Уильям Блейк в русской культуре (1834–2020). Вера Сердечная

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      Примечания

      1

      «that critical category has now disappeared from view».

      2

      «the word 'romantic' has come to mean so many things that, by itself, it means nothing. It has ceased to perform the function of a verbal sign».

      3

      «Certainly those writers that are now thought of as a part of a Romantic movement in Britain never thought of themselves as such».

      4

      «And from these beginnings or causes <…> that <…> mode of imagination arose, which at length composed the marvelous machineries of the more sublime Italian poets, and of their disciple Spencer».

      5

      «He who seeks to define Romanticism is entering a hazardous occupation which has claimed many victims».

      6

      «A fruitful source of false definition is to take as primary in a more or less closely allied group of facts what is actually secondary – for example, to fix upon the return to the Middle Ages as the central fact in romanticism, whereas this return is only symptomatic; it is very far from being the original phenomenon».

      7

      «Romanticism as a problem might appear to be captured in the received historical narration of an initially post-enlightenment reaction against universalizing systems – the reduction of the world to so many units determined in advance – followed by recognition that the imagination's violence and chaos requires some forming of limits».

      8

      «I must Create a system, or be enslav'd by another Mans».

      9

      «failed Romantic <…> the Enlightenment dissolved around him, but he retreated in fear to an early sixteenth-century position».

      10

      «modern poetry, in English, is the invention of Blake and Wordsworth».

      11

      «1. Man has no Body distinct from his Soul for that calld Body is a portion of Soul discernd by the five Senses. the chief inlets of Soul in this age.

      2. Energy is the only life and is from the Body and Reason is the bound or outward circumference of Energy.

      3. Energy is Eternal Delight» [Blake, 1988, 34].

      12

      «If the doors of perception were cleansed every thing would appear to man as it is: infinite. For man has closed himself up, till he sees all things thro' narrow chinks of his cavern» [Blake, 1988, 39].

      13

      «The worship of God is. Honouring his gifts in other men each according to his genius. and loving the greatest men best, those who envy or calumniate great men hate God, for there is no other God» [Blake, 1988, 43].

      14

      «Thus men forgot that All deities reside in the human breast» [Blake, 1988, 38].

      15

      «Jesus & his Apostles & Disciples were all Artists».

      16

      «Prayer is the study of Art.

      Praise is the Practise of Art. <…>

      Practise is Art».

      17

      «Without contraries is no progression. Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence».

      18

      «There is a Negation, & there is a Contrary. / The Negation must be destroyd to redeem the Contraries».

      19

      «Negations are not Contraries: Contraries mutually Exist: But Negations Exist Not».

      20

      «The Negation of God constitutes Hell».

      21

      «The Eternal Body of Man is The Imagination. that is God himself / The Divine Body <…> It manifests itself in his works of Art».

      22

      My soul is seven furnaces, incessant roars the bellows

      Upon my terribly faming heart, the molten metal runs

      In channels thro my fiery limbs: O love! O pity! O fear!

      O pain! O the pangs, the bitter pangs of love forsaken

      23

      «Besides. let them look at gothic Figures & gothic Buildings, & not talk of Dark Ages or of Any Age! Ages are All Equal. But Genius is Always Above The Age».

      24

      «a Gothic Church is representative of true Art Calld Gothic in All Ages».

      25

      «Grecian is Mathematic Form. gothic is Living Form».

      26

      «by means а startlingly unorthodox first-person narrator, Blake conducts us – in a heterogeneous mixture of prose and verse, levels of discourse, points of view, and imagery – pass past ominous apocalyptic symbols as in a nightmare; but the cosmic vastness of the poem can as suddenly telescope into a wry dramatic exchange or monologue; and the disparate levels and contents are suspended in a narrative consciousness which, as a dream process contains all contradictions and derives its dynamics from its own paradoxical tension».

      27

      «the limits of the defining intellect».

      28

      To LORD byron in the Wilderness

      What doest thou here Elijah?

      Can a Poet doubt the Visions of Jehovah? Nature has no Outline:

      but Imagination has. Nature has no Tune: but Imagination has!

      Nature has no Supernatural & dissolves: Imagination is Eternity

      29

      «the metaphor