Riders West (Musaicum Vintage Western). Ernest Haycox

      Ernest Haycox

      Riders West (Musaicum Vintage Western)

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      2021 OK Publishing

      EAN 4064066308391

Table of Contents

       Chapter I. "The Past is Dead!"

       Chapter II. The Foreshadowed Tempest

       Chapter III. The Charming Sinner

       Chapter IV. St. Cloud's Pronouncement

       Chapter V. Rendezvous at Nan's

       Chapter VI. Riders by Night

       Chapter VII. The Scales Tip

       Chapter VIII. Terror

       Chapter IX. The Weaving Net

       Chapter X. Smoky Draw

       Chapter XI. A Warning Disregarded

       Chapter XII. Disaster

       Chapter XIII. This Turbulent Land

       Chapter XIV. St. Cloud Hits Twice

       Chapter XV. Caught

       Chapter XVI. Invasion

       Chapter XVII. The Flame Signal

       Chapter XVIII. A Matter of Viewpoint

       Chapter XIX. What's to be Will be

      CHAPTER I.

       "THE PAST IS DEAD!"

       Table of Contents

      Beyond the blurred car window the land lay dark and formless and unvarying—a flat emptiness across which the westbound train rushed hour after hour and yet seemed to make little progress. Occasionally the shape of a corral whipped by, less occasionally glimmering ranch lights reached forward from the remoteness of the prairie; but these were minute flaws to accent the loneliness of a world lost in its own immensity. When some restless passenger opened either vestibule door, the clacking assaults of iron on iron rushed in, and biting air currents turned the gauze gaslights of the coach redly dim. Cecile, a social and warmth-loving creature to her last plump fiber, made a small shuddering gesture.

      "This is simply insane, Nan. It really is. You've got to change your mind in the next half-hour. Listen to me. You can't drop out of your own set—it will be so horribly dreary. If you must run, come on to the coast, where at least you'll meet your own kind of people."

      Nan Avery answered with a falling inflection, with a queer lack of tone. "The past is quite dead, Cecile. I buried it, laid on the flowers, and shed my tears." She sat relaxed, supple hands crossed in her lap, the neat military shoulders swaying in response to the motion of the car. Nothing, Cecile thought, could ever erase the smooth, fine regularity of Nan Avery's face. It was definite, it was proud, it was close to being beautiful. The mass of brushed copper hair heightened a whiteness of temple and brow; and had some odd disciplinary effect on the gray, straight-glancing eyes. All the Averys were like that, very direct and honest, very strict with themselves. What saved Nan from the otherwise Puritan sobriety of the tribe was a zest for living, a vital gayety that once had colored everything she did or said.

      But she was not gay now. She sat there with an air of inner quiescence, as if all thinking and all hoping had ceased to be important; and in those expressive eyes was a foiled, faint bitterness. No strong character herself, Cecile felt a queer sense of desolation to see this swift surrender. For it was surrender; it was defeat. Even Cecile knew that after five miserable days on the train. Somewhat desperately she said:

      "I actually can't bear the thought of leaving you. Nan, you'll come home after everything has settled and been forgotten."

      "No," murmured Nan in the same detached manner. "I don't know what lies ahead. It doesn't matter. But I'll never go back."

      "But why, of all places, should you choose to live out here?" cried Cecile.

      Nan Avery's words were aloof, impartial—as if she were viewing herself from afar. "My life has been luxurious and easy. See what has come of it. Now I shall really find out if I'm any good."

      "Oh, you little fool, there is no blame on you!"

      "But there is," said Nan softly. "My name has been dragged around the mud. However right or wrong it may be, people are talking. They always will." Then a small echo of hurt anger warmed her speech. "Can't you see what that does to me? It—it makes me feel like soiled linen! I hate it! I hate myself! I never expected it and never deserved it. But it happened, and so it must be my fault. Why should I try to find excuses? Well, it won't happen again. What's done is done, and I am through crying."

      "You don't know anything about this country," brooded Cecile. "Nor anybody in it. You're stepping into a wilderness. Really you are. You might as well be dead as far as your friends are concerned."

      "Just as I want it to be," said Nan indifferently; and her clouded glance turned to the vague landscape. A red-and-green light bloomed and vanished. The engine's whistle signal fled by in long, undulating ropes of sound.

      The conductor came in to collect fares from a group of obvious cowhands at one end of the car, and Cecile, always intensely interested in people, looked at the visible figures with a silent admiration. During the past two days the transcontinental had become a sort of accommodation local that collected and dropped travelers at each station. Sometimes it would be a woman, sometimes a family; but usually it was otherwise, for this clearly was a man's country. The coach was crowded with men now, of a type entirely new to her. They were tall or short and of all degrees of appearance, but certain particulars about them were inevitably uniform. For one thing, a characteristic slimness of body; for another, a similarity of boots, vests, and broad hats. When they walked they were awkward. When they sat they talked with a slurred briefness, and they used their hands freely to piece out phrases, Indian-like. Their faces were watchful, somehow deliberately wooden. Their eyes