In her enthralling, richly imagined new novel, Brandy Purdy, author of The Ripper’s Wife , creates a compelling portrait of the real, complex woman behind an unthinkable crime. Lizzie Borden should be one of the most fortunate young women in Fall River, Massachusetts. Her wealthy father could easily afford to provide his daughters with fashionable clothes, travel, and a rich, cultured life. Instead, haunted by the ghost of childhood poverty, he forces Lizzie and her sister, Emma, to live frugally, denying them the simplest modern conveniences. Suitors and socializing are discouraged, as her father views all gentleman callers as fortune hunters.Lonely and deeply unhappy, Lizzie stifles her frustration, dreaming of the freedom that will come with her eventual inheritance. But soon, even that chance of future independence seems about to be ripped away. And on a stifling August day in 1892, Lizzie’s long-simmering anger finally explodes…Vividly written and thought-provoking, The Secrets of Lizzie Borden explores the fascinating events behind a crime that continues to grip the public imagination—a story of how thwarted desires and desperate rage could turn a dutiful daughter into a notorious killer.
Set against the turbulent backdrop of the 1960s, Noah Bly's evocative debut explores prejudice, loss, and redeeming courage through the prism of an unlikely friendship. When fifty-four-year-old Julianna Dapper slips out of a mental hospital in Bangor, Maine, on a June day in 1962, it's with one purpose in mind. Julianna knows she must go back to the tiny farming community in northern Missouri where she was born and raised. It's the place where she and her best friend, Ben Taylor, roamed as children, and where her life's course shifted irrevocably one night long ago. Embarking on her journey, Julianna meets Elijah Hunter, a shy teenaged African-American boy, and Jon Tate, a young hitchhiker on the run from the law. The three become traveling companions, bound together by quirks of happenstance. And even as the emerging truth about Julianna's past steers them inexorably toward tragedy, their surprising bond may be the means to transform fear and heartache into the strength that finally guides Julianna home. The Third Hill North of Town is a haunting, imaginative story of human connection and coincidence—a poignant and powerful novel that ripples with wit and heart. Advance Praise For The Third Hill North Of Town "A brilliant combination of chaos and coincidence. With fresh language and uniquely imperfect characters, Noah Bly weaves a story of a cross-country trek that is both improbable and believable. This fresh, engrossing novel left me convinced of the power of memory, even as it arises from a disturbed mind, and taught me—as Bly promises—the wisdom of faith in the ridiculous." —Anna Jean Mayhew, author of The Dry Grass of August "This is an eerie, haunting, beautifully realized novel populated by charming misfits and eccentrics." –Joseph Olshan, author of Cloudland "Once The Third Hill North of Town turns over its engine, readers will do well to secure their grip on themselves, their loved ones, and any notions they have about guilt and innocence, truth and trust, convenience and blame. By its end, Bly's whirlwind challenges much of what we believe without necessarily meaning to, including those comfortable views on the infinite gradations we lump under the banner of mental illness, including racism. A hell of a journey." —Kyle Beachy, author of The Slide "What a wild ride this novel is! The Third Hill North of Town grabs hold and doesn't let go. A story of the tragedy and beauty of coincidence and circumstance, this novel is one that brings the unlikeliest characters together in a way that is somehow both surprising and meaningful." —T. Greenwood, author of Bodies of Water "Noah Bly takes readers on an unforgettable ride through America. Well written, page-turning, and hard to put down!" —Jim Kokoris, author of The Pursuit of Other Interests "A glorious, madcap American road novel in the picaresque tradition, The Third Hill North of Town explores a dark uncharted territory where vengefulness and desire and coincidence and consequence blow wild through human hearts, tossing people together and tearing them apart. Think On the Road written by Flannery O'Connor. A profound meditation on the sanctity of improvised friendships."–Stephen Lovely, author of Irreplaceable
In a sunny California apartment, a young woman and her fiancé arrive to record her great-grandmother's story. The story that unfolds of Precious Orchid's life in China, where she rises from a childhood of shame to become one of the most successful courtesans in the land, is unlike any they've heard before. . .When Precious Orchid's father is falsely accused of a crime and found guilty, he is executed, leaving his family a legacy of dishonor. Her mother's only option is to enter a Buddhist nunnery, so she gives her daughter over to the care of her sister in Shanghai.At first, life at Peach Blossom Pavilion feels like a dream. Surrounded by exotic flowers, murmuring fountains, colorful fishponds, and bamboo groves, Precious Orchid sees herself thriving. She is schooled in music, literature, painting, calligraphy, and to her innocent surprise, the art of pleasuring men. For the beautiful Pavilion hides its darker purpose