The Good Girls. Sonia Faleiro

fact, Veere’s brother had died of complications from diabetes. Veere built the house he lived in from scratch, on land he had purchased years earlier. Even if he knew what the people in the neighbouring village were saying, what could he do.

      Every morning Veere and his three sons, Avdesh, Urvesh and Pappu, crossed the road and walked through the rice fields towards the Ganga River. Rolling up their trouser bottoms, they waded into the cold, fast-moving water. On that side of the bank, they grew watermelons and cucumbers on public land. But they also worked the land of better-off men in exchange for a portion of the harvest. In a good year the Yadav men brought home about 2 lakh rupees from their share of the wheat, garlic and tobacco that they sold in nearby market towns. To this they added the rent from a shop they had built alongside their house.

      Every rupee that wasn’t spent on food or treats like tobacco was kept aside to finish construction on the house. So far it had a sturdy entrance door, three rooms and a terrace roof. The men installed a handpump in the courtyard, stretched out a piece of rope for a clothes line and painted a bright green swastika for good luck. Veere’s wife Jhalla Devi would have liked a kitchen, but her husband asked what was wrong with cooking outdoors. There wasn’t even paint on the walls, he scolded.

      In the evenings, Veere planted himself on the charpoy just outside the house, rolling beedis and sipping chai. The thick milk cream sometimes stuck to his moustache, which he wore long and curved like a door handle.

      ‘Jai Ram ji ki,’ he called out to strolling Yadav men, taking in the evening air. All hail Sri Ram. ‘Come, come, sit,’ he nodded his grizzled head towards a second charpoy.

      The men set down their umbrellas. They pulled out beedis. Veere handed over a box.

      ‘And?’ he said, as they plucked out a match.

      Affairs in Lucknow were always discussed at length – of how so-and-so was only a puppet in the hands of that other so-and-so, then the sale price of the fruits and vegetables they grew, and then invariably someone would look up at the broad sheet of cloudless sky and complain that the monsoon was like a woman. She couldn’t be relied on to keep time. When would she arrive?

      Sometimes Veere remembered his sons.

      ‘Arre!’ he shouted.

      He treated them like boys, even though the eldest was himself a father. He didn’t let them speak. The boys had nothing to say to him either.

      They trooped out of the house sullen-faced, like their feet were made of cement.

      The older two were good boys, neighbours later said. They stayed close to home. One loved his wife, the other worshipped books. The youngest, on the other hand, was ‘naughty’, as even his father admitted to those around him. ‘He liked to roam around,’ one of the Yadavs said.

      But what did that even mean in Jati?

      Pappu had no money, no bicycle and no place to go. The next-door village didn’t like his type. The Yadavs on his side had less than he did. There wasn’t even a snack shop where he could sit and order a handful of hot roasted gram. The riverbank offered welcome relief for many, away from the chatter of the household, but to him it represented toil. There was the fair, but that came once a year.

      Even a naughty boy like him, what could he really get up to?

      The Invisible Women

      The women could do even less. If Veere’s wife, Jhalla Devi, stuck her head out the door, she went unacknowledged. If she lingered it was with the understanding that she’d better not open that mouth of hers.

      The invisible woman preferred her own company anyway, usually in the ditch opposite the house. There she sat, patting and shaping dung cakes for fertiliser, disinfectant and fuel, in the one sari she wore day and night wrapped around her like a sack, its pallu pulled over her like a hood. Her glass bangles tinkled and her silver toe rings gleamed, but her face simmered with resentment.

      The other Yadav woman didn’t even make it this far. Veere’s only daughter-in-law was so strictly regulated that her neighbours couldn’t say for sure what she looked like. In fact, Basanta was big-eyed and fleshy-lipped; an exhausted teenager with a scrawny one-year-old. Basanta cooked and cleaned for everyone. Early on she had even offered to help her mother-in-law pat dung, but Jhalla Devi had tilted up her pinched face and glared.

      Now, when Basanta was done with every possible chore in the near-empty house, she dropped to the floor. Flies nibbled at the sweat that soaked through the thin fabric of her dirty sari blouse. They clustered around her daughter’s leaking bottom, settling on her rose gold earlobes. By late afternoon, when the breezes started up, Basanta shook herself and took her little one to the back of the house. The family plot spilled into the Katra fields, with not even a fence in between. Here, the bored new mother could amuse baby Shivani without being accused by her mother-in-law and the men of flaunting herself before strangers.

      ‘Look, a farmer, see, grazing goats; listen, boys, look, a kite, listen, birds, see, a well. Moo, baa, bow-wow.’

      Straight ahead, at a distance covered in a few minutes on foot, was Ramnath’s orchard. That summer every one of his thirteen trees heaved richly with fruit. One was a fragrant-leafed fig tree; the others were mango.

      Lalli Asks for a Memento

      Lalli’s parents returned from their pilgrimage with presents of amulets and chains. Things went quiet for a while.

      Then one magical afternoon, everyone was out. Padma and Lalli asked cousin Manju to open her suitcase. They went through her clothes carefully. The blouses were brightly coloured and made of a soft fabric. They slipped like water between the girls’ fingers. The jeans were very, very tight. Did Manju really wear such clothes? Could she even sit in them? Here in the village, she had been as boring as they, sticking to roomy salwar kameezes.

      They decided to try on the clothes. They wriggled into the blouses and jeans and then turned to look. The same heart-shaped face, the same long hair. The solemn eyes. But the funny costumes pinched their bottoms and brought out the giggles.

      ‘You look smart,’ they said to each other when they had recovered their composure.

      ‘Yes, yes!’ shouted Siya Devi, walking through the door. ‘Show off your thighs!’ The jeans didn’t reveal the girls’ thighs; they only revealed that the girls had thighs. But it was more than Siya Devi allowed. She disparagingly referred to the outfits as ‘tiny clothes’, too provocative to wear, and ordered the children to change back into their salwar kameezes.

      Later, perhaps to show her gratitude, Lalli drew her younger cousin aside. ‘Yaar,’ she said, ‘you’ll go away. We should get a photo taken together at the bazaar.’ Manju brought up the subject in a phone call to her mother who was back home in Noida. Her mother wasn’t keen, perhaps because money was tight. ‘What’s the hurry,’ she complained. ‘Are you dying sometime soon?’

      But Manju was pleased to be acknowledged by her cousin. And it had felt nice to share her clothes. The girls weren’t allowed in the bazaar, but they weren’t watched all the time either. ‘We went!’ Manju said later. ‘Chori chupke!’ On the sly.

      Out the door, down the lane. There it was, just ahead, a little bit further. They held hands, squeezed and then plunged forward.

      The road was packed with rows of tiny, peering shops that looked like the eyes of a dragonfly. The Katra shopkeepers sat in their undershirts, surrounded by sacks of rice, animal feed and barrels of cooking oil. They chatted on their mobile phones and read the newspaper, only looking up when a customer stopped by. Some of their customers were young men who took selfies against the background of nice cars that happened to be parked there, but most reminded the girls of their fathers. There was something so familiar about the way these men retrieved the thin roll of notes from their shirt pockets, almost in slow motion, and the care with which