A Gift of Barbed Wire is a penetrating look at the lives of South Vietnamese officials and their families left behind in Vietnam after the fall of Saigon in 1975. A former Marine who served in Vietnam, Robert McKelvey went on to practice psychiatry and, through his work in refugee camps and U.S. social service organizations, met South Vietnamese men from all walks of life who had been imprisoned in re-education camps immediately after the war. McKelvey�s interviews with these former political prisoners, their wives, and their children reveal the devastating, long-term impact of their incarceration.From the early years in French colonial Vietnam through the Vietnam War, from postwar ordeals of re-education camps, social ostracism, and poverty to eventual emigration to the United States, this collection of narratives provides broad and highly personal accounts of individuals and families evolving against the backdrop of war and vast social change.Some of the people interviewed for the book eventually reached the United States as boat people fleeing Vietnam in unsafe vessels; others arrived, after rigorous screening, through U.S. Government-sponsored programs. But even in the safety of the United States they had to begin anew, devoting all their remaining energies to survival.While crediting the courage and resilience of these families, McKelvey holds a critical mirror up to our culture, exploring the nature of our responsibility to our allies as well as the attitudes that obscured the reality of war as «a grinding, brutal interplay of complex forces that often develops a sustaining energy and momentum of its own, driving us in directions that we neither anticipated nor desired.»
These essays examine Iran�s place in the world–its relations and cultural interactions with its immediate neighbors and with empires and superpowers from the beginning of the Safavid period in 1501 to the present day. The book provides important historical background on recent political and social developments in Iran and on its contemporary foreign relations. The topics explored include Iranian influence abroad on political organization, religion, literature, art, and diplomacy, as well as Iran's absorption of foreign influences in these areas. A special focus is the prevailing political culture of Iran throughout its early modern and contemporary periods.The authors combine approaches from history, political science, anthropology, international relations, and culturalstudies. Some essays address Iran�s interactions with various Arab and Turkic ethnicities in the region stretching from India to Egypt. Others examine its relations with the West during the Qajar and Pahlavi eras, women's issues, culture inside Iran during the Islamic Republic, and the Shi`ite theocracy of Iran as compared with other Muslim states.
Thomas Graham Jr. played a role in the negotiation of every major international arms control and non-proliferation agreement signed by the United States during the past thirty years. As a U.S. government lawyer and diplomat, he helped to shape, negotiate, and secure U.S. ratification of such cornerstones of international security as SALT, START, and the ABM, INF, and CFE treaties as well as conventions prohibiting biological and chemical weapons.Graham�s memoir offers a history of the key negotiations which have substantially reduced the threat of nuclear war. His is a personal account of bureaucratic battles over arms control in six administrations, navigating among the White House, Congress, cabinet secretaries, and agencies with overlapping responsibilities and often competing interests. No comparable text brings together detailed analyses of so many pivotal documents in the history of the Cold War; it offers abundant primary source material for historians, international lawyers, and arms control specialists around the world. Disarmament Sketches also charts the rise and fall of the Arms Control and Disarmament Agency, the only U.S. government agency with primary responsibility for arms control policy, and lays out an agenda for continuing progress in reducing weapons stockpiles around the globe.Throughout his career, Graham has worked tirelessly to reverse the nuclear arms race and to persuade leaders around the world to make their nations safer by renouncing and reducing their weapons of mass destruction.
"I walked across the highway and stood on the bank overlooking Lake Roosevelt. My attention was directed to the area where Kettle Falls once flowed. As I stood there the wind came. As I listened I imagined that it talked to me. It seemed that it was telling me of how things once were. I began to think of friends and relatives who were no longer living. They began to appear before me, perched on the large rocks, fishing for the great salmon."In his distinctive voice, Lawney Reyes, grandson of Pic Ah Kelowna or White Grizzly Bear of the Sin Aikst, relates the history of his family and his people. The Sin Aikst are now known as the Lakes tribe, absorbed into the Colville Confederated Tribes of eastern Washington. And where Kettle Falls once flowed and the Sin Aikst once fished are places that exist now only in memory, flooded when the Grand Coulee Dam was completed in 1942. Reyes uses personal and family history to explore the larger forces that have confronted all Native Americans: displacement, acculturation, and the potent force of self-renewal.The son of a Filipino immigrant and a mother who traced her ancestry to the earliest known leaders of the Sin Aikst, Reyes paints a vivid picture of his early life in the Indian village of Inchelium, destroyed by the building of the dam. Reyes describes the loss of homeland and traditional ways of life, the scarcities that followed, and the experiences of a court-ordered Indian boarding school in Oregon. These well-known facts of loss and injustice take on a compelling dimension in Reyes�s blend of history and autobiography, brought to life by the vivid images and personalities he describes.Despite the loss of heritage beneath the waters of the Columbia River and the flood of white acculturation, Reyes and his younger brother, the late Native American leader Bernie Whitebear, were able to fashion rich lives in a changed world, lives that honor the past while engaging with the present.
An intimate portrait of the postwar lives of Korean children and women Korean children and women are the forgotten population of a forgotten war. Yet during and after the Korean War, they were central to the projection of US military, cultural, and political dominance. Framed by War examines how the Korean orphan, GI baby, adoptee, birth mother, prostitute, and bride emerged at the heart of empire. Strained embodiments of war, they brought Americans into Korea and Koreans into America in ways that defined, and at times defied, US empire in the Pacific. What unfolded in Korea set the stage for US postwar power in the second half of the twentieth century and into the twenty-first. American destruction and humanitarianism, violence and care played out upon the bodies of Korean children and women. Framed by War traces the arc of intimate relations that served as these foundations. To suture a fragmented past, Susie Woo looks to US and South Korean government documents and military correspondence; US aid organization records; Korean orphanage registers; US and South Korean newspapers and magazines; and photographs, interviews, films, and performances. Integrating history with visual and cultural analysis, Woo chronicles how Americans went from knowing very little about Koreans to making them family, and how Korean children and women who did not choose war found ways to navigate its aftermath in South Korea, the United States, and spaces in between.