as an elite house of prostitution. And even as she commands the devotion of China's most powerful men, Precious Orchid never gives up on her dream to escape the Pavilion, be reunited with her mother, avenge her father's death, and find true love. And as the richest, most celebrated Ming Ji or «prestigious courtesan» in all of China, she just might have her way even if it comes with a devastating price. . .Sweeping in scope and stunning in its evocation of China, Peach Blossom Pavilion is a remarkable novel with an unforgettable heroine at the heart of its powerful story. . . «Riveting. . .a rare peek into an exotic culture that is thrilling, captivating, and moving.» –Shobhan Bantwal, author of The Dowry Bride "In the sure voice of Precious Orchid, Mingmei Yip recounts thirteen tumultuous years of Chinese history: vicious politics, pristine piety and heartrending scandal, framed in the classical arts. She writes with a painter's fastidious eye and the irresistible energy of grand storytelling. The pages just turn themselves." –Neal Chandler, Director, Creative Writing Program of Cleveland State University. "Peach Blossom Pavilion, story of the last geisha in China, is told with amazing insight as if the author had lived in the tumultuous China of a century ago. Through her beautiful, lucid prose, Mingmei brings modern Western readers into the mysterious world of the cultivated courtesan." –Hannelore Hahn, Founder and Executive Director, International Women's Writing Guild. "Peach Blossom Pavilion is a vivid account of the forgotten past." –Chun Yu, author of Little Green: Growing Up During the Chinese Cultural Revolution
Spanning more than 500 years, this illustrated book covers the rich history of Christianity in Latin America. The authors use an analytical framework as they describe the institutional religious history for the period covered in that chapter, providing the context to look at other concurrent though non-institutional developments within Christianity. Each section includes sources that look at the way Christianity manifested and continues to manifest itself in the life of Latin American society, including its women, its enslaved and indigenous populations, and the modern-day marginalized sectors.
Unlike other American astronauts, Virgil I. «Gus» Grissom never had the chance to publish his memoirs. Killed along with his crew in a launch pad fire on January 27, 1967, Grissom also lost his chance to walk on the moon and return to describe his journey. Others went in his place. The stories of the moon walkers are familiar. Less appreciated are Grissom's contributions. The international prestige of winning the Moon Race cannot be understated, and Grissom played a pivotal and enduring role in securing that legacy for the United States. Indeed, Grissom was first and foremost a Cold Warrior, a member of the first group of Mercury astronauts whose goal it was to beat the Soviet Union into space and eventually to the moon. Drawing on extensive interviews with fellow astronauts, NASA engineers, family members, and friends of Gus Grissom, George Leopold delivers a comprehensive and corrective account of Grissom's life that places his career in the context of the Cold War and the history of human spaceflight. Calculated Risk: The Supersonic Life and Times of Gus Grissom adds significantly to our understanding of that tumultuous and ultimately triumphant period in American history.
In the late spring of 1718 near the village of Pozarevac (German Passarowitz) in northern Serbia, freshly conquered by Habsburg forces, three delegations representing the Holy Roman Emperor, Ottoman Sultan, and the Republic of Venice gathered to end the conflict that had begun three and a half years earlier. The fighting had spread throughout southeastern Europe, from Hungary to the southernmost tip of the Peloponnese. The peace redrew the map of the Balkans, extending the reach of Habsburg power, all but expelling Venice from the Greek mainland, and laying the foundations for Ottoman revitalization during the Tulip period. In this volume, twenty specialists analyze the military background to and political context of the peace congress and treaty. They assess the immediate significance of the Peace of Passarowitz and its longer term influence on the society, demography, culture, and economy of central Europe.
Dave Ross (1871-1943) and George Ade (1866-1944) were trustees, distinguished alumni and benefactors of Purdue University. Their friendship began in 1922 and led to their giving land and money for the 1924 construction of Ross-Ade Stadium, now a 70,000 seat athletic landmark on the West Lafayette campus. Their life stories date to 1883 Purdue and involve their separate student experiences and eventual fame. Their lives crossed paths with U.S. First Lady Eleanor Roosevelt, Henry Ford, Amelia Earhart, and Will Rogers among others. Gifts or ideas from Ross or Ade led to creation of the Purdue Research Foundation, Purdue Airport, Ross Hills Park, and Ross Engineering Camp. They helped Purdue Theater, the Harlequin Club and more. Ade, renowned author and playwright, did butt heads with Purdue administrators at times long ago, but remains a revered figure. Ross's ingenious mechanical inventions of gears still steer millions of motorized vehicles, boats, tractors, even golf carts the world over.
