Myth, Ritual and Religion (Vol. 1&2). Andrew Lang

is a proof of the existence of that savage mental condition in which no line is drawn between men and the other things in the world. This confusion is one of the characteristics of myth in all races.

      We set out to discover a stage of human intellectual development which would necessarily produce the essential elements of myth. We think we have found that stage in the condition of savagery. We now proceed to array the evidence for the mental processes of savages. We intend to demonstrate the existence in practical savage life of the ideas which most surprise us when we find them in civilised sacred legends.

      For the purposes of this inquiry, it is enough to select a few special peculiarities of savage thought.

      1. First we have that nebulous and confused frame of mind to which all things, animate or inanimate, human, animal, vegetable, or inorganic, seem on the same level of life, passion and reason. The savage, at all events when myth-making, draws no hard and fast line between himself and the things in the world. He regards himself as literally akin to animals and plants and heavenly bodies; he attributes sex and procreative powers even to stones and rocks, and he assigns human speech and human feelings to sun and moon and stars and wind, no less than to beasts, birds and fishes.(1)

      (1) "So fasst auch das Alterthum ihren Unterschied von den Menschen ganz anders als die spatere Zeit."—Grimm, quoted by Liebrecht, Zur Volkskunde, p. 17.

      2. The second point to note in savage opinion is the belief in magic and sorcery. The world and all the things in it being vaguely conceived of as sensible and rational, obey the commands of certain members of the tribe, chiefs, jugglers, conjurors, or what you will. Rocks open at their order, rivers dry up, animals are their servants and hold converse with them. These magicians cause or heal diseases, and can command even the weather, bringing rain or thunder or sunshine at their will.(1) There are few supernatural attributes of "cloud-compelling Zeus" or of Apollo that are not freely assigned to the tribal conjuror. By virtue, doubtless, of the community of nature between man and the things in the world, the conjuror (like Zeus or Indra) can assume at will the shape of any animal, or can metamorphose his neighbours or enemies into animal forms.

      (1) See Roth in North-West Central Queensland Aborigines, chapter xii., 1897.

      3. Another peculiarity of savage belief naturally connects itself with that which has just been described. The savage has very strong ideas about the persistent existence of the souls of the dead. They retain much of their old nature, but are often more malignant after death than they had been during life. They are frequently at the beck and call of the conjuror, whom they aid with their advice and with their magical power. By virtue of the close connection already spoken of between man and the animals, the souls of the dead are not rarely supposed to migrate into the bodies of beasts, or to revert to the condition of that species of creatures with which each tribe supposes itself to be related by ties of kinship or friendship. With the usual inconsistency of mythical belief, the souls of the dead are spoken of, at other times, as if they inhabited a spiritual world, sometimes a paradise of flowers, sometimes a gloomy place, which mortal men may visit, but whence no one can escape who has tasted of the food of the ghosts.

      4. In connection with spirits a far-reaching savage philosophy prevails. It is not unusual to assign a ghost to all objects, animate or inanimate, and the spirit or strength of a man is frequently regarded as something separable, capable of being located in an external object, or something with a definite locality in the body. A man's strength and spirit may reside in his kidney fat, in his heart, in a lock of his hair, or may even be stored by him in some separate receptacle. Very frequently a man is held capable of detaching his soul from his body, and letting it roam about on his business, sometimes in the form of a bird or other animal.

      5. Many minor savage beliefs might be named, such as the common faith in friendly or protecting animals, and the notion that "natural deaths" (as we call them) are always UNNATURAL, that death is always caused by some hostile spirit or conjuror. From this opinion comes the myth that man is naturally not subject to death: that death was somehow introduced into the world by a mistake or misdeed is a corollary. (See "Myths of the Origin of Death" in Modern Mythology.)

      6. One more mental peculiarity of the savage mind remains to be considered in this brief summary. The savage, like the civilised man, is curious. The first faint impulses of the scientific spirit are at work in his brain; he is anxious to give himself an account of the world in which he finds himself. But he is not more curious than he is, on occasion, credulous. His intellect is eager to ask questions, as is the habit of children, but his intellect is also lazy, and he is content with the first answer that comes to hand. "Ils s'arretent aux premieres notions qu'ils en ont," says Pere Hierome Lalemant.(1) "Nothing," says Schoolcraft, "is too capacious (sic) for Indian belief."(2) The replies to his questions he receives from tradition or (when a new problem arises) evolves an answer for himself in the shape of STORIES. Just as Socrates, in the Platonic dialogues, recalls or invents a myth in the despair of reason, so the savage has a story for answer to almost every question that he can ask himself. These stories are in a sense scientific, because they attempt a solution of the riddles of the world. They are in a sense religious, because there is usually a supernatural power, a deus ex machina, of some sort to cut the knot of the problem. Such stories, then, are the science, and to a certain extent the religious tradition, of savages.(3)

      (1) Relations de la Nouvelle France, 1648, p. 70.

      (2) Algic Researches, i. 41.

      (3) "The Indians (Algonkins) conveyed instruction—moral, mechanical and religious—through traditionary fictions and tales."—Schoolcraft, Algic Researches, i. 12.

      Now these tales are necessarily cast in the mould of the savage ideas of which a sketch has been given. The changes of the heavenly bodies, the processes of day and night, the existence of the stars, the invention of the arts, the origin of the world (as far as known to the savage), of the tribe, of the various animals and plants, the origin of death itself, the origin of the perplexing traditional tribal customs, are all accounted for in stories. At the same time, an actual divine Maker is sometimes postulated. The stories, again, are fashioned in accordance with the beliefs already named: the belief in human connection with and kinship with beasts and plants; the belief in magic; the belief in the perpetual possibility of metamorphosis or "shape shifting"; the belief in the permanence and power of the ghosts of the dead; the belief in the personal and animated character of all the things in the world, and so forth.

      No more need be said to explain the wild and (as it seems to us moderns) the irrational character of savage myth. It is a jungle of foolish fancies, a walpurgis nacht of gods and beasts and men and stars and ghosts, all moving madly on a level of common personality and animation, and all changing shapes at random, as partners are changed in some fantastic witches' revel. Such is savage mythology, and how could it be otherwise when we consider the elements of thought and belief out of which it is mainly composed? We shall see that part of the mythology of the Greeks or the Aryans of India is but a similar walpurgis nacht, in which an incestuous or amorous god may become a beast, and the object of his pursuit, once a woman, may also become a beast, and then shift shapes to a tree or a bird or a star. But in the civilised races the genius of the people tends to suppress, exclude and refine away the wild element, which, however, is never wholly eliminated. The Erinyes soon stop the mouth of the horse of Achilles when he begins, like the horse in Grimm's Goose Girl, to hold a sustained conversation.(1) But the ancient, cruel, and grotesque savage element, nearly overcome by Homer and greatly reduced by the Vedic poets, breaks out again in Hesiod, in temple legends and Brahmanic glosses, and finally proves so strong that it can only be subdued by Christianity, or rather by that break between the educated classes and the traditional past of religion which has resulted from Christianity. Even so, myth lingers in the folk-lore of the non-progressive classes of Europe, and, as in Roumania, invades religion.

      (1) Iliad, xix. 418.

      We have now to demonstrate the existence in the savage intellect of the various ideas and habits which we have described, and out of which mythology springs. First, we have to show that "a nebulous and confused state of mind, to which all things, animate or inanimate, human, animal, vegetable or inorganic, seem on the same level of life, passion and reason," does really exist.(1) The existence of this condition of the intellect will be demonstrated