Essential Science Fiction Novels - Volume 7. Karel Čapek

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Название Essential Science Fiction Novels - Volume 7
Автор произведения Karel Čapek
Жанр Языкознание
Серия Essential Science Fiction Novels
Издательство Языкознание
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isbn 9783969870808



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after this; it’s all too dreadful.”

      He rises wearily and goes out. The back of the stand is more or less crowded by the hangers-on and scum of every racecourse. How he hates and loathes the sight of them now; how their rough, coarse, pleasure-seeking faces bring up to his mind, with haunting horror, the great loss which he has sustained! He is staying near the race-course, and has not far to go, so he hurries through the crowd and makes straight for The Laurels, which is the name of the place. He reaches it, and tries the front door. It is locked; of course no one is expected back yet. He knows of a side-entrance though through the smoking-room. Ten to one the careful servants have forgotten it. He walks round and tries it. Yes, true enough, they have. Very quietly Sir Reginald slips in. In another moment he is upstairs and in his bedroom.

      He turns the key in the door, and goes over to the writing table. His face is still deadly pale, and he walks like one who has had too much to drink. He sits at the table and scrawls a few hurried lines. They are as follows:—

      “Flora dear, forgive me. I’ve been a brute and an idiot. Would to God I had taken your advice! But it’s too late now. You’ll pay the ring for me, dear. Let them know it was my last wish. If I lived we should be beggars, and I can’t condemn you and the ‘ little one ‘ to that. But at my death you’ll get all that money that is to come to you and the child. Good-bye, dear old girl. You’ve been good and kind to me. This is about all Reggie can do to show you he is grateful. Good-bye. Forgive.”

      She has been looking for him a long time, and so has Hector D’Estrange, but there is no sign of Sir Reginald Desmond anywhere. At last she can stand it no longer.

      “I must go back to The Laurels,” she says; “perhaps he is there.”

      Estcourt, who is standing by her, offers to accompany her, and thither they proceed in silence. Of course when they reach the house no one has seen him. The servants assure her ladyship that Sir Reginald has not returned; they must have seen him if he had. They forget to add that the greater number of them have been perched on the high wall surrounding The Laurels, during the greater part of the day, watching the races.

      “I’ll just run up to the bedroom and have a look,” says Flora to Estcourt. “I won’t be a minute.”

      He waits below, but almost directly hears his name called,—

      “Estcourt, come here.”

      He races up the stairs. He finds her standing out-side the door of a bedroom.

      “I can’t get in,” she says hurriedly. “I’ve called, but there is no reply. Oh, Estcourt! do you think he is in there?”

      He makes no reply, but runs downstairs. In a few minutes he is back with a hatchet. Curious servants are following him.

      “Stand back,” he says to Flora. She obeys, and the young man brings the hatchet with tremendous force against the lock. Three, four, five strokes, and he has broken it to shivers. Then he opens the door.

      Sir Reginald Desmond is seated at his writing table. His left hand is beneath his chest, his head is resting on the table above it, his right is outstretched and hanging over the side. Just below it on the floor lies a revolver, and drip, drip, drip, dripping on to the chair on which he sits, is a stream of running blood. Who shall judge him as he lays there silent, and fast stiffening? for—

      “He is dead, and blame and praise fall on his ear alike, now hushed in death.”

      Those may do so who can. I cannot.

      VII

      WERE you in the Commons last night? Did you go to hear Hector D’Estrange?” “Rather; I think all the world was there, or trying to be there. I don’t think I have ever seen such a crowd before.”

      “What a wonderful speaker he is, to be sure!” “Yes. With the exception of Gladstone, I don’t suppose there ever was one like him, or ever will be again. Talk of orators of bygone days! Pooh! they never came up to him.”

      “Well, the women have got the Suffrage in full at last, thanks to him. The next thing is to see what use they’ll make of it.”

      “Better, perhaps, than we men have.” The speakers are two men, the Honourable Tredegar Molyneux, M.P., and Colonel des Vanix of the Blues. Nearly four years have passed since the events related in the last chapter. The world has been slowly marching forward, and many things have happened between that time and this. In the political world, and in Parliament, like everywhere else, Hector D’Estrange has made a stir. His eloquence and debating power are the wonder of all who hear him, and his practical, sympathetic knowledge of the social questions of the day has made him the idol of the masses. He has just succeeded in carrying his Woman’s Suffrage Bill by a large majority, thereby conferring on women, married or unmarried, in this respect, identical rights with men. And now today in the monster Hall of Liberty, which he has founded, and which has been erected by the lavish subscriptions of the women of Great Britain, Ireland, and the world at large, he is to preside at the ceremony of its opening. It is a monster building. Talk of Olympia, of the Albert Hall—why, they are dwarfs beside it!

      In shape it is circular, and towers aloft towards heaven, its great dome pinnacle crowned by a cap of glass, which report declares to consist of a million panes. Around this glass a gilded crown is twined, and holding it there—one in a kneeling attitude, the other upright, with one hand high upraised towards heaven—are two gilded women’s forms. They are the Statues of Liberty.

      The interior of this vast structure is wonderful to look upon. The floor or centre is raised, and constructed so as to move on a pivot slowly round. It consists of an immense ring, the middle of which presents the appearance of a giant circus. On the right, or side facing the great entrance, is a monster swim ruing bath, and exactly opposite, or on the other side of the circus, is a huge platform. Suspended in mid air, a very network of trapezes and other gymnastic appliances hang, while stretched tightly beneath them is a monster net. Around the arena, with a low palisade separating it from the same, is a broad circular horse-ride, and raised slightly above this, running all round in a similar manner, a roomy promenade. Then come tier above tier, tier above tier of seats, amidst which here and there boxes are placed promiscuously, while dotted about all over these countless and seemingly never-ending stories, are cosy platforms enthroned in a wealth of green, where abundance of refreshments are obtainable.

      The seats come to an end at last, and are replaced by six broad balconies running entirely round the building, and built one above the other; opening on to these balconies are what appear to the spectator in the arena as thousands of pigeon-holes. In reality they are doors, communicating each one with a tiny but compact room, in which stands a bed, two chairs, a wash-hand-stand, a small dressing table, and a writing table. It is stated that in all, opening off from these balconies, are ten thousand rooms. These rooms have been included in the building to accommodate women students from all parts of the world, who may wish to take part in the physical drill or educational advantages afforded by this great central institute for the training of womankind. Attached to the Hall of Liberty are large lecture-rooms, studying-rooms, and reading-rooms, and in connection with these a monster library. Outside the building are the stables, one of the wonders of London, the grooms being entirely composed of girls and women; and clustering round the mother structure like a miniature town, are the pretty cottages and dwellings of the immense staff of instructors, teachers, and lecturers connected with the institution. It is a wonderful structure, and its erection is a triumph, the magnitude of which can hardly be measured, for Hector D’Estrange. It was he who conceived it, it was he who submitted it to the approval of his countrymen, and it was he who commanded the expenditure of the voluminous subscriptions, which in answer to his appeal poured in from all quarters of the globe. No less marvellous was the rapidity with which it arose, thousands of workmen having been employed in its construction.

      It is finished now; it towers to heaven like a mighty giant from some unknown world. The gilded Statues of Liberty flash back the sun’s rays, and stand out to view for miles and miles around. All London is flocking to the ceremony of its opening, for is not the genius