Father Payne. Benson Arthur Christopher

differ as much from real life as the Morning Service read in church differs from the thoughts of the congregation!"

      "How would you mend it?" said Barthrop. "It seems to me it must represent something."

      "Something!" said Father Payne. "I don't know! I don't believe we are so stupid and so ignoble! As to mending it, that's another question. Writing is such a curious thing—it seems to represent anything in the world except the current of a man's thoughts. Reverie—has anyone ever tried to represent that? I have been out for a walk sometimes, and reflected when I came in that if what has passed through my mind were all printed in full in a book, it would make a large octavo volume—and precious stuff, too! Yet the few thoughts which do stand out when it is all over, the few bright flashes, they are things which can hardly be written down—at least they never are written down."

      "But what would you do?" I said—"with the newspapers, I mean."

      "Well," said Father Payne, "a great deal of the news most worth telling can be told best in pictures. I believe very much in illustrated papers. They really do help the imagination. That's the worst of words—a dozen scratches on a bit of paper do more to make one realise a scene than columns of description. I would do a lot with pictures, and a bit of print below to tell people what to notice. Then we must have a number of bare facts and notices—weather, business, trade, law—the sort of thing that people concerned must read. But I would make a clean sweep of fashion, and all sensational intelligence—murders, accidents, sudden deaths. I would have much more biography of living people as well as dead, and a few of the big speeches. Then I would have really good articles with pictures about foreign countries—we ought to know what the world looks like, and how the other people live. And then I would have one or two really fine little essays every day by the very best people I could get, amusing, serious, beautiful articles about nature and art and books and ideas and qualities—some real, good, plain, wise, fine, simple thinking. You want to get people in touch with the best minds!"

      "And how many people would read such a paper?" I said.

      "Oh, I don't know, I'm sure," said Father Payne with a groan. "I would for one! I want to have the feeling of being in touch day by day with the clever, interesting, lively, active-minded people, as if I had been listening to good talk. Isn't that possible? Instead of which I sit here, day after day, overflowing with my own ridiculous thoughts—and the world discharging all its staleness and stupidity like a sewer in these horrible documents. Take it away from me, someone! I'm fascinated by the disgusting smell of it!" I withdrew the paper from under his hands. "Thank you," said Father Payne feebly. "That's the horror of it—that the world isn't a dull place or a sensational place or a nasty place—and those papers make me feel it is all three!"

      "I'm sorry you are so low about it," said Barthrop.

      "Yes, because journalism ought to be the finest thing in the world," said Father Payne. "Just imagine! The power of talking, without any of the inconveniences of personality, to half-a-million people."

      "But why doesn't it improve?" said Barthrop. "You always say that the public finds out what it wants, and will have it."

      "In books, yes!" said Father Payne; "but in daily life we are all so damnably afraid of the truth—that's what is the matter with us, and it is that which journalism caters for. Suppress the truth, pepper it up, flavour it, make it appetising—try to persuade people that the world is romantic—that's the aim of the journalist. He flies from the truth, he makes a foolish tale out of it, he makes people despise the real interests of life, he makes us all want to escape from life into something that never has been and never will be. I loathe romance with all my heart. The way of escape is within, and not without."

      "You had better go for a walk," said Barthrop soothingly.

      "I must," said Father Payne. "I'm drunk and drugged with unreality. I will go and have a look round the farm—no, I won't have any company, thank you. I shall only go on fuming and stewing, if I have sympathetic listeners. You are too amiable, you fellows. You encourage me to talk, when you ought to stop your ears and run from me." And Father Payne swung out of the room.

XIV

       Table of Contents

      OF HATE

      It was at dinner, one frosty winter evening, and we were all in good spirits. Two or three animated conversations were going on at the table. Father Payne was telling one of his dreams to the three who were nearest to him, and, funny as most of his dreams were, this was unusually so. There was a burst of laughter and a silence—a sudden sharp silence, in which Vincent, who was continuing a conversation, was heard to say to Barthrop, in a tone of fierce vindictiveness, "I hate him like the devil!" Another laugh followed, and Vincent blushed. "Perhaps I ought not to say that?" he said in hurried tones.

      "You are quite right," said Father Payne to Vincent, encouragingly—"at least you may be quite right. I don't know of whom you were speaking."

      "Yes, who is it, Vincent?" said someone, leaning forwards.

      "No, no," said Father Payne, "that's not fair! It was meant to be a private confession."

      "But you don't hate people, Father?" said Lestrange, looking rather pained.

      "I, dear man?" said Father Payne. "Yes, of course I do! I loathe them! Where are your eyes and ears? All decent people do. How would the world get on without it?"

      Lestrange looked rather shocked. "I don't understand," he said. "I always gathered that you thought it our business to—well, to love people."

      "Our business, yes!" said Father Payne; "but our pleasure, no! One must begin by hating people. What is there to like about many of us?"

      "Why, Father," said Vincent, "you are the most charitable of men!"

      Father Payne gave him a little bow. "Come," he said, "I will make a confession. I am by nature the most suspicious of mankind. I have all the uncivilised instincts. There are people of whom I hate the sight and the sound, and even the scent. My natural impulse is to see the worst points of everyone. I admit that people generally improve upon acquaintance, but I have no weak sentiment about my fellow-men—they are often ugly, stupid, ill-mannered, ill-tempered, unpleasant, unkind, selfish. It is a positive delight sometimes to watch a thoroughly nasty person, and to reflect how much one detests him. It is a sign of grace to do so. How otherwise should one learn to hate oneself? If you hate nobody, what reason is there for trying to improve? It is impossible to realise how nasty you yourself can be until you have seen other people being nasty. Then you say to yourself, 'Come, that is the kind of thing that I do. Can I really be like that?'"

      "But surely," said Lestrange, "if you do not try to love people, you cannot do anything for them; you cannot wish them to be different."

      "Why not?" said Father Payne, laughing. "You may hate them so much that you may wish them to be different. That is the sound way to begin. I say to myself, 'Here is a truly dreadful person! I would abolish and obliterate him if I could; but as I cannot, I must try to get him out of this mess, that we may live more at ease,' It is simple humbug to pretend to like everyone. You may not think it is entirely people's fault that they are so unpleasant; but if you really love fine and beautiful things, you must hate mean and ugly things. Don't let there be any misunderstanding," he said, smiling round the table. "I have hated most of you at different times, some of you very much. I don't deny there are good points about you, but that isn't enough. Sometimes you are detestable!"

      "I see what you mean," said Barthrop; "but you don't hate people—you only hate things in them and about them. It is just a selection."

      "Not at all," said Father Payne. "How are you going to separate people's qualities and attributes from themselves? It is a process of addition and subtraction, if you like. There may be a balance in your favour. But when a bad mood is on, when a person is bilious, fractious, ugly, cross, you hate him. It is natural to do so, and it is right to do so. I do