Through the Magic Door. Arthur Conan Doyle

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Название Through the Magic Door
Автор произведения Arthur Conan Doyle
Жанр Зарубежная классика
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is all very well to pooh-pooh Boswell as Macaulay has done, but it is not by chance that a man writes the best biography in the language. He had some great and rare literary qualities. One was a clear and vivid style, more flexible and Saxon than that of his great model. Another was a remarkable discretion which hardly once permitted a fault of taste in this whole enormous book where he must have had to pick his steps with pitfalls on every side of him. They say that he was a fool and a coxcomb in private life. He is never so with a pen in his hand. Of all his numerous arguments with Johnson, where he ventured some little squeak of remonstrance, before the roaring "No, sir!" came to silence him, there are few in which his views were not, as experience proved, the wiser. On the question of slavery he was in the wrong. But I could quote from memory at least a dozen cases, including such vital subjects as the American Revolution, the Hanoverian Dynasty, Religious Toleration, and so on, where Boswell's views were those which survived.

      But where he excels as a biographer is in telling you just those little things that you want to know. How often you read the life of a man and are left without the remotest idea of his personality. It is not so here. The man lives again. There is a short description of Johnson's person – it is not in the Life, but in the Tour to the Hebrides, the very next book upon the shelf, which is typical of his vivid portraiture. May I take it down, and read you a paragraph of it? –

      "His person was large, robust, I may say approaching to the gigantic, and grown unwieldy from corpulency. His countenance was naturally of the cast of an ancient statue, but somewhat disfigured by the scars of King's evil. He was now in his sixty-fourth year and was become a little dull of hearing. His sight had always been somewhat weak, yet so much does mind govern and even supply the deficiencies of organs that his perceptions were uncommonly quick and accurate. His head, and sometimes also his body, shook with a kind of motion like the effect of palsy. He appeared to be frequently disturbed by cramps or convulsive contractions of the nature of that distemper called St. Vitus' dance. He wore a full suit of plain brown clothes, with twisted hair buttons of the same colour, a large bushy greyish wig, a plain shirt, black worsted stockings and silver buckles. Upon this tour when journeying he wore boots and a very wide brown cloth great-coat with pockets which might almost have held the two volumes of his folio dictionary, and he carried in his hand a large English oak stick."

      You must admit that if one cannot reconstruct the great Samuel after that it is not Mr. Boswell's fault – and it is but one of a dozen equally vivid glimpses which he gives us of his hero. It is just these pen-pictures of his of the big, uncouth man, with his grunts and his groans, his Gargantuan appetite, his twenty cups of tea, and his tricks with the orange-peel and the lamp-posts, which fascinate the reader, and have given Johnson a far broader literary vogue than his writings could have done.

      For, after all, which of those writings can be said to have any life to-day? Not "Rasselas," surely – that stilted romance. "The Lives of the Poets" are but a succession of prefaces, and the "Ramblers" of ephemeral essays. There is the monstrous drudgery of the Dictionary, a huge piece of spadework, a monument to industry, but inconceivable to genius. "London" has a few vigorous lines, and the "Journey to the Hebrides" some spirited pages. This, with a number of political and other pamphlets, was the main output of his lifetime. Surely it must be admitted that it is not enough to justify his predominant place in English literature, and that we must turn to his humble, much-ridiculed biographer for the real explanation.

