John Muir: Wilderness Essays, Environmental Studies, Memoirs & Letters (Illustrated Edition). John Muir

of the lower portion of this particular flood was somewhat augmented by mining gravel in the river channels, and by levees which gave way after having at first restrained and held back the accumulating waters. These exaggerating conditions did not, however, greatly influence the general result, the main effect having been caused by the rare combination of flood factors indicated above. It is a pity that but few people meet and enjoy storms so noble as this in their homes in the mountains, for, spending themselves in the open levels of the plains, they are likely to be remembered more by the bridges and houses they carry away than by their beauty or the thousand blessings they bring to the fields and gardens of Nature.

      On the morning of the flood, January 19th, all the Feather and Yuba landscapes were covered with running water, muddy torrents filled every gulch and ravine, and the sky was thick with rain. The pines had long been sleeping in sunshine; they were now awake, roaring and waving with the beating storm, and the winds sweeping along the curves of hill and dale, streaming through the woods, surging and gurgling on the tops of rocky ridges, made the wildest of wild storm melody.

      It was easy to see that only a small part of the rain reached the ground in the form of drops. Most of it was thrashed into dusty spray like that into which small waterfalls are divided when they dash on shelving rocks. Never have I seen water coming from the sky in denser or more passionate streams. The wind chased the spray forward in choking drifts, and compelled me again and again to seek shelter in the dell copses and back of large trees to rest and catch my breath. Wherever I went, on ridges or in hollows, enthusiastic water still flashed and gurgled about my ankles, recalling a wild winter flood in Yosemite when a hundred waterfalls came booming and chanting together and filled the grand valley with a sea-like roar.

      After drifting an hour or two in the lower woods, I set out for the summit of a hill 900 feet high, with a view to getting as near the heart of the storm as possible. In order to reach it I had to cross Dry Creek, a tributary of the Yuba that goes crawling along the base of the hill on the northwest. It was now a booming river as large as the Tuolumne at ordinary stages, its current brown with miningmud washed down from many a "claim," and mottled with sluic-boxes, fence-rails, and logs that had long lain above its reach. A slim foot-bridge stretched across it, now scarcely above the swollen current. Here I was glad to linger, gazing and listening, while the storm was in its richest mood--the gray rain-flood above, the brown river-flood beneath. The language of the river was scarcely less enchanting than that of the wind and rain; the sublime overboom of the main bouncing, exulting current, the swash and gurgle of the eddies, the keen dash and clash of heavy waves breaking against rocks, and the smooth, downy hush of shallow currents feeling their way through the willow thickets of the margin. And amid all this varied throng of sounds I heard the smothered bumping and rumbling of boulders on the bottom as they were shoving and rolling forward against one another in a wild rush, after having lain still for probably 100 years or more.

      The glad creek rose high above its banks and wandered from its channel out over many a briery sand-flat and meadow. Alders and willows waistdeep were bearing up against the current with nervous trembling gestures, as if afraid of being carried away, while supple branches bending confidingly, dipped lightly and rose again, as if stroking the wild waters in play. Leaving the bridge and passing on through the storm-thrashed woods, all the ground seemed to be moving. Pine-tassels, flakes of bark, soil, leaves, and broken branches were being swept forward, and many a rock-fragment, weathered from exposed ledges, was now receiving its first rounding and polishing in the wild streams of the storm. On they rushed through evey gulch and hollow, leaping, gliding, working with a will, and rejoicing like living creatures.

      Nor was the flood confined to the ground. Every tree had a water system of its own spreading far and wide like miniature Amazons and Mississippis.

      Toward midday, cloud, wind, and rain reached their highest development. The storm was in full bloom, and formed, from my commanding outlook on the hilltop, one of the most glorious views I ever beheld. As far as the eye could reach, above, beneath, around, wind-driven rain filled the air like one vast waterfall. Detached clouds swept imposingly up the valley, as if they were endowed with independent motion and had special work to do in replenishing the mountain wells, now rising above the pine-tops, now descending into their midst, fondling their arrowy spires and soothing every branch and leaf with gentleness in the midst of all the savage sound and motion. Others keeping near the ground glided behind separate groves, and brought them forward into relief with admirable distinctness; or, passing in front, eclipsed whole groves in succession, pine after pine melting in their gray fringes and bursting forth again seemingly clearer than before.

      The forms of storms are in great part measured, and controlled by the topography of the regions where they rise and over which they pass. When, therefore, we attempt to study them from the valleys, or from gaps and openings of the forest, we are confounded by a multitude of separate and apparently antagonistic impressions. The bottom of the storm is broken up into innumerable waves and currents that surge against the hillsides like sea-waves against a shore, and these, reacting on the nether surface of the storm, erode immense cavernous hollows and cañons, and sweep forward the resulting detritus in long trains, like the moraines of glaciers. But, as we ascend, these partial, confusing effects disappear and the phenomena are beheld united and harmonious.

      The longer I gazed into the storm, the more plainly visible it became. The drifting cloud detritus gave it a kind of visible body, which explained many perplexing phenomena, and published its movements in plain terms, while the texture of the falling mass of rain rounded it out and rendered it more complete. Because raindrops differ in size they fall at different velocities and overtake and clash against one another, producing mist and spray. They also, of course, yield unequal compliance to the force of the wind, which gives rise to a still greater degree of interference, and passionate gusts sweep of clouds of spray from the groves like that torn from wave-tops in a gale. All these factors of irregularity in density, color, and texture of the general rain mass tend to make it the more appreciable and telling. It is then seen as one grand flood rushing over bank and brae, bending the pines like weeds, curving this way and that, whirling in huge eddies in hollows and dells, while the main current pours grandly over all, like ocean currents over the landscapes that lie hidden at the bottom of the sea.

      I watched the gestures of the pines while the storm was at its height, and it was easy to see that they were not distressed. Several large Sugar Pines stood near the thicket in which I was sheltered, bowing solemnly and tossing their long arms as if interpreting the very words of the storm while accepting its wildest onsets with passionate exhilaration. The lions were feeding. Those who have observed sunflowers feasting on sunshine during the golden days of Indian summer know that none of their gestures express thankfulness. Their celestial food is too heartily given, too heartily taken to leave room for thanks. The pines were eveidently accepting the benefactions of the storm in the same whole-souled manner; and when I looked down among the budding hazels, and still lower to the young violets and fern-tufts on the rocks, I noticed the same divine methods of giving and taking, and the same exquisite adaptations of what seems an outbreak of violent and uncontrollable force to the purposes of beautiful and delicate life. Calms like sleep come upon landscapes, just as they do on people and trees, and storms awaken them in the same way. In the dry midsummer of the lower portion of the range the withered hills and valleys seem to lie as empty and expressionless as dead shells on a shore. Even the highest mountains may be found occasionally dull and uncommunicative as if in some way they had lost countenance and shrunk to less than half their real stature. But when the lightnings crash and echo in the cañons, and the clouds come down wreathing and crowing their bald snowy heads, every feature beams with expression and they rise again in all their imposing majesty.

      Storms are fine speakers, and tell all they know, but their voices of lightning, torrent, and rushing wind are much less numerous than the nameless still, small voices too low for human ears; and because we are poor listeners we fail to catch much that is fairly within reach. Our best rains are heard mostly on roofs, and winds in chimneys; and when by choice or compulsion we are pushed into the heart of a storm, the confusion made by cumbersome equipments and nervous haste and mean fear, prevent our hearing any other than the loudest expressions. Yet we may draw enjoyment from strom sounds that are beyond hearing, and storm movements we cannot see. The sublime whirl of planets around their suns is as silent as raindrops