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George Kennan (1845-1924) was a pioneering explorer, writer, and lecturer on Russia in the nineteenth century, the author of classic works such as Tent Life in Siberia and Siberia and the Exile System , and great-uncle of George Frost Kennan, the noted historian and diplomat of the Cold War.In 1870, Kennan became the first American to explore the highlands of Dagestan, a remote Muslim region of herders, silversmiths, carpet-weavers, and other craftsmen southeast of Chechnya, only a decade after Russia violently absorbed the region into its empire. He kept detailed journals of his adventures, which today form a small part of his voluminous archive in the Library of Congress. Frith Maier has combined the diaries with selected letters and Kennan’s published articles on the Caucasus to create a vivid narrative of his six-month odyssey.The journals have been organized into three parts. The first covers Kennan’s journey to the Caucasus, a significant feat in itself. The second chronicles his expedition across the main Caucasus Ridge with the Georgian nobleman Prince Jorjadze. In the final part, Kennan circles back through the lands of Chechnya to slip once again into the Dagestan highlands.Kennan’s remarkable curiosity and perception come through in this lively and accessible narrative, as does his humor at the challenges of his travels.In her introduction, Maier discusses Kennan’s illustrious career and his reliability as an observer, while providing background on the Caucasus to help clarify Kennan’s descriptions of daily life, religion, etiquette, customary law, and local government. In an Afterword, she retraces Kennan’s steps to find descendants of Prince Jorjadze and describes her work in coproducing, with filmmaker Christopher Allingham, a documentary inspired by Kennan’s Caucasus journey.
The Lives of the Saints
The image of the rose winds through the book, symbol of eternity and transience, gravity and folly. We find it in the ghastly bloom of the atomic bomb, in the relic of St. Therese of Lisieux, in the wool of a cloned sheep. Its image glows silently under the Waste Isolation Projects of Yucca Mountain and New Mexico, in the U.S. Human Radiation Experiments, in the altars constructed at the schoolyard gate of the Columbine massacre.The poems – witty, sly, sensitive, and immensely informed – trace the spiritual inquiries of a series of linked personae adrift in bodies and a world made toxic by the residues of scientific experimentation. Paola�s dramatic monologues begin and end with the same fictional narrator, a wry, cynical, cake-baking woman who, on learning of the atomic structure of all matter, begins a lifetime of questioning.At times blasphemous, at times poignant and humorous, these voices are never less than heartbreakingly human, and the words they utter chill with their honesty. The Lives of the Saints is a stark, wise, meticulously researched book by a writer whose reputation leaps forward with each publication.
Hazel Wolf
When Hazel Wolf died, at the age of 101, more than nine hundred of her friends – from the governor of Washington to union organizers, from birdwatchers to hunters – crowded Town Hall in Seattle to honor the feisty activist and tell the often outrageous «Hazel stories» that were their common currency. In this book, Hazel herself tells the stories. From twenty years of taped conversations, Susan Starbuck has fashioned both a biography and a historical document, the tale of a century�s forces and events as played out in one woman's extraordinary life.Hazel Wolf earned a national reputation as an environmentalist and was awarded the National Audubon Society's Medal of Excellence, an honor she shared with Rachel Carson and Jimmy Carter. She laid the groundwork for a unique coalition of Native Americans and environmentalists who are now working together on issues related to nuclear energy, fisheries, and oil pipelines. She lectured and taught at schools and universities all over the United States. She lobbied Congress on irrigration, labor rights, nuclear energy, and peace, and she corresponded with a global network of environmental leaders. But for all her influence, she never held a political post higher than precinct committee officer in Seattle�s 43rd legislative district, and her highest office in the environmental movement was that of secretary in the Seattle Audubon Society, where she served for thirty-five years.This book follows Hazel Wolf from childhood to old age, a lifetime of burning with a fierce desire for justice. She saw the quest for justice as a collective responsibility. Time and again, she met that challenge head on. Whether organizing for labor rights or founding chapters of the Audubon Society, battling to save old-growth forests or fighting deportation to her native Canada as a communist, over and over she put herself in the line of fire. «I was just there,» she said, «powerless and strong, someone who wouldn�t chicken out.»
