Pygmalion and Other Plays. GEORGE BERNARD SHAW

the blessing of God on their arms.

      Under such circumstances many other women besides this disagreeable Mrs. Dudgeon find themselves sitting up all night waiting for news. Like her, too, they fall asleep towards morning at the risk of nodding themselves into the kitchen fire. Mrs. Dudgeon sleeps with a shawl over her head, and her feet on a broad fender of iron laths, the step of the domestic altar of the fireplace, with its huge hobs and boiler, and its hinged arm above the smoky mantel-shelf for roasting. The plain kitchen table is opposite the fire, at her elbow, with a candle on it in a tin sconce. Her chair, like all the others in the room, is uncushioned and unpainted; but as it has a round railed back and a seat conventionally moulded to the sitter’s curves, it is comparatively a chair of state. The room has three doors, one on the same side as the fireplace, near the corner, leading to the best bedroom; one, at the opposite end of the opposite wall, leading to the scullery and washhouse; and the house door, with its latch, heavy lock, and clumsy wooden bar, in the front wall, between the window in its middle and the corner next the bedroom door. Between the door and the window a rack of pegs suggests to the deductive observer that the men of the house are all away, as there are no hats or coats on them. On the other side of the window the clock hangs on a nail, with its white wooden dial, black iron weights, and brass pendulum. Between the clock and the corner, a big cupboard, locked, stands on a dwarf dresser full of common crockery.

      On the side opposite the fireplace, between the door and the corner, a shamelessly ugly black horsehair sofa stands against the wall. An inspection of its stridulous surface shows that Mrs. Dudgeon is not alone. A girl of sixteen or seventeen has fallen asleep on it. She is a wild, timid looking creature with black hair and tanned skin. Her frock, a scanty garment, is rent, weatherstained, berrystained, and by no means scrupulously clean. It hangs on her with a freedom which, taken with her brown legs and bare feet, suggests no great stock of underclothing.

      Suddenly there comes a tapping at the door, not loud enough to wake the sleepers. Then knocking, which disturbs Mrs. Dudgeon a little. Finally the latch is tried, whereupon she springs up at once.

      MRS. DUDGEON. [Threateningly.] Well, why don’t you open the door? [She sees that the girl is asleep and immediately raises a clamor of heartfelt vexation.] Well, dear, dear me! Now this is—[Shaking her.] wake up, wake up: do you hear?

      THE GIRL. [Sitting up.] What is it?

      MRS. DUDGEON. Wake up; and be ashamed of yourself, you unfeeling sinful girl, falling asleep like that, and your father hardly cold in his grave.

      THE GIRL. [Half asleep still.] I didn’t mean to. I dropped off—

      MRS. DUDGEON. [Cutting her short.] Oh yes, you’ve plenty of excuses, I daresay. Dropped off! [Fiercely, as the knocking recommences.] Why don’t you get up and let your uncle in? after me waiting up all night for him! [She pushes her rudely off the sofa.] There: I’ll open the door: much good you are to wait up. Go and mend that fire a bit. [The girl, cowed and wretched, goes to the fire and puts a log on. Mrs. Dudgeon unbars the door and opens it, letting into the stuffy kitchen a little of the freshness and a great deal of the chill of the dawn, also her second son Christy, a fattish, stupid, fair-haired, round-faced man of about 22, muffled in a plaid shawl and grey overcoat. He hurries, shivering, to the fire, leaving Mrs. Dudgeon to shut the door.]

      CHRISTY. [At the fire.] F—f—f! but it is cold. [Seeing the girl, and staring lumpishly at her.] Why, who are you?

      THE GIRL. [Shyly.] Essie.

      MRS. DUDGEON. Oh you may well ask. [To Essie.] Go to your room, child, and lie down since you haven’t feeling enough to keep you awake. Your history isn’t fit for your own ears to hear.

      ESSIE. I—

      MRS. DUDGEON. [Peremptorily.] Don’t answer me, Miss; but show your obedience by doing what I tell you. [Essie, almost in tears, crosses the room to the door near the sofa.] And don’t forget your prayers. [ESSIE goes out.] She’d have gone to bed last night just as if nothing had happened if I’d let her.

