Emily Climbs. Lucy M. Montgomery

discovered that she was fairly shaking with weariness. The emotions of the night had exhausted her, and now—what to do? She did not like the idea of going home to New Moon. Emily felt that she could never face outraged Aunt Elizabeth if the various scandalous doings of this night should be discovered. She turned in at the gate of Dr. Burnley’s house. His doors were never locked. Emily slipped into the front hall as the dawn began to whiten in the sky and curled up on the lounge behind the staircase. There was no use in waking Ilse. She would tell her the whole story in the morning and bind her to secrecy—all, at least, except one thing Teddy had said, and the episode of Mrs. Kent. One was too beautiful, and the other too disagreeable to be talked about. Of course, Mrs. Kent wasn’t like other women and there was no use in feeling too badly about it. Nevertheless, she had wrecked and spoiled a frail, beautiful something—she had blotched with absurdity a moment that should have been eternally lovely. And she had, of course, made poor Teddy feel like an ass. That, in the last analysis, was what Emily really could not forgive.

      As she drifted off to sleep she recalled drowsily the events of that bewildering night—her imprisonment in the lonely church—the horror of touching the dog—the worse horror of Mad Mr. Morrison’s pursuit—her rapture of relief at Teddy’s voice—the brief little moonlit idyll in the graveyard—of all places for an idyll!—the tragi-comic advent of poor morbid, jealous Mrs. Kent.

      “I hope I wasn’t too hard on her,” thought Emily as she drifted into slumber. “If I was I’m sorry. I’ll have to write it down as a bad deed in my diary. I feel somehow as if I’d grown up all at once tonight—yesterday seems years away. But what a chapter it will make for my diary. I’ll write it all down—all but Teddy’s saying I was the sweetest girl in the world. That’s too—dear—to write. I’ll—just—remember it.”

      Chapter IV. “As Ithers See Us”

      Emily had finished mopping up the kitchen floor at New Moon and was absorbed in sanding it in the beautiful and complicated “herring-bone pattern” which was one of the New Moon traditions, having been invented, so it was said, by great-great-grandmother of “Here I stay” fame. Aunt Laura had taught Emily how to do it and Emily was proud of her skill. Even Aunt Elizabeth had condescended to say that Emily sanded the famous pattern very well, and when Aunt Elizabeth praised, further comment was superfluous. New Moon was the only place in Blair Water where the old custom of sanding the floor was kept up; other housewives had long ago begun to use “new-fangled” devices and patent cleaners for making their floors white. But Dame Elizabeth Murray would none of such; as long as she reigned at New Moon so long should candles burn and sanded floors gleam whitely.

      Aunt Elizabeth had exasperated Emily somewhat by insisting that the latter should put on Aunt Laura’s old “Mother Hubbard” while she was scrubbing the floor. A “Mother Hubbard,” it may be necessary to explain to those of this generation, was a loose and shapeless garment which served principally as a sort of morning gown and was liked in its day because it was cool and easily put on. Aunt Elizabeth, it is quite unnecessary to say, disapproved entirely of Mother Hubbards. She considered them the last word in slovenliness, and Laura was never permitted to have another one. But the old one, though its original pretty lilac tint had faded to a dingy white, was still too “good” to be banished to the rag bag; and it was this which Emily had been told to put on.

      Emily detested Mother Hubbards as heartily as Aunt Elizabeth herself did. They were worse, she considered, even than the hated “baby aprons” of her first summer at New Moon. She knew she looked ridiculous in Aunt Laura’s Mother Hubbard, which came to her feet, and hung in loose, unbeautiful lines from her thin young shoulders; and Emily had a horror of being “ridiculous.” She had once shocked Aunt Elizabeth by coolly telling her that she would “rather be bad than ridiculous.” Emily had scrubbed and sanded with one eye on the door, ready to run if any stranger loomed up while she had on that hideous wrapper.

