The New Jerusalem. G. K. Chesterton

that the Moslem world really means when it expects to see a fine man at the head of the house. Even in the street he is the peacock, coloured much more splendidly than the peahen. Even when clad in comparatively sober and partly European costume, as outside the cafes of Cairo and the great cities, he exhibits this indefinable character not merely of dignity but of pomp. It can be traced even in the tarbouch, the minimum of Turkish attire worn by all the commercial classes; the thing more commonly called in England a fez. The fez is not a sort of smoking cap. It is a tower of scarlet often tall enough to be the head-dress of a priest. And it is a hat one cannot take off to a lady.

      This fact is familiar enough in talk about Moslem and oriental life generally; but I only repeat it in order to refer it back to the same simplification which is the advantage and disadvantage of the philosophy of the desert. Chivalry is not an obvious idea. It is not as plain as a pike-staff or as a palm-tree. It is a delicate balance between the sexes which gives the rarest and most poetic kind of pleasure to those who can strike it. But it is not self-evident to a savage merely because he is also a sane man. It often seems to him as much a part of his own coarse common sense that all the fame and fun should go to the sex that is stronger and less tied, as that all the authority should go to the parents rather than the children. Pity for weakness he can understand; and the Moslem is quite capable of giving royal alms to a cripple or an orphan. But reverence for weakness is to him simply meaningless. It is a mystical idea that is to him no more than a mystery. But the same is true touching what may be called the lighter side of the more civilised sentiment. This hard and literal view of life gives no place for that slight element of a magnanimous sort of play-acting, which has run through all our tales of true lovers in the West. Wherever there is chivalry there is courtesy; and wherever there is courtesy there is comedy. There is no comedy in the desert.

      Another quite logical and consistent element, in the very logical and consistent creed we call Mahometanism, is the element that we call Vandalism. Since such few and obvious things alone are vital, and since a half-artistic half-antiquarian affection is not one of these things, and cannot be called obvious, it is largely left out. It is very difficult to say in a few well-chosen words exactly what is now the use of the Pyramids. Therefore Saladin, the great Saracen warrior, simply stripped the Pyramids to build a military fortress on the heights of Cairo. It is a little difficult to define exactly what is a man's duty to the Sphinx; and therefore the Mamelukes used it entirely as a target. There was little in them of that double feeling, full of pathos and irony, which divided the hearts of the primitive Christians in presence of the great pagan literature and art. This is not concerned with brutal outbreaks of revenge which may be found on both sides, or with chivalrous caprices of toleration, which may also be found on both sides; it is concerned with the inmost mentality of the two religions, which must be understood in order to do justice to either. The Moslem mind never tended to that mystical mode of "loving yet leaving" with which Augustine cried aloud upon the ancient beauty, or Dante said farewell to Virgil when he left him in the limbo of the pagans. The Moslem traditions, unlike the medieval legends, do not suggest the image of a knight who kissed Venus before he killed her. We see in all the Christian ages this combination which is not a compromise, but rather a complexity made by two contrary enthusiasms; as when the Dark Ages copied out the pagan poems while denying the pagan legends; or when the popes of the Renascence imitated the Greek temples while denying the Greek gods. This high inconsistency is inconsistent with Islam. Islam, as I have said, takes everything literally, and does not know how to play with anything. And the cause of the contrast is the historical cause of which we must be conscious in all studies of this kind. The Christian Church had from a very early date the idea of reconstructing a whole civilisation, and even a complex civilisation. It was the attempt to make a new balance, which differed from the old balance of the stoics of Rome; but which could not afford to lose its balance any more than they. It differed because the old system was one of many religions under one government, while the new was one of many governments under one religion. But the idea of variety in unity remained though it was in a sense reversed. A historical instinct made the men of the new Europe try hard to find a place for everything in the system, however much might be denied to the individual. Christians might lose everything, but Christendom, if possible, must not lose anything. The very nature of Islam, even at its best, was quite different from this. Nobody supposed, even subconsciously, that Mahomet meant to restore ancient Babylon as medievalism vaguely sought to restore ancient Rome. Nobody thought that the builders of the Mosque of Omar had looked at the Pyramids as the builders of St. Peter's might have looked at the Parthenon. Islam began at the beginning; it was content with the idea that it had a great truth; as indeed it had a colossal truth. It was so huge a truth that it was hard to see it was a half-truth.

      Islam was a movement; that is why it has ceased to move. For a movement can only be a mood. It may be a very necessary movement arising from a very noble mood, but sooner or later it must find its level in a larger philosophy, and be balanced against other things. Islam was a reaction towards simplicity; it was a violent simplification, which turned out to be an over-simplification. Stevenson has somewhere one of his perfectly picked phrases for an empty-minded man; that he has not one thought to rub against another while he waits for a train. The Moslem had one thought, and that a most vital one; the greatness of God which levels all men. But the Moslem had not one thought to rub against another, because he really had not another. It is the friction of two spiritual things, of tradition and invention, or of substance and symbol, from which the mind takes fire. The creeds condemned as complex have something like the secret of sex; they can breed thoughts.

      An idealistic intellectual remarked recently that there were a great many things in the creed for which he had no use. He might just as well have said that there were a great many things in the _Encyclopedia Britannica_ for which he had no use. It would probably have occurred to him that the work in question was meant for humanity and not for him. But even in the case of the _Encyclopedia_, it will often be found a stimulating exercise to read two articles on two widely different subjects and note where they touch. In fact there is really a great deal to be said for the man in _Pickwick_ who read first about China and then about metaphysics and combined his information. But however this may be in the famous case of Chinese metaphysics, it is this which is chiefly lacking in Arabian metaphysics. They suffer, as I have said of the palm-tree in the desert, from a lack of the vitality that comes from complexity, and of the complexity that comes from comparison. They suffer from having been in a single movement in a single direction; from having begun as a mood and ended rather as a mode, that is a mere custom or fashion. But any modern Christian thus criticising the Moslem movement will do well to criticise himself and his world at the same time. For in truth most modern things are mere movements in the same sense as the Moslem movement. They are at best fashions, in which one thing is exaggerated because it has been neglected. They are at worst mere monomanias, in which everything is neglected that one thing may be exaggerated. Good or bad, they are alike movements which in their nature can only move for a certain distance and then stop. Feminism, for instance, is in its nature a movement, and one that must stop somewhere. But the Suffragettes no more established a philosophy of the sexes by their feminism than the Arabs did by their anti-feminism. A woman can find her home on the hustings even less than in the harem; but such movements do not really attempt to find a final home for anybody or anything. Bolshevism is a movement; and in my opinion a very natural and just movement considered as a revolt against the crude cruelty of Capitalism. But when we find the Bolshevists making a rule that the drama "must encourage the proletarian spirit," it is obvious that those who say so are not only maniacs but, what is more to the point here, are monomaniacs. Imagine having to apply that principle, let us say, to "Charley's Aunt." None of these things seek to establish a complete philosophy such as Aquinas founded on Aristotle. The only two modern men who attempted it were Comte and Herbert Spencer. Spencer, I think, was too small a man to do it at all; and Comte was a great enough man to show how difficult it is to do it in modern times. None of these movements can do anything but move; they have not discovered where to rest.

      And this fact brings us back to the man of the desert, who moves and does not rest; but who has many superiorities to the restless races of the industrial city. Men who have been in the Manchester movement in 1860 and the Fabian movement in 1880 cannot sneer at a religious mood that lasted for eight hundred years. And those who tolerate the degraded homelessness of the slums cannot despise the much more dignified homelessness of the desert. Nevertheless,