      CHRISTY. [Phlegmatically.] Well, she can’t be expected to feel Uncle Peter’s death like one of the family.

      MRS. DUDGEON. What are you talking about, child? Isn’t she his daughter—the punishment of his wickedness and shame? [She assaults her chair by sitting down.]

      CHRISTY. [Staring.] Uncle Peter’s daughter!

      MRS. DUDGEON. Why else should she be here? D’ye think I’ve not had enough trouble and care put upon me bringing up my own girls, let alone you and your good-for-nothing brother, without having your uncle’s bastards—

      CHRISTY. [Interrupting her with an apprehensive glance at the door by which Essie went out.] Sh! She may hear you.

      MRS. DUDGEON. [Raising her voice.] Let her hear me. People who fear God don’t fear to give the devil’s work its right name. [Christy, soullessly indifferent to the strife of Good and Evil, stares at the fire, warming himself.] Well, how long are you going to stare there like a stuck pig? What news have you for me?

      CHRISTY. [Taking off his hat and shawl and going to the rack to hang them up.] The minister is to break the news to you. He’ll be here presently.

      MRS. DUDGEON. Break what news?

      CHRISTY. [Standing on tiptoe, from boyish habit, to hang his hat up, though he is quite tall enough to reach the peg, and speaking with callous placidity, considering the nature of the announcement.] Father’s dead too.

      MRS. DUDGEON. [Stupent.] Your father!

      CHRISTY. [Sulkily, coming back to the fire and warming himself again, attending much more to the fire than to his mother.] Well, it’s not my fault. When we got to Nevinstown we found him ill in bed. He didn’t know us at first. The minister sat up with him and sent me away. He died in the night.

      MRS. DUDGEON. [Bursting into dry angry tears.] Well, I do think this is hard on me—very hard on me. His brother, that was a disgrace to us all his life, gets hanged on the public gallows as a rebel; and your father, instead of staying at home where his duty was, with his own family, goes after him and dies, leaving everything on my shoulders. After sending this girl to me to take care of, too! [She plucks her shawl vexedly over her ears.] It’s sinful, so it is; downright sinful.

      CHRISTY. [With a slow, bovine cheerfulness, after a pause.] I think it’s going to be a fine morning, after all.

      MRS. DUDGEON. [Railing at him.] A fine morning! And your father newly dead! Where’s your feelings, child?

      CHRISTY. [Obstinately.] Well, I didn’t mean any harm. I suppose a man may make a remark about the weather even if his father’s dead.

      MRS. DUDGEON. [Bitterly.] A nice comfort my children are to me! One son a fool, and the other a lost sinner that’s left his home to live with smugglers and gypsies and villains, the scum of the earth! [Someone knocks.]

      CHRISTY. [Without moving.] That’s the minister.

      MRS. DUDGEON. [Sharply.] Well, aren’t you going to let Mr. Anderson in? [Christy goes sheepishly to the door. Mrs. Dudgeon buries her face in her hands, as it is her duty as a widow to be overcome with grief. Christy opens the door, and admits the minister, Anthony Anderson, a shrewd, genial, ready Presbyterian divine of about 50, with something of the authority of his profession in his bearing. But it is an altogether secular authority, sweetened by a conciliatory, sensible manner not at all suggestive of a quite thoroughgoing other-worldliness. He is a strong, healthy man, too, with a thick, sanguine neck; and his keen, cheerful mouth cuts into somewhat fleshy corners. No doubt an excellent parson, but still a man capable of making the most of this world, and perhaps a little apologetically conscious of getting on better with it than a sound Presbyterian ought.]

      ANDERSON. [To Christy, at the door, looking at Mrs. Dudgeon whilst he takes off his cloak.] Have you told her?

      CHRISTY. She made me. [He shuts the door; yawns; and loafs across to the sofa where he sits down and presently drops off to sleep.]

      [Anderson looks compassionately at Mrs. Dudgeon. Then he hangs his cloak and hat on the rack. Mrs.