      And then there was his talk. What was it which gave it such distinction? His clear-cut positiveness upon every subject. But this is a sign of a narrow finality – impossible to the man of sympathy and of imagination, who sees the other side of every question and understands what a little island the greatest human knowledge must be in the ocean of infinite possibilities which surround us. Look at the results. Did ever any single man, the very dullest of the race, stand convicted of so many incredible blunders? It recalls the remark of Bagehot, that if at any time the views of the most learned could be stamped upon the whole human race the result would be to propagate the most absurd errors. He was asked what became of swallows in the winter. Rolling and wheezing, the oracle answered: "Swallows," said he, "certainly sleep all the winter. A number of them conglobulate together by flying round and round, and then all in a heap throw themselves under water and lie in the bed of a river." Boswell gravely dockets the information. However, if I remember right, even so sound a naturalist as White of Selborne had his doubts about the swallows. More wonderful are Johnson's misjudgments of his fellow-authors. There, if anywhere, one would have expected to find a sense of proportion. Yet his conclusions would seem monstrous to a modern taste. "Shakespeare," he said, "never wrote six consecutive good lines." He would only admit two good verses in Gray's exquisite "Elegy written in a Country Churchyard," where it would take a very acid critic to find two bad ones. "Tristram Shandy" would not live. "Hamlet" was gabble. Swift's "Gulliver's Travels" was poor stuff, and he never wrote anything good except "A Tale of a Tub." Voltaire was illiterate. Rousseau was a scoundrel. Deists, like Hume, Priestley, or Gibbon, could not be honest men.

      And his political opinions! They sound now like a caricature. I suppose even in those days they were reactionary. "A poor man has no honour." "Charles the Second was a good King." "Governments should turn out of the Civil Service all who were on the other side." "Judges in India should be encouraged to trade." "No country is the richer on account of trade." (I wonder if Adam Smith was in the company when this proposition was laid down!) "A landed proprietor should turn out those tenants who did not vote as he wished." "It is not good for a labourer to have his wages raised." "When the balance of trade is against a country, the margin must be paid in current coin." Those were a few of his convictions.

      And then his prejudices! Most of us have some unreasoning aversion. In our more generous moments we are not proud of it. But consider those of Johnson! When they were all eliminated there was not so very much left. He hated Whigs. He disliked Scotsmen. He detested Nonconformists (a young lady who joined them was "an odious wench"). He loathed Americans. So he walked his narrow line, belching fire and fury at everything to the right or the left of it. Macaulay's posthumous admiration is all very well, but had they met in life Macaulay would have contrived to unite under one hat nearly everything that Johnson abominated.

      It cannot be said that these prejudices were founded on any strong principle, or that they could not be altered where his own personal interests demanded it. This is one of the weak points of his record. In his dictionary he abused pensions and pensioners as a means by which the State imposed slavery upon hirelings. When he wrote the unfortunate definition a pension must have seemed a most improbable contingency, but when George III., either through policy or charity, offered him one a little later, he made no hesitation in accepting it. One would have liked to feel that the violent expression of his convictions represented a real intensity of feeling, but the facts in this instance seem against it.

      He was a great talker – but his talk was more properly a monologue. It was a discursive essay, with perhaps a few marginal notes from his subdued audience. How could one talk on equal terms with a man who could not brook contradiction or even argument upon the most vital questions in life? Would Goldsmith defend his literary views, or Burke his Whiggism, or Gibbon his Deism? There was no common ground of philosophic toleration on which one could stand. If he could not argue he would be rude, or, as Goldsmith put it: "If his pistol missed fire, he would knock you down with the butt end." In the face of that "rhinoceros laugh" there was an end of gentle argument. Napoleon said that all the other kings would say "Ouf!" when they heard he was dead, and so I cannot help thinking that the older men of Johnson's circle must have given a sigh of relief when at last they could speak freely on that which was near their hearts, without the danger of a scene where "Why, no, sir!" was very likely to ripen into "Let us have no more on't!" Certainly one would like to get behind Boswell's account, and to hear a chat between such men as Burke and Reynolds, as to the difference in the freedom and atmosphere of the Club on an evening when the formidable Doctor was not there, as compared to one when he was.

      No smallest estimate of his character is fair which does not make due allowance for the terrible experiences of his youth and early middle age. His spirit was as scarred as his face. He was fifty-three when the pension was given him, and up to then his existence had been spent in one constant struggle for the first necessities of life, for the daily meal and the nightly bed. He had seen his comrades of letters die of actual privation. From childhood he had known no happiness. The