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Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection , “power” assumes an unexpected and paradoxical form.In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.
Evolution of the Judicial Opinion
In this sweeping study of the judicial opinion, William D. Popkin examines how judges' opinions have been presented from the early American Republic to the present. Throughout history, he maintains, judges have presented their opinions within political contexts that involve projecting judicial authority to the external public, yet within a professional legal culture that requires opinions to develop judicial law through particular institutional and individual judicial styles.Tracing the history of judicial opinion from its roots in English common law, Popkin documents a general shift from unofficially reported oral opinions, to semi-official reports, to the U.S. Supreme Court's adoption in the early nineteenth century of generally unanimous opinions. While this institutional base was firmly established by the twentieth century, Popkin suggests that the modern U.S. judicial opinion has reverted—in some respects—to one in which each judge expresses an individual point of view. Ultimately, he concludes that a shift from an authoritative to a more personal and exploratory individual style of writing opinions is consistent with a more democratic judicial institution.
Evangelical Feminism
For most people, the terms “evangelical” and “feminism” are contradictory. “Evangelical” invokes images of conservative Christians known for their strict interpretation of the Bible, as well as their support of social conservatism and traditional gender roles. So how could an evangelical support feminism, a movement that seeks, at its most basic level, to redress the inequalities, injustice, and discrimination that women face because of their sex? Evangelical Feminism offers the first history of the evangelical feminist movement. It traces the emergence and theological development of biblical feminism within evangelical Christianity in the 1970s, how an internal split among members of the movement came about over the question of lesbianism, and what these developments reveal about conservative Protestantism and religion generally in contemporary America.Cochran shows that biblical feminists have been at the center of changes both within evangelicalism and in American culture more broadly by renegotiating the religious symbols which shape its deepest values.
Evangelical Christian Women
Evangelical Christian Women draws on two years of ethnographic research nationwide to shed new light on the gender conflict faced by women in evangelical Christianity. Julie Ingersoll goes beyond previous attempts to find avenues of empowerment for fundamentalist women to offer a more nuanced look at the challenges they face when they occupy positions of leadership which violate traditional gender norms. She looks where other studies do not—at women who, while remaining entrenched in and committed to evangelical Christianity, are also resisting accepted gender roles. Evangelical Christian Women offers a look at conservative women who challenge gender norms within their religious traditions, the fallout they experience as part of the ensuing conflict, and the significance of the conflict over gender for the development and character of culture. In the face of a growing number of scholarly studies of conservative religious women that argue that submission is somehow “really” empowerment, this book seeks to get at the other side of the story; to document and explore the experiences of the women caught in the middle of the conservative Christian culture war over gender.
Entangling Alliances
Throughout the twentieth century, American male soldiers returned home from wars with foreign-born wives in tow, often from allied but at times from enemy nations, resulting in a new, official category of immigrant: the “allied” war bride. These brides began to appear en masse after World War I, peaked after World War II, and persisted through the Korean and Vietnam Wars. GIs also met and married former “enemy” women under conditions of postwar occupation, although at times the US government banned such unions.In this comprehensive, complex history of war brides in 20th-century American history, Susan Zeiger uses relationships between American male soldiers and foreign women as a lens to view larger issues of sexuality, race, and gender in United States foreign relations. Entangling Alliances draws on a rich array of sources to trace how war and postwar anxieties about power and national identity have long been projected onto war brides, and how these anxieties translate into public policies, particularly immigration.
Enfant Terrible!
The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing. Enfant Terrible! Jerry Lewis in American Film is the first comprehensive collection devoted to one of the most controversial and accomplished figures in twentieth-century American cinema. A veteran of virtually every form of show business, Lewis's performances onscreen and the motion pictures he has directed reveal significant filmmaking talents, and show him to be what he has called himself, a «total filmmaker.» Yet his work has been frequently derided by American critics. This book challenges that easy reading by taking a more careful look at Lewis's considerable body of work onscreen in 16 diverse and penetrating essays. Turning to such films as The Nutty Professor , The Ladies Man , The King of Comedy , The Delicate Delinquent , Living It Up , The Errand Boy , The Disorderly Orderly , Arizona Dream , and The Geisha Boy , the contributors address topics ranging from Lewis's on- and offscreen performances, the representations of disability in his films, and the European obsession with Lewis, to his relationship with Dean Martin and Lewis's masculinity. Far from an out of control hysteric, Enfant Terrible! instead reveals Jerry Lewis to be a meticulous master of performance with a keen sense of American culture and the contemporary world. Contributors include: Mikita Brottman, Scott Bukatman, David Desser, Leslie A. Fiedler, Craig Fischer, Lucy Fischer, Krin Gabbard, Barry Keith Grant, Andrew Horton, Susan Hunt, Frank Krutnik, Marcia Landy, Peter Lehman, Shawn Levy, Dana Polan, Murray Pomerance, and J. P. Telotte.
