Twelve Men. Theodore Dreiser

ground; a thing which I could never quite understand, being more or less aloof myself and yet wishing always to be able so to do, to take life, as he did.

      For he desired, and secured, their good will and drew them to him. He took a simple, natural pleasure in the kinds of things they were able to do, as well as the kinds of things he could do. With these, then, and a type of girl who might not be classed above the clerk or manicure class, he and they managed to eke out a social life, the outstanding phases of which were dances, "parties," dinners at one simple home and another, flirting, boating, and fishing expeditions in season, evenings out at restaurants or the theater, and I know not what else. He could sing (a very fair baritone), play the piano, cornet, flute, banjo, mandolin and guitar, but always insisted that his favorite instruments were the jews'-harp, the French harp (mouth organ) and a comb with a piece of paper over it, against which he would blow with fierce energy, making the most outrageous sounds, until stopped. At any "party" he was always talking, jumping about, dancing, cooking something—fudge, taffy, a rarebit, and insisting in the most mock-serious manner that all the details be left strictly to him. "Now just cut out of this, all of you, and leave this to your Uncle Dudley. Who's doing this? All I want is sugar, chocolate, a pot, a big spoon, and I'll show you the best fudge you ever ate." Then he would don an apron or towel and go to work in a manner which would rob any gathering of a sense of stiffness and induce a naturalness most intriguing, calculated to enhance the general pleasure an hundredfold.

      Yes, Peter woke people up. He could convey or spread a sense of ease and good nature and give and take among all. Wise as he was and not so good-looking, he was still attractive to girls, very much so, and by no means unconscious of their beauty. He could always, and easily, break down their reserve, and was soon apparently on terms of absolute friendship, exchanging all sorts of small gossip and news with them about this, that and the other person about whom they knew. Indeed he was such a general favorite and so seemingly impartial that it was hard to say how he came close to any, and yet he did. At odd tête-à-tête moments he was always making confessions as to "nights" or "afternoons." "My God, Dreiser, I've found a peach! I can't tell you—but oh, wonderful! Just what I need. This world's a healthy old place, eh? Let's have another drink, what?" and he would order a stein or a half-schoppen of light German beer and pour it down, grinning like a gargoyle.

      It was while he was in Philadelphia that he told me the beginnings of the love affair which eventually ended in his marrying and settling down into the homiest of home men I have ever seen and which for sheer naïveté and charm is one of the best love stories I know anything about. It appears that he was walking in some out-of-the-way factory realm of North Philadelphia one Saturday afternoon about the first or second year of his stay there, when, playing in the street with some other children, he saw a girl of not more than thirteen or fourteen who, as he expressed it to me, "came damned near being the prettiest thing I ever saw. She had yellow hair and a short blue dress and pink bows in her hair—and say, Dreiser, when I saw her I stopped flat and said 'me for that' if I have to wait fifteen years! Dutchy—you never saw the beat! And poor! Her shoes were clogs. She couldn't even talk English yet. Neither could the other kids. They were all sausage—a regular German neighborhood.

      "But, say, I watched her a while and then I went over and said, 'Come here, kid. Where do you live?' She didn't understand, and one of the other kids translated for her, and then she said, 'Ich sprech nicht English,'" and he mocked her. "That fixed her for me. One of the others finally told me who she was and where she lived—and, say, I went right home and began studying German. In three months I could make myself understood, but before that, in two weeks, I hunted up her old man and made him understand that I wanted to be friends with the family, to learn German. I went out Sundays when they were all at home. There are six children and I made friends with 'em all. For a long time I couldn't make Madchen (that's what they call her) understand what it was all about, but finally I did, and she knows now all right. And I'm crazy about her and I'm going to marry her as soon as she's old enough."

      "How do you know that she'll have you?" I inquired.

      "Oh, she'll have me. I always tell her I'm going to marry her when she's eighteen, and she says all right. And I really believe she does like me. I'm crazy about her."

      Five years later, if I may anticipate a bit, after he had moved to Newark and placed himself rather well in the journalistic field and was able to carry out his plans in regard to himself, he suddenly returned to Philadelphia and married, preparing beforehand an apartment which he fancied would please her. It was a fortunate marriage in so far as love and home pleasures were concerned. I never encountered a more delightful atmosphere.

      All along in writing this I feel as though I were giving but the thinnest portrait of Peter; he was so full and varied in his moods and interests. To me he illustrated the joy that exists, on the one hand, in the common, the so-called homely and what some might think ugly side of life, certainly the very simple and ordinarily human aspect of things; on the other, in the sheer comfort and satisfaction that might be taken in things truly intellectual and artistic, but to which no great expense attached—old books, prints, things connected with history and science in their various forms, skill in matters relating to the applied arts and what not, such as the coloring and firing of pottery and glass, the making of baskets, hammocks and rugs, the carving of wood, the collection and imitation of Japanese and Chinese prints, the art of embalming as applied by the Egyptians (which, in connection with an undertaker to whom he had attached himself, he attempted to revive or at least play with, testing his skill for instance by embalming a dead cat or two after the Egyptian manner). In all of these lines he trained himself after a fashion and worked with skill, although invariably he insisted that he was little more than a bungler, a poor follower after the art of some one else. But most of all, at this time and later, he was interested in collecting things Japanese and Chinese: netsukes, inros, censors, images of jade and porcelain, teajars, vases, prints; and it was while he was in Philadelphia and seemingly trifling about with the group I have mentioned and making love to his little German girl that he was running here and there to this museum and that and laying the foundations of some of those interesting collections which later he was fond of showing his friends or interested collectors. By the time he had reached Newark, as chief cartoonist of the leading paper there, he was in possession of a complete Tokaido (the forty views on the road between Tokio and Kyoto), various prints by Hokusai, Sesshiu, Sojo; a collection of one hundred inros, all of fifty netsukes, all of thirty censers, lacquered boxes and teajars, and various other exceedingly beautiful and valuable things—Mandarin skirts and coats, among other things—which subsequently he sold or traded around among one collector friend and another for things which they had. I recall his selling his completed Tokaido, a labor which had extended over four years, for over a thousand dollars. Just before he died he was trading netsukes for inros and getting ready to sell all these latter to a man, who in turn was going to sell his collection to a museum.

      But in between was this other, this ultra-human side, which ran to such commonplaces as bowling, tennis-playing, golf, billiards, cards and gambling with the dice—a thing which always struck me as having an odd turn to it in connection with Peter, since he could be interested in so many other things, and yet he pursued these commonplaces with as much gusto at times as one possessed of a mania. At others he seemed not to miss or think of them. Indeed, you could be sure of him and all his interests, whatever they were, feeling that he had himself well in hand, knew exactly how far he was going, and that when the time came he could and would stop. Yet during the process of his momentary relaxation or satiation, in whatever field it might be, he would give you a sense of abandon, even ungovernable appetite, which to one who had not known him long might have indicated a mania.

      Thus I remember once running over to Philadelphia to spend a Saturday and Sunday with him, visits of this kind, in either direction, being of the commonest occurrence. At that time he was living in some quiet-looking boarding-house in South Fourth Street, but in which dwelt or visited the group above-mentioned, and whenever I came there, at least, there was always an atmosphere of intense gaming or playing in some form, which conveyed to me nothing so much as a glorious sense of life and pleasure. A dozen or more men might be seated at or standing about a poker or dice table, in summer (often in winter) with their coats off, their sleeves rolled up, Peter always conspicuous among them. On the table or to one side would be money, a pitcher or a tin pail of