In the late nineteenth century in Europe and to some extent in the United States, the Jewish upper middle class—particularly the more affluent families—began to enter the cultural spheres of public life, especially in major cities such as Vienna, Berlin, Paris, New York, and London. While many aspects of society were closed to them, theater, the visual arts, music, and art publication were far more inviting, especially if they involved challenging aspects of modernity that might be less attractive to Gentile society. Jews had far less to lose in embracing new forms of expression, and they were very attracted to what was regarded as the universality of cultural expression. Ultimately, these new cultural ideals had an enormous influence on art institutions and artistic manifestations in America and may explain why Jews have been active in the arts in the twentieth and twenty-first centuries to a degree totally out of proportion to their presence in the US population. Jewish cultural activities and aspirations form the focus of the contributions to this volume. Invited authors include senior figures in the field such as Matthew Baigell and Emily Bilski, alongside authors of a younger generation such as Daniel Magilow and Marcie Kaufman. There is also an essay by noted Los Angeles artist and photographer Bill Aron. The guest editor of the volume, Ruth Weisberg, provides an Introduction that places the individual contributions in context.
In May 1938, Hungary passed anti-Semitic laws causing hundreds of Jewish artists to lose their jobs. In response, Budapest's Jewish community leaders organized an Artistic Enterprise under the aegis of OMIKE Országos Magyar Izraelita Közművelődési Egyesület (Hungarian Jewish Education Association) to provide employment and livelihood for actors, singers, musicians, conductors, composers, writers, playwrights, painters, graphic artists, and sculptors. Between 1939 and 1944, activities were centered in Goldmark Hall beside the Dohány Street Synagogue in Budapest. Hundreds of artists from all over Hungary took part in about one thousand performances, including plays, concerts, cabaret, ballet, operas, and operettas. These performances appealed to the highly cultured Budapest Jewish community, ever desirous of high-caliber events, particularly under oppressive conditions of the time. Art exhibitions also were held for painters, graphic artists, and sculptors to sell their creations. Lévai's 1943 book (with new, additional chapters by noted historians and musicians) is the core of this expanded edition and provides interviews with individual artists who recall their early lives and circumstances that led them to join the Artistic Enterprise. The book records the technical functioning, structure, and operation of this remarkable theater and concert venue. It provides fascinating details about those who worked behind the scenes: répétiteurs, hair stylists, and personnel involved with costumes, lighting, and scenery. Because the stage was small, clever choreographic and scenery improvisation had to be made, and the stagehands were clearly up to the task. Since these artists were not allowed to perform before the general public or advertise with posters on the streets, the book describes special means devised to overcome these difficulties and bring Jewish audiences into the theater in large numbers. Lastly, the book carries the theater's story up to Sunday morning, March 19, 1944, a day of infamy, when the German army marched into Hungary.
2019 National Jewish Book Award Finalist for Biography.Ben Hecht had seen his share of death-row psychopaths, crooked ward bosses, and Capone gun thugs by the time he had come of age as a crime reporter in gangland Chicago. His grim experience with what he called “the soul of man” gave him a kind of uncanny foresight a decade later, when a loose cannon named Adolf Hitler began to rise to power in central Europe. In 1932, Hecht solidified his legend as «the Shakespeare of Hollywood» with his thriller Scarface, the Howard Hughes epic considered the gangster movie to end all gangster movies. But Hecht rebelled against his Jewish bosses at the movie studios when they refused to make films about the Nazi menace. Leveraging his talents and celebrity connections to orchestrate a spectacular one-man publicity campaign, he mobilized pressure on the Roosevelt administration for an Allied plan to rescue Europe’s Jews. Then after the war, Hecht became notorious, embracing the labels “gangster” and “terrorist” in partnering with the mobster Mickey Cohen to smuggle weapons to Palestine in the fight for a Jewish state. The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist is a biography of a great twentieth-century writer that treats his activism during the 1940s as the central drama of his life. It details the story of how Hecht earned admiration as a humanitarian and vilification as an extremist at this pivotal moment in history, about the origins of his beliefs in his varied experiences in American media, and about the consequences. Who else but Hecht could have drawn the admiration of Ezra Pound, clowned around with Harpo Marx, written Notorious and Spellbound with Alfred Hitchcock, launched Marlon Brando’s career, ghosted Marilyn Monroe’s memoirs, hosted Jack Kerouac and Salvador Dalí on his television talk show, and plotted revolt with Menachem Begin? Any lover of modern history who follows this journey through the worlds of gangsters, reporters, Jazz Age artists, Hollywood stars, movie moguls, political radicals, and guerrilla fighters will never look at the twentieth century in the same way again.