Empire’s Proxy
In the late nineteenth century, American teachers descended on the Philippines, which had been newly purchased by the U.S. at the end of the Spanish-American War. Motivated by President McKinley’s project of “benevolent assimilation,” they established a school system that centered on English language and American literature to advance the superiority of the Anglo-Saxon tradition, which was held up as justification for the U.S.’s civilizing mission and offered as a promise of moral uplift and political advancement. Meanwhile, on American soil, the field of American literature was just being developed and fundamentally, though invisibly, defined by this new, extraterritorial expansion.Drawing on a wealth of material, including historical records, governmental documents from the War Department and the Bureau of Insular Affairs, curriculum guides, memoirs of American teachers in the Philippines, and 19th century literature, Meg Wesling not only links empire with education, but also demonstrates that the rearticulation of American literary studies through the imperial occupation in the Philippines served to actually define and strengthen the field. Empire’s Proxy boldly argues that the practical and ideological work of colonial dominance figured into the emergence of the field of American literature, and that the consolidation of a canon of American literature was intertwined with the administrative and intellectual tasks of colonial management.
Empire at the Periphery
Throughout history the British Atlantic has often been depicted as a series of well-ordered colonial ports that functioned as nodes of Atlantic shipping, where orderliness reflected the effectiveness of the regulatory apparatus constructed to contain Atlantic commerce. Colonial ports were governable places where British vessels, and only British vessels, were to deliver English goods in exchange for colonial produce. Yet behind these sanitized depictions lay another story, one about the porousness of commercial regulation, the informality and persistent illegality of exchanges in the British Empire, and the endurance of a culture of cross-national cooperation in the Atlantic that had been forged in the first decades of European settlement and still resonated a century later.In Empire at the Periphery , Christian J. Koot examines the networks that connected British settlers in New York and the Caribbean and Dutch traders in the Netherlands and in the Dutch colonies in North America and the Caribbean, demonstrating that these interimperial relationships formed a core part of commercial activity in the early Atlantic World, operating alongside British trade. Koot provides unique consideration of how local circumstances shaped imperial development, reminding us that empires consisted not only of elites dictating imperial growth from world capitals, but also of ordinary settlers in far-flung colonial outposts, who often had more in common with—and a greater reliance on—people from foreign empires who shared their experiences of living at the edge of a fragile, transitional world.Part of the series Early American Places
Emerging Metropolis
Describes New York’s transformation into a Jewish city Emerging Metropolis tells the story of New York’s emergence as the greatest Jewish city of all time. It explores the Central European and East European Jews’ encounter with New York City, tracing immigrants’ economic, social, religious, political, and cultural adaptation between 1840 and 1920. This meticulously researched volume shows how Jews wove their ambitions and aspirations—for freedom, security, and material prosperity—into the very fabric and physical landscape of the city.
Emergent U.S. Literatures
Emergent U.S. Literatures introduces readers to the foundational writers and texts produced by four literary traditions associated with late-twentieth-century US multiculturalism. Examining writing by Native Americans, Hispanic Americans, Asian Americans, and gay and lesbian Americans after 1968, Cyrus R. K. Patell compares and historicizes what might be characterized as the minority literatures within “U.S. minority literature.” Drawing on recent theories of cosmopolitanism, Patell presents methods for mapping the overlapping concerns of the texts and authors of these literatures during the late twentieth century. He discusses the ways in which literary marginalization and cultural hybridity combine to create the grounds for literature that is truly “emergent” in Raymond Williams’s sense of the term—literature that produces “new meanings and values, new practices, new relationships and kinds of relationships” in tension with the dominant, mainstream culture of the United States. By enabling us to see the American literary canon through the prism of hybrid identities and cultures, these texts require us to reevaluate what it means to write (and read) in the American grain. Emergent U.S. Literatures gives readers a sense of how these foundational texts work as aesthetic objects—rather than merely as sociological documents—crafted in dialogue with the canonical tradition of so-called “American Literature,” as it existed in the late twentieth century, as well as in dialogue with each other.