Native Americans: 22 Books on History, Mythology, Culture & Linguistic Studies. James Mooney

Origin of Fire

       The Navaho

       Home Life, Arts, and Beliefs

       History

       Mythology - Creation Myth

       Miracle Performers

       Legend of the Happiness Chant

       Legend of the Night Chant

       Ceremonies—The Night Chant

       Maturity Ceremony

       Marriage

       Appendix

       Tribal Summary - The Apache

       The Jicarillas

       The Navaho

       Southern Athapascan Comparative Vocabulary

      The Pool - Apache

      Alphabet Used in Recording Indian Terms

a	as in father
ă	as in cat
â	as aw in awl
ai	as in aisle
e	as ey in they
ĕ	as in net
i	as in machine
ĭ	as in sit
o	as in old
ŏ	as in not
ô	as owin how
oi	as in oil
u	as in ruin
ŭ	as in nut
ü	as in German hütte
ụ	as in push
h	always aspirated
q	as qu in quick
th	as in thaw
w	as in wild
y	as in year
ch	as in church
sh	as in shall, sash
n	nasal, as in French dans
zh	as z in azure
'	a pause

      Nayé̆nĕzganĭ - Navaho

      Foreword

       Table of Contents

      In Mr. Curtis we have both an artist and a trained observer, whose pictures are pictures, not merely photographs; whose work has far more than mere accuracy, because it is truthful. All serious students are to be congratulated because he is putting his work in permanent form; for our generation offers the last chance for doing what Mr. Curtis has done. The Indian as he has hitherto been is on the point of passing away. His life has been lived under conditions thru which our own race past so many ages ago that not a vestige of their memory remains. It would be a veritable calamity if a vivid and truthful record of these conditions were not kept. No one man alone could preserve such a record in complete form. Others have worked in the past, and are working in the present, to preserve parts of the record; but Mr. Curtis, because of the singular combination of qualities with which he has been blest, and because of his extraordinary success in making and using his opportunities, has been able to do what no other man ever has done; what, as far as we can see, no other man could do. He is an artist who works out of doors and not in the closet. He is a close observer, whose qualities of mind and body fit him to make his observations out in the field, surrounded by the wild life he commemorates. He has lived on intimate terms with many different tribes of the mountains and the plains. He knows them as they hunt, as they travel, as they go about their various avocations on the march and in the camp. He knows their medicine men and sorcerers, their chiefs and warriors, their young men and maidens. He has not only seen their vigorous outward existence, but has caught glimpses, such as few white men ever catch, into that strange spiritual and mental life of theirs; from whose innermost recesses all white men are forever barred. Mr. Curtis in publishing this book is rendering a real and great service; a service not only to our own people, but to the world of scholarship everywhere.

      THEODORE ROOSEVELT

      October 1st, 1906.

      White River - Apache

      General Introduction

       Table of Contents

      The task of recording the descriptive material embodied in these volumes, and of preparing the photographs which accompany them, had its inception in 1898. Since that time, during each year, months of arduous labor have been spent in accumulating the data necessary to form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions. The value of such a work, in great measure, will lie in the breadth of its treatment, in its wealth of illustration, and in the fact that it represents the result of personal study of a people who are rapidly losing the traces of their aboriginal character and who are destined ultimately to become assimilated with the "superior race."

      It has been the aim to picture all features of the Indian life and environment—types of the young and the old, with their habitations, industries, ceremonies, games, and everyday customs. Rather than being designed for mere embellishment, the photographs are each an illustration of an Indian character or of some vital phase in his existence. Yet the fact that the Indian and his surroundings lend themselves to artistic treatment has not been lost sight of, for in his country one may treat limitless subjects of an æsthetic character without in any way doing injustice to scientific accuracy or neglecting the homelier phases of aboriginal life. Indeed, in a work of this sort, to overlook those marvellous touches that Nature has given to the Indian country, and for the origin of which the native ever has a wonder-tale to relate, would be to neglect a most important chapter in the story of an environment that made the Indian much of what he is. Therefore, being directly from Nature, the accompanying pictures show what actually exists or has recently existed (for many of the subjects have already passed forever), not what the artist in his studio may presume the Indian and his surroundings to be.

      The task has not been an easy one, for although lightened at times by the readiness of the Indians to impart their knowledge, it more often required days and weeks of patient endeavor before my assistants and I succeeded in overcoming the deep-rooted superstition, conservatism, and secretiveness so characteristic of primitive people, who are ever loath to afford a glimpse of their inner life to those who are not of their own. Once the confidence of the Indians gained, the way led gradually through the difficulties, but