A Gift of Barbed Wire
A Gift of Barbed Wire is a penetrating look at the lives of South Vietnamese officials and their families left behind in Vietnam after the fall of Saigon in 1975. A former Marine who served in Vietnam, Robert McKelvey went on to practice psychiatry and, through his work in refugee camps and U.S. social service organizations, met South Vietnamese men from all walks of life who had been imprisoned in re-education camps immediately after the war. McKelvey�s interviews with these former political prisoners, their wives, and their children reveal the devastating, long-term impact of their incarceration.From the early years in French colonial Vietnam through the Vietnam War, from postwar ordeals of re-education camps, social ostracism, and poverty to eventual emigration to the United States, this collection of narratives provides broad and highly personal accounts of individuals and families evolving against the backdrop of war and vast social change.Some of the people interviewed for the book eventually reached the United States as boat people fleeing Vietnam in unsafe vessels; others arrived, after rigorous screening, through U.S. Government-sponsored programs. But even in the safety of the United States they had to begin anew, devoting all their remaining energies to survival.While crediting the courage and resilience of these families, McKelvey holds a critical mirror up to our culture, exploring the nature of our responsibility to our allies as well as the attitudes that obscured the reality of war as «a grinding, brutal interplay of complex forces that often develops a sustaining energy and momentum of its own, driving us in directions that we neither anticipated nor desired.»
Repairing the American Metropolis
Repairing the American Metropolis is based on Douglas Kelbaugh’s Common Place: Toward Neighborhood and Regional Design , first published in 1997. It is more timely and significant than ever, with new text, charts, and images on architecture, sprawl, and New Urbanism, a movement that he helped pioneer. Theory and policies have been revised, refined, updated, and developed as compelling ways to plan and design the built environment.This is an indispensable book for architects, urban designers and planners, landscape architects, architecture and urban planning students and scholars, government officials, developers, environmentalists, and citizens interested in understanding and shaping the American metropolis.
Iran and the Surrounding World
These essays examine Iran�s place in the world–its relations and cultural interactions with its immediate neighbors and with empires and superpowers from the beginning of the Safavid period in 1501 to the present day. The book provides important historical background on recent political and social developments in Iran and on its contemporary foreign relations. The topics explored include Iranian influence abroad on political organization, religion, literature, art, and diplomacy, as well as Iran's absorption of foreign influences in these areas. A special focus is the prevailing political culture of Iran throughout its early modern and contemporary periods.The authors combine approaches from history, political science, anthropology, international relations, and culturalstudies. Some essays address Iran�s interactions with various Arab and Turkic ethnicities in the region stretching from India to Egypt. Others examine its relations with the West during the Qajar and Pahlavi eras, women's issues, culture inside Iran during the Islamic Republic, and the Shi`ite theocracy of Iran as compared with other Muslim states.
Disarmament Sketches
Thomas Graham Jr. played a role in the negotiation of every major international arms control and non-proliferation agreement signed by the United States during the past thirty years. As a U.S. government lawyer and diplomat, he helped to shape, negotiate, and secure U.S. ratification of such cornerstones of international security as SALT, START, and the ABM, INF, and CFE treaties as well as conventions prohibiting biological and chemical weapons.Graham�s memoir offers a history of the key negotiations which have substantially reduced the threat of nuclear war. His is a personal account of bureaucratic battles over arms control in six administrations, navigating among the White House, Congress, cabinet secretaries, and agencies with overlapping responsibilities and often competing interests. No comparable text brings together detailed analyses of so many pivotal documents in the history of the Cold War; it offers abundant primary source material for historians, international lawyers, and arms control specialists around the world. Disarmament Sketches also charts the rise and fall of the Arms Control and Disarmament Agency, the only U.S. government agency with primary responsibility for arms control policy, and lays out an agenda for continuing progress in reducing weapons stockpiles around the globe.Throughout his career, Graham has worked tirelessly to reverse the nuclear arms race and to persuade leaders around the world to make their nations safer by renouncing and reducing their weapons of mass destruction.
