, radioactive particles and a passel of Nobel laureates to reinvent history in the golden age of invention.'— Zsuzsi Gartner, author of Better Living Through Plastic ExplosivesHarry Karlinsky is a clinical professor of psychiatry at the University of British Columbia. His first novel, The Evolution of Inanimate Objects (HarperCollins UK), was longlisted for the Wellcome Trust Book Prize.
Multitudes
Revelling in the value of social polyphony from Walt Whitman's «Song of Myself,» Multitudes looks at its contemporary theatres of Facebook and Twitter, post-riot police surveillance, protest culture and poetry itself. With wit, perceptiveness and her trademark linguistic sonar, Margaret Christakos keenly examines intimacies and banishments, as well as intergenerational grief, self-display and social hope.
Milosz
Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action — to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.