Essential Novelists - Hamlin Garland. Garland Hamlin

Cast Ashore, but this volume unfortunately was badly torn and fifty pages were missing so that I never knew, and do not know to this day, how those indomitable shipwrecked seamen reached their English homes. I dimly recall that one man carried a pet monkey on his back and that they all lived on "Bustards."

      Finally the day came when the ground rang like iron under the feet of the horses, and a bitter wind, raw and gusty, swept out of the northwest, bearing gray veils of sleet. Winter had come! Work in the furrow had ended. The plow was brought in, cleaned and greased to prevent its rusting, and while the horses munched their hay in well-earned holiday, father and I helped farmer Button husk the last of his corn.

      Osman Button, a quaint and interesting man of middle age, was a native of York State and retained many of the traditions of his old home strangely blent with a store of vivid memories of Colorado, Utah and California, for he had been one of the gold-seekers of the early fifties. He loved to spin yarns of "When I was in gold camps," and he spun them well. He was short and bent and spoke in a low voice with a curious nervous sniff, but his diction was notably precise and clear. He was a man of judgment, and a citizen of weight and influence. From O. Button I got my first definite notion of Bret Harte's country, and of the long journey which they of the ox team had made in search of Eldorado.

      His family "mostly boys and girls" was large, yet they all lived in a low limestone house which he had built (he said) to serve as a granary till he should find time to erect a suitable dwelling. In order to make the point dramatic, I will say that he was still living in the "granary" when last I called on him thirty years later!

      A warm friendship sprang up between him and my father, and he was often at our house but his gaunt and silent wife seldom accompanied him. She was kindly and hospitable, but a great sufferer. She never laughed, and seldom smiled, and so remains a pathetic figure in all my memories of the household.

      The younger Button children, Eva and Cyrus, became our companions in certain of our activities, but as they were both very sedate and slow of motion, they seldom joined us in our livelier sports. They were both much older than their years. Cyrus at this time was almost as venerable as his father, although his years were, I suppose, about seventeen. Albert and Lavinia, we heard, were much given to dancing and parties.

      One night as we were all seated around the kerosene lamp my father said, "Well, Belle, I suppose we'll have to take these young ones down to town and fit 'em out for school." These words so calmly uttered filled our minds with visions of new boots, new caps and new books, and though we went obediently to bed we hardly slept, so excited were we, and at breakfast next morning not one of us could think of food. All our desires converged upon the wondrous expedition—our first visit to town.

      Our only carriage was still the lumber wagon but it had now two spring seats, one for father, mother and Jessie, and one for Harriet, Frank and myself. No one else had anything better, hence we had no sense of being poorly outfitted. We drove away across the frosty prairie toward Osage—moderately comfortable and perfectly happy.

      Osage was only a little town, a village of perhaps twelve hundred inhabitants, but to me as we drove down its Main Street, it was almost as impressive as LaCrosse had been. Frank clung close to father, and mother led Jessie, leaving Harriet and me to stumble over nail-kegs and dodge whiffle trees what time our eyes absorbed jars of pink and white candy, and sought out boots and buckskin mittens. Whenever Harriet spoke she whispered, and we pointed at each shining object with cautious care.—Oh! the marvellous exotic smells! Odors of salt codfish and spices, calico and kerosene, apples and ginger-snaps mingle in my mind as I write.

      Each of us soon carried a candy marble in his or her cheek (as a chipmunk carries a nut) and Frank and I stood like sturdy hitching posts whilst the storekeeper with heavy hands screwed cotton-plush caps upon our heads,—but the most exciting moment, the crowning joy of the day, came with the buying of our new boots.—If only father had not insisted on our taking those which were a size too large for us!

      They were real boots. No one but a Congressman wore "gaiters" in those days. War fashions still dominated the shoe-shops, and high-topped cavalry boots were all but universal. They were kept in boxes under the counter or ranged in rows on a shelf and were of all weights and degrees of fineness. The ones I selected had red tops with a golden moon in the center but my brother's taste ran to blue tops decorated with a golden flag. Oh! that deliciously oily new smell! My heart glowed every time I looked at mine. I was especially pleased because they did not have copper toes. Copper toes belonged to little boys. A youth who had plowed seventy acres of land could not reasonably be expected to dress like a child.—How smooth and delightfully stiff they felt on my feet.

      Then came our new books, a McGuffey reader, a Mitchell geography, a Ray's arithmetic, and a slate. The books had a delightful new smell also, and there was singular charm in the smooth surface of the unmarked slates. I was eager to carve my name in the frame. At last with our treasures under the seat (so near that we could feel them), with our slates and books in our laps we jolted home, dreaming of school and snow. To wade in the drifts with our fine high-topped boots was now our desire.

      It is strange but I cannot recall how my mother looked on this trip. Even my father's image is faint and vague (I remember only his keen eagle-gray terrifying eyes), but I can see every acre of that rented farm. I can tell you exactly how the house looked. It was an unpainted square cottage and stood bare on the sod at the edge of Dry Run ravine. It had a small lean-to on the eastern side and a sitting room and bedroom below. Overhead was a low unplastered chamber in which we children slept. As it grew too cold to use the summer kitchen we cooked, ate and lived in the square room which occupied the entire front of the two story upright, and which was, I suppose, sixteen feet square. As our attic was warmed only by the stove-pipe, we older children of a frosty morning made extremely simple and hurried toilets. On very cold days we hurried down stairs to dress beside the kitchen fire.

      Our furniture was of the rudest sort. I cannot recall a single piece in our house or in our neighbors' houses that had either beauty or distinction. It was all cheap and worn, for this was the middle border, and nearly all our neighbors had moved as we had done in covered wagons. Farms were new, houses were mere shanties, and money was scarce. "War times" and "war prices" were only just beginning to change. Our clothing was all cheap and ill fitting. The women and children wore home-made "cotton flannel" underclothing for the most part, and the men wore rough, ready-made suits over which they drew brown denim blouses or overalls to keep them clean.

      Father owned a fine buffalo overcoat (so much of his song's promise was redeemed) and we possessed two buffalo robes for use in our winter sleigh, but mother had only a sad coat and a woolen shawl. How she kept warm I cannot now understand—I think she stayed at home on cold days.

      All of the boys wore long trousers, and even my eight year old brother looked like a miniature man with his full-length overalls, high-topped boots and real suspenders. As for me I carried a bandanna in my hip pocket and walked with determined masculine stride.

      My mother, like all her brothers and sisters, was musical and played the violin—or fiddle, as we called it,—and I have many dear remembrances of her playing. Napoleon's March, Money Musk, The Devil's Dream and half-a-dozen other simple tunes made up her repertoire. It was very crude music of course but it added to the love and admiration in which her children always held her. Also in some way we had fallen heir to a Prince melodeon—one that had belonged to the McClintocks, but only my sister played on that.

      Once at a dance in neighbor Button's house, mother took the "dare" of the fiddler and with shy smile played The Fisher's Hornpipe or some other simple melody and was mightily cheered at the close of it, a brief performance which she refused to repeat. Afterward she and my father danced and this seemed a very wonderful performance, for to us they were "old"—far past such frolicking, although he was but forty and she thirty-one!

      At this dance I heard, for the first time, the local professional fiddler, old Daddy Fairbanks, as quaint a character as ever entered fiction, for he was not only butcher and horse doctor but a renowned musician as well. Tall, gaunt and sandy, with enormous nose and sparse projecting teeth, he was to me the most enthralling figure at this dance and his queer "Calls" and his