White Grizzly Bear's Legacy
"I walked across the highway and stood on the bank overlooking Lake Roosevelt. My attention was directed to the area where Kettle Falls once flowed. As I stood there the wind came. As I listened I imagined that it talked to me. It seemed that it was telling me of how things once were. I began to think of friends and relatives who were no longer living. They began to appear before me, perched on the large rocks, fishing for the great salmon."In his distinctive voice, Lawney Reyes, grandson of Pic Ah Kelowna or White Grizzly Bear of the Sin Aikst, relates the history of his family and his people. The Sin Aikst are now known as the Lakes tribe, absorbed into the Colville Confederated Tribes of eastern Washington. And where Kettle Falls once flowed and the Sin Aikst once fished are places that exist now only in memory, flooded when the Grand Coulee Dam was completed in 1942. Reyes uses personal and family history to explore the larger forces that have confronted all Native Americans: displacement, acculturation, and the potent force of self-renewal.The son of a Filipino immigrant and a mother who traced her ancestry to the earliest known leaders of the Sin Aikst, Reyes paints a vivid picture of his early life in the Indian village of Inchelium, destroyed by the building of the dam. Reyes describes the loss of homeland and traditional ways of life, the scarcities that followed, and the experiences of a court-ordered Indian boarding school in Oregon. These well-known facts of loss and injustice take on a compelling dimension in Reyes�s blend of history and autobiography, brought to life by the vivid images and personalities he describes.Despite the loss of heritage beneath the waters of the Columbia River and the flood of white acculturation, Reyes and his younger brother, the late Native American leader Bernie Whitebear, were able to fashion rich lives in a changed world, lives that honor the past while engaging with the present.
Authors in Dialogue
This book gathers together essays and papers written over a time span of around fifteen years. Partly retitled and revised, they were selected for the book because they all focus on the dialogic element in a series of literary works produced in the period extending from late Romanticism to early Modernism. By «dialogic» the author means the sharing of common preoccupations, the recursiveness of motifs, themes and patterns, the emergence of constants, a network of explicit or hidden confrontations. Dialogues may then arise between an author and other contemporaries in the form of an explicit theoretical discussion in letters or critical essays; or implicitly, and allusively, in inventive negotiations that respond to previous works through parody or adaptation. After a concise introduction stating the author’s theoretical debt to the insightful theories of the Russian semiotician and typologist Yuri Lotman, single essays discuss Byron, Ruskin, George Eliot, Matthew Arnold, Hopkins, Ouida, Joyce and T. S. Eliot.
Proserpina
In his early twenties Goethe wrote Proserpina for the Weimar court singer Corona Schröter to perform. His interest in presenting Weimar’s first professional singer-inresidence in a favourable light was not the only reason why this monologue with music (now lost) by Seckendorff is important. Goethe’s memories of his sister Cornelia, who had recently died in childbirth, were in fact the real catalyst: through this work Goethe could level accusations against his parents about Cornelia’s marriage, of which he had not approved. Goethe used the melodramatic form to transform private and cultural issues for women of the time into public discourses and so to manipulate public opinion. His work reveals an astute understanding of musical melodrama and the important impact it had on the cultural dynamics of the late eighteenth and early nineteenth centuries. Whatever the source of inspiration, it is clear that Goethe was very preoccupied with Proserpina. When he returned to this melodrama forty years later he collaborated closely with Carl Eberwein, the court, theatre, and church music director, who composed a new setting which accords with Goethe’s clear understanding of musical declamation in 19th century melodrama. In the intensive collaboration which took place while the production was being prepared in January 1815, Goethe was already anticipating the idea of a Gesamtkunstwerk. He paid close attention to every aspect of the production, especially to its music and its staging. When discussing contemporary settings of the poet’s works, scholars often lapse into regret that Goethe did not have someone of comparable rank at his side for musical collaborations. Yet Eberwein’s willingness to go along with Goethe’s wishes was an advantage here: the selfless striving of the young composer to satisfy the poet’s intentions is everywhere apparent in the score and it is the nearest thing we have to a ‘composition by Goethe’. Despite critics’ positive reception of the first performance on 4 February 1815, the work has never been published before. Musically and dramatically this unknown melodrama is a superb work for solo voice, choir, and orchestra, and deserves to be brought before the public today.