The Art of War in the Middle Ages. Charles Oman

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Название The Art of War in the Middle Ages
Автор произведения Charles Oman
Жанр Документальная литература
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Издательство Документальная литература
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isbn 4064066394103



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       Table of Contents

       [From the Fall of the Western Empire to the Battles of Hastings and Durazzo.]

      The Franks, Anglo-Saxons, Scandinavians, etc.

      In leaving the discussion of the military art of the later Romans in order to investigate that of the nations of Northern and Western Europe, we are stepping from a region of comparative light into one of doubt and obscurity. The data which in the history of the empire may occasionally seem scanty and insufficient are in the history of the Teutonic races often entirely wanting. To draw up from our fragmentary authorities an estimate of the military importance of the Eastern campaigns of Heraclius is not easy: but to discover what were the particular military causes which settled the event of the day at Vouglé or Tolbiac, at Badbury or the Heavenfield, is absolutely impossible. The state of the Art of War in the Dark Ages has to be worked out from monkish chronicles and national songs, from the casual references of Byzantine historians, from the quaint drawings of the illuminated manuscript, or the mouldering fragments found in the warrior’s barrow.

      It is fortunate that the general characteristics of the period render its military history comparatively simple. Of strategy there could be little in an age when men strove to win their ends by hard fighting rather than by skilful operations or the utilizing of extraneous advantages. Tactics were stereotyped by the national organizations of the various peoples. The true interest of the centuries of the early Middle Ages lies in the gradual evolution of new forms of warlike efficiency, which end in the establishment of a military class as the chief factor in war, and the decay among most peoples of the old system which made the tribe arrayed in arms the normal fighting force. Intimately connected with this change was an alteration in arms and equipment, which transformed the outward appearance of war in a manner not less complete. This period of transition may be considered to end when, in the eleventh century, the feudal cavalier established his superiority over all the descriptions of troops which were pitted against him, from the Magyar horse-archers of the East to the Anglo-Danish axe-men of the West. The fight of Hastings, the last attempt made for three centuries by infantry to withstand cavalry, serves to mark the termination of the epoch.

      The Teutonic nation of North-Western Europe did not​--​like the Goths and Lombards​--​owe their victories to the strength of their mail-clad cavalry. The Franks and Saxons of the sixth and seventh centuries were still infantry. It would appear that the moors of North Germany and Schleswig, and the heaths and marshes of Belgium, were less favourable to the growth of cavalry than the steppes of the Ukraine or the plains of the Danube valley. The Frank, as pictured to us by Sidonius Apollinaris, Procopius, and Agathias, still bore a considerable resemblance to his Sigambrian ancestors. Like them he was destitute of helmet and body-armour; his shield, however, had become a much more effective defence than the wicker framework of the first century: it was a solid oval with a large iron boss and rim. The ‘framea’ had now been superseded by the ‘angon’​--​‘a dart neither very long nor very short, which can be used against the enemy either by grasping it as a pike or hurling it16.’ The iron of its head extended far down the shaft; at its ‘neck’ were two barbs, which made its extraction from a wound or a pierced shield almost impossible. The ‘francisca,’ however, was the great weapon of the people from whom it derived its name. It was a single-bladed battle-axe17, with a heavy head composed of a long blade curved on its outer face and deeply hollowed in the interior. It was carefully weighted, so that it could be used, like an American tomahawk, for hurling at the enemy. The skill with which the Franks discharged this weapon, just before closing with the hostile line, was extraordinary, and its effectiveness made it their favourite arm. A sword and dagger (‘scramasax’) completed the normal equipment of the warrior; the last was a broad thrusting blade, 18 inches long, the former a two-edged cutting weapon of about 2½ feet in length.

      Such was the equipment of the armies which Theodebert, Buccelin, and Lothair led down into Italy in the middle of the sixth century. Procopius informs us that the first-named prince brought with him some cavalry; their numbers, however, were insignificant, a few hundreds in an army of 90,000 men. They carried the lance and a small round buckler, and served as a body-guard round the person of the king. Their presence, though pointing to a new military departure among the Franks, only serves to show the continued predominance of infantry in their armies.

      A problem interesting to the historian was worked out, when in A.D. 553 the footmen of Buccelin met the Roman army of Narses at the battle of Casilinum. The superiority of the tactics and armament of the imperial troops was made equally conspicuous. Formed in one deep column the Franks advanced into the centre of the semicircle in which Narses had ranged his men. The Roman infantry and the dismounted heavy cavalry of the Herule auxiliaries held them in play in front, while the horse-archers closed in on their flanks, and inflicted on them the same fate which had befallen the army of Crassus. Hardly a man of Buccelin’s followers escaped from the field the day of infantry was gone, for the Franks as much as for the rest of the world.

      We are accordingly not surprised to find that from the sixth to the ninth century a steady increase in the proportion of cavalry in the Frank armies is to be found; corresponding to it is an increased employment of defensive arms. A crested helmet of classical shape becomes common among them, and shortly after a mail-shirt reaching to the hips is introduced. The Emperor Charles the Great himself contributed to the armament of his cavalry, by adopting defences for the arms and thighs: ‘coxarum exteriora in eo ferreis ambiebantur bracteolis18.’ This protection, however, was at first rejected by many of the Franks, who complained that it impaired their seat on horseback.

      At Tours a considerable number of horsemen appear to have served in the army of Charles Martel: the general tactics of the day, however, were not those of an army mainly composed of cavalry. The Franks stood rooted to the spot19, and fought a waiting battle, till the light-horse of the Saracens had exhausted their strength in countless unsuccessful charges: then they pushed forward and routed such of the enemy as had spirit to continue the fight. In the time of Charles the Great we are told that all men of importance, with their immediate followers, were accustomed to serve on horseback. The national forces, however, as opposed to the personal retinues of the monarch and his great officials and nobles, continued to form the infantry of the army, as can be seen from the list of the weapons which the ‘Counts’ are directed to provide for them. The Capitularies are explicit in declaring that the local commanders ‘are to be careful that the men whom they have to lead to battle are fully equipped: that is, that they possess spear, shield, helm, mail-shirt (‘brunia’), a bow, two bow-strings, and twelve arrows20.’ The Franks had therefore become heavy infantry at the end of the eighth century: in the ninth century they were finally to abandon their old tactics, and to entrust all important operations to their cavalry.

      This transformation may be said to date from the law of Charles the Bald, providing ‘ut pagenses Franci qui caballos habent, aut habere possunt, cum suis comitibus in hostem pergant.’ Whether merely ratifying an existing state of things, or instituting a new one, this order is eminently characteristic of the period, in which the defence of the country was falling into the hands of its cavalry force alone. Of the causes which led to this consummation the most important was the character of the enemies with whom the Franks had to contend in the ninth and tenth centuries. The Northman in the Western kingdom, the Magyar in the Eastern, were marauders bent on plunder alone, and owing their success to the rapidity of their movements. The hosts of the Vikings were in the habit of seizing horses in the country which they invaded, and then rode up and down the length of the land, always distancing the slowly-moving local levies. The Hungarian horse-archers conducted forays into the heart of Germany, yet succeeded in evading pursuit. For the repression of such inroads infantry was absolutely useless; like the Romans of the fourth century, the Franks, when obliged to stand upon the defensive, had to rely upon their cavalry.

      This crisis in the military history of Europe coincided with the breaking up of all central power in the shipwreck of the dynasty of Charles the Great. In the absence of any organized national resistance, the defence of the empire fell into the hands of the local counts, who now became semi-independent sovereigns. To these petty rulers the landholders of each district were now ‘commending’