The Sea Hawk and Captain Blood. Rafael Sabatini

my Lord Henry Goade, and you observe how he permits his lingering disapproval of the man to intrude upon his description of him. The truth is that—as there is ample testimony in his prolific writings—is lordship was something of a misanthropist. It was, in fact, his misanthropy which drove him, as it has driven many another, to authorship. He takes up the pen, not so much that he may carry out his professed object of writing a chronicle of his own time, but to the end that he may vent the bitterness engendered in him by his fall from favour. As a consequence he has little that is good to say of anyone, and rarely mentions one of his contemporaries but to tap the sources of a picturesque invective. After all, it is possible to make excuses for him. He was at once a man of thought and a man of action—a combination as rare as it is usually deplorable. The man of action in him might have gone far had he not been ruined at the outset by the man of thought. A magnificent seaman, he might have become Lord High Admiral of England but for a certain proneness to intrigue. Fortunately for him—since head where nature had placed it—he came betimes under a cloud of suspicion. His career suffered a check; but it was necessary to afford him some compensation since, after all, the suspicions could not be substantiated.

      Consequently he was removed from his command and appointed by the Queen’s Grace her Lieutenant of Cornwall, a position in which it was judged that he could do little mischief. There, soured by this blighting of his ambitions, and living a life of comparative seclusion, he turned, as so many other men similarly placed have turned, to seek consolation in his pen. He wrote his singularly crabbed, narrow and superficial History of Lord Henry Goade: his own Times—which is a miracle of injuvenations, distortions, misrepresentations, and eccentric spelling. In the eighteen enormous folio volumes, which he filled with his minute and gothic characters, he gives his own version of the story of what he terms his downfall, and, having, notwithstanding his prolixity, exhausted this subject in the first five of the eighteen tomes, he proceeds to deal with so much of the history of his own day as came immediately under his notice in his Cornish retirement.

      For the purposes of English history his chronicles are entirely negligible, which is the reason why they have been allowed to remain unpublished and in oblivion. But to the student who attempts to follow the history of that extraordinary man, Sir Oliver Tressilian, they are entirely invaluable. And, since I have made this history my present task, it is fitting that I should here at the outset acknowledge my extreme indebtedness to those chronicles. Without them, indeed, it were impossible to reconstruct the life of that Cornish gentleman who became a renegade and a Barbary Corsair and might have become Basha of Algiers—or Argire, as his lordship terms it—but for certain matters which are to be set forth.

      Lord Henry wrote with knowledge and authority, and the tale he has to tell is very complete and full of precious detail. He was, himself, an eyewitness of much that happened; he pursued a personal acquaintance with many of those who were connected with Sir Oliver’s affairs that he might amplify his chronicles, and he considered no scrap of gossip that was to be gleaned along the countryside too trivial to be recorded. I suspect him also of having received no little assistance from Jasper Leigh in the matter of those events that happened out of England, which seem to me to constitute by far the most interesting portion of his narrative.

      R. S.

      Part I.

       Sir Oliver Tressilian

       Table of Contents

      Chapter I.

       The Huckster

       Table of Contents

      Sir Oliver Tressilian sat at his ease in the lofty dining-room of the handsome house of Penarrow, which he owed to the enterprise of his father of lamented and lamentable memory and to the skill and invention of an Italian engineer named Bagnolo who had come to England half a century ago as one of the assistants of the famous Torrigiani.

      This house of such a startlingly singular and Italianate grace for so remote a corner of Cornwall deserves, together with the story of its construction, a word in passing.

      The Italian Bagnolo who combined with his salient artistic talents a quarrelsome, volcanic humour had the mischance to kill a man in a brawl in a Southwark tavern. As a result he fled the town, nor paused in his headlong flight from the consequences of that murderous deed until he had all but reached the very ends of England. Under what circumstances he became acquainted with Tressilian the elder I do not know. But certain it is that the meeting was a very timely one for both of them. To the fugitive, Ralph Tressilian—who appears to have been inveterately partial to the company of rascals of all denominations—afforded shelter; and Bagnolo repaid the service by offering to rebuild the decaying half-timbered house of Penarrow. Having taken the task in hand he went about it with all the enthusiasm of your true artist, and achieved for his protector a residence that was a marvel of grace in that crude age and outlandish district. There arose under the supervision of the gifted engineer, worthy associate of Messer Torrigiani, a noble two-storied mansion of mellow red brick, flooded with light and sunshine by the enormously tall mullioned windows that rose almost from base to summit of each pilastered facade. The main doorway was set in a projecting wing and was overhung by a massive balcony, the whole surmounted by a pillared pediment of extraordinary grace, now partly clad in a green mantle of creepers. Above the burnt red tiles of the roof soared massive twisted chimneys in lofty majesty.

      But the glory of Penarrow—that is, of the new Penarrow begotten of the fertile brain of Bagnolo—was the garden fashioned out of the tangled wilderness about the old house that had crowned the heights above Penarrow point. To the labours of Bagnolo, Time and Nature had added their own. Bagnolo had cut those handsome esplanades, had built those noble balustrades bordering the three terraces with their fine connecting flights of steps; himself he had planned the fountain, and with his own hands had carved the granite faun presiding over it and the dozen other statues of nymphs and sylvan gods in a marble that gleamed in white brilliance amid the dusky green. But Time and Nature had smoothed the lawns to a velvet surface, had thickened the handsome boxwood hedges, and thrust up those black spear-like poplars that completed the very Italianate appearance of that Cornish demesne.

      Sir Oliver took his ease in his dining-room considering all this as it was displayed before him in the mellowing September sunshine, and found it all very good to see, and life very good to live. Now no man has ever been known so to find life without some immediate cause, other than that of his environment, for his optimism. Sir Oliver had several causes. The first of these—although it was one which he may have been far from suspecting—was his equipment of youth, wealth, and good digestion; the second was that he had achieved honour and renown both upon the Spanish Main and in the late harrying of the Invincible Armada—or, more aptly perhaps might it be said, in the harrying of the late Invincible Armada—and that he had received in that the twenty-fifth year of his life the honour of knighthood from the Virgin Queen; the third and last contributor to his pleasant mood—and I have reserved it for the end as I account this to be the proper place for the most important factor—was Dan Cupid who for once seemed compounded entirely of benignity and who had so contrived matters that Sir Oliver’s wooing Of Mistress Rosamund Godolphin ran an entirely smooth and happy course.

      So, then, Sir Oliver sat at his ease in his tall, carved chair, his doublet untrussed, his long legs stretched before him, a pensive smile about the firm lips that as yet were darkened by no more than a small black line of moustachios. (Lord Henry’s portrait of him was drawn at a much later period.) It was noon, and our gentleman had just dined, as the platters, the broken meats and the half-empty flagon on the board beside him testified. He pulled thoughtfully at a long pipe—for he had acquired this newly imported habit of tobacco-drinking—and dreamed of his mistress, and was properly and gallantly grateful that fortune had used him so handsomely as to enable him to toss a title and some measure of renown into his Rosamund’s lap.

      By nature Sir Oliver was a shrewd fellow (“cunning as twenty devils,” is my Lord Henry’s phrase) and he was also a man of some not inconsiderable