This is the story of a man whose struggle with poverty, artistic and moral issues inadvertently starts an industry. Allan Wargon's pioneering efforts take us from the infancy of Canadian film and television to its grand unfolding. Often at odds with the holders of purse strings, and despite obstacles and deprecation, he perseveres. Following many awards, he devises and makes "Mr. Piper", Canada's first weekly colour television show, which sparks the surge of Canadian and American production that becomes Hollywood North. Much later, he writes and publishes books.<br><br>From painter to film director to writer, the author's journey is marked by a consistent refusal to compromise his vision and creative integrity. From Varley and Lismer to Paul Anka, from John Diefenbaker to Pierre Elliot Trudeau, from Lou Applebaum to Jack Warner, he works with and crosses paths with many artists, musicians and public figures.<br><br>"Hollywood North" is a frank, intensely personal, sometimes gut-wrenching and always engrossing inside story.
Golden City is a historical-fiction novel. It is a woman's journal of hope and enlightenment during a time of extreme hardship and conflict, and is based on the voyage of the sailing ship "Golden City" that transported Irish immigrants to Queensland, Australia in 1865.<br><br>Emily is convinced by her husband to leave her home and family and join other steerage passengers on a journey to a promising new land. She soon realizes this may have been a mistake when she discovers the poor conditions on the over-crowded ship. Her worst fears are realized as they sail into fierce storms and mountainous seas.<br><br>She must also endure the deterioration of relationships within the cramped steerage, and the behavior of an increasingly undisciplined crew. As events quickly spiral beyond her control, Emily discovers a different perspective of the Golden City, but will it be enough to save her from the dangers to be encountered across the vast oceans yet to sail?
Zepaniah Bierman, a mustanger turned hunter, lies on the top of the rocky sandy arroyo. Sweat trickles down his face and stains the shirt across his back as the sun beats daggers of heat on the Chihuahuan desert. Out there is a scout for three riders that torched his ranch in Mesilla. The only way out of this eternal furnace is back to New Mexico; Zep will track them there encountering Mexican cavalry, Apaches, outlaws, and a strong-willed young woman that wait for him. His trail carries him from Old Mexico to Santa Fe, surviving the Jornada del Muerto, and covering the length of 1858 New Mexico Territory discovering deception, heartbreak, ambush, friendship, love, and a resolution at the end of his odyssey that is terrifying.<br>
Writing a really solid treatment is rarely taught in standard writing courses. I cover all of the main bases in this book, and I also provide what few other books do—an actual example of a high concept treatment. It's like viewing a chess game after-the-fact. You can learn from the format, the content, the plot points, the description and the story line. Read it not once but several times and you'll learn the form and more importantly, you'll intuitively know what to write about—how to choose a topic—and how to present it.<br><br>A newly hired Bureau (FBI) man is sitting at his Los Angeles desk – it's 1954. His name is Gene Hausmann. He is assigned to this "purely a desk job" type of project. He's to collect all incoming intelligence reports regarding Hitler and his escape to Argentina and then just sit on it – classify it so that it never comes out in the open. He is to be "inactive."<br><br>But on his own initiative he becomes active, and finds out it is true. When he retires, he tells his son, Frank, the story and the details, and Frank later joins the Bureau himself. His father left him a mandate—to always follow the truth wherever it leads. He does just that, and in the end the hunter becomes the hunted—he knows too much. <br><br>The Film Treatment can be described in only a few sentences. During one of his strolls through the Chancellery gardens, Hitler leaves the Bunker area and his double takes his place. What if Hitler escaped Germany and lived out his life in Argentina?
America's Destruction of Iraq by Washington insider Michael M. O'Brien details the origins of radical Islamic terrorism now spreading across the Middle East and North Africa. The outgrowth of America's involvement in Iraq, culminating with its March 2003 invasion, is the Islamic State–the most violent terrorist organization in history.<br><br>Michael O'Brien is an outlier: a conservative and former political appointee in the administration of George W. Bush, with an abiding contempt for the political and military mismanagement of the Iraq War, officially referred to as Operation Iraqi Freedom. A graduate of West Point and former Infantry officer, and a former U.S. government Contracting Officer, O'Brien saw the effects of the Iraq invasion from the inside out–not as a soldier but as a contractor advising the new Iraqi Army and Ministry of Defense on its physical infrastructure, including the acquisition of land and Forward Operating Bases (FOBs) originally built for Coalition forces.<br><br>Compounding in outrage, compelling in detail, Michael O'Brien condemns the waste of tens of billions of U.S. taxpayer dollars, and the needless loss of American and Iraqi lives. The Bush administration's desire for war was built on fabricated intelligence and the political agendas of a handful of senior officials. But it is the senior American military for whom O'Brien has his greatest disdain. They should have known how to properly execute the invasion of Iraq in March 2003, and the courage to tell their political superiors what it would take to succeed, come what may to their careers.<br><br>America's Destruction of Iraq is a detailed exposé of the "military-industrial complex" President Eisenhower warned America of in 1961. Only someone with Michael O'Brien's background and experience, who was at the heart of America's so-called 'reconstruction' of Iraq, can accurately describe America's intervention in Iraq for what it is: a disaster in magnitude equal to the quagmire of the Vietnam War.