I Am The Emperor. Stefano Conti

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Stefano Conti

      © Copyright 2021 by

      Stefano Conti

      Translation by Arianna Vanin

      of Io sono l’imperatore, Ancona 2017

      Imprimé en janvier 2021 par

      Rotomail Italia spa

      On the cover:

      graphic elaboration from photos of the author

      of the Ponte della Maddalena or Ponte del diavolo.

       Borgo a Mozzano, Lucca (Italy).

       Stefano Conti

       I am the emperor

      

      

      

      

      

      

      

      

      

      

      

      

      

      

      

      

      UUID: a1b86bee-a976-41b6-aa2e-a4efc93c7ee6

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      Preface

       26 June 363 AD

      

      T he battle between the roman army and the Persians is raging. Suddenly time seems to stop: a javelin pierces Julian’s abdomen.

      «Come quick, the emperor has been hurt!»

      The young king sways on the saddle of his horse and falls. Lying on the ground he tries to take out the sword, blessing his fingers.

      «Leontius, take off this spear.»

      «I cannot, my lord. You would die.»

      «I am already dead.» The blood flows incessantly. «I am just asking to finish my days as a warrior: help me get back on my horse.»

      The trusted soldier, for the first time, does not obey: «Call Oribasius, quick!»

      Julian understands this is the day marked by fate: «I did not want to listen to the haruspices, but I knew that falling star was announcing my end».

      Oribasius, his personal doctor, tries to stop the haemorrhage in vain.

      The prince looks at him benevolently: «Do not trouble yourself. The gods are waiting for me… I’m ready».

      His doctor and friend takes him from under his arms: «Leontius, help me take him back to camp.»

      «No!» Julian stops them. «I ask a last favour of you: take me to the Tigris’ shore.»

      In the meanwhile, Maximus arrives, he is the spiritual guide of the emperor-philosopher: «He is inspired by Alexander the Great. He wants to throw himself in the river and let his corpse disappear among the waves. When his body has vanished forever, we will say he ascended to the Olympus on a fire chariot. Thus, we pagans will celebrate a new god: Julian!»

      But a squad of soldiers blocks the access to the river: «Stop! We Christians won’t let this happen. No one dares, now or never, let the Apostate’s body disappear. We will forbid anyone to lie about him ascending to heaven».

      Julian looks at the earth soaked with his blood and turns his eyes to the sky: «Helios, here I come!»

      I

       Friday, 16 July 2010

      T oday’s terrible heat really does not make it a suitable day for flying, but none of them is: I am always afraid when I’m not the one driving, even if it was a little sleigh on a field of soft snow. In Dustin Hoffmann/ Rain Man ’s list, was Turkish Airlines among the companies that fall?

      While I’m standing in the corridor of the plane, waiting for a couple of elderly people taking care of their bags, a steward arrives. He addresses the lady, who just sat: «Apologies, madam, you cannot sit there».

      «It is my husband’s seat, but…»

      «I left the window seat to my wife» says the man, in his seventies. «You know, she likes watching outside.»

      «I understand, sir, but you must take that seat» the guy insists.

      «And why is that?» asks the lady, who does not want to get up again.

      «Because» explain politely the steward «that window is also an emergency exit and you would not be able to open it, in case of…»

      «There is… that possibility?» I ask.

      The steward answers to the elderly tourist: «Just in case… you would be able to force the door open, I don’t think that your wife could».

      «Ah, just in case» I repeat, moving away from them, clearly preoccupied.

      I sit down. I hide my mp3’s headphones with my hair, covering the ears (I am sure it does not make any sense to turn off electric equipment). An old song from Vecchioni covers the sounds of the most critical phase: take-off.

      The landing in Ankara is smooth but, in any case, when I get off, I wish I could kiss the land, just as the pope did. The air is unbreathable, the tar of the airstrip is scorching. All airports are the same: same panels, same gates’ disposition. Will I find my suitcase or would it be lost somewhere around Saint Petersburg? Unbelievably my case is there and, at the second attempt, I catch the right one (suitcases too all look alike: I should attach a name tag sooner or later).

      The queue at customs is slow; when my turn arrives, having done my PhD in Germany finally turns out useful: no one speaks Italian abroad.

      « Sprechen Sie Deutsch?» I ask.

      « Ja» answers the officer, bluntly.

      I take my passport out of my man bag and give it to him. He carefully looks at the picture, then turns up his eyes to meet mine and looks at the picture again, finally he asks if I am Francesco Speri.

      I nod. I actually don’t really look much like I did 5 years and 12 kilos ago.

      The look on his face becomes suddenly serious.

      « Können Sie mir folgen?» he says in a martial tone.

      Surprised by his request to follow him, I ask, maybe a little unkindly, why. The customs officer insists relentless and I am forced to follow him.

      We cross a long dark corridor, many doors on its sides, all closed: it looks like a gloomy ancient hospital, of those you only find now in little villages. With a sign of the hand, he invites me to get into the last room on the right: here a small man, standing on his military boots dictates something to another man, who is in turn busy typing on an ancient machine. Despite his height, the first man must be a major, a coronel, some big shot. With a half-smile under his black moustache, he shows me where to sit gripping with his fat hand onto the back of an