John Muir: Wilderness Essays, Environmental Studies, Memoirs & Letters (