      It was not, as Emily very well knew, a Murray tradition to “run.” At New Moon you stood your ground, no matter what you had on—the presupposition being that you were always neatly and properly habited for the occupation of the moment. Emily recognized the propriety of this, yet was, nevertheless, foolish and young enough to feel that she would die of shame if seen by anyone in Aunt Laura’s Mother Hubbard. It was neat—it was clean—but it was “ridiculous.” There you were!

      Just as Emily finished sanding and turned to place her can of sand in the niche under the kitchen mantel, where it had been kept from time immemorial, she heard strange voices in the kitchen yard. A hasty glimpse through the window revealed to her the owners of the voices—Miss Beulah Potter, and Mrs. Ann Cyrilla Potter, calling, no doubt, in regard to the projected Ladies’ Aid Social. They were coming to the back door as was the Blair Water custom when running in to see your neighbours, informally or on business; they were already past the gay platoons of hollyhocks with which Cousin Jimmy had flanked the stone path to the dairy, and of all the people in Blair Water and out of it they were the two whom Emily would least want to see her in any ridiculous plight whatever. Without stopping to think, she darted into the boot closet and shut the door.

      Mrs. Ann Cyrilla knocked twice at the kitchen door, but Emily did not budge. She knew Aunt Laura was weaving in the garret—she could hear the dull thud of the treadles overhead—but she thought Aunt Elizabeth was concocting pies in the cook-house and would see or hear the callers. She would take them into the sitting-room and then Emily could make her escape. And on one thing she was determined—they should not see her in that Mother Hubbard. Miss Potter was a thin, venomous, acidulated gossip who seemed to dislike everybody in general and Emily in particular; and Mrs. Ann Cyrilla was a plump, pretty, smooth, amiable gossip who, by very reason of her smoothness and amiability, did more real harm in a week than Miss Potter did in a year. Emily distrusted her even while she could not help liking her. She had so often heard Mrs. Ann Cyrilla make smiling fun of people, to whose “faces” she had been very sweet and charming, and Mrs. Ann Cyrilla, who had been one of the “dressy Wallaces” from Derry Pond, was especially fond of laughing over the peculiarities of other people’s clothes.

      Again the knock came—Miss Potter’s this time, as Emily knew by the staccato raps. They were getting impatient. Well, they might knock there till the cows come home, vowed Emily. She would not go to the door in the Mother Hubbard. Then she heard Perry’s voice outside explaining that Miss Elizabeth was away in the stumps behind the barn picking raspberries, but that he would go and get her if they would walk in and make themselves at home. To Emily’s despair, this was just what they did. Miss Potter sat down with a creak and Mrs. Ann Cyrilla with a puff, and Perry’s retreating footsteps died away in the yard. Emily realized that she was by way of being in a plight. It was very hot and stuffy in the tiny boot closet—where Cousin Jimmy’s working clothes were kept as well as boots. She hoped earnestly that Perry would not be long in finding Aunt Elizabeth.

      “My, but it’s awful hot,” said Mrs. Ann Cyrilla, with a large groan.

      Poor Emily—no, no, we must not call her poor Emily; she does not deserve pity—she has been very silly and is served exactly right; Emily, then, already violently perspiring in her close quarters, agreed wholly with her.

      “I don’t feel the heat as fat people do,” said Miss Potter. “I hope Elizabeth won’t keep us waiting long. Laura’s weaving—I hear the loom going in the garret. But there would be no use in seeing her—Elizabeth would override anything Laura might promise, just because it wasn’t her arrangement. I see somebody has just finished sanding the floor. Look at those worn boards, will you? You’d think Elizabeth Murray would have a new floor laid down; but she is too mean, of course. Look at that row of candles on the chimney-piece—all that trouble and poor light because of the little extra coal-oil would cost. Well, she can’t take her money with her—she’ll have to leave it all behind at the golden gate even if she is a Murray.”

      Emily experienced a shock. She realized that not only was she being half suffocated in the boot closet, but that she was an eavesdropper—something she had never been since the evening at Maywood when she had hidden under the table to hear her aunts and uncles discussing her fate. To be sure, that had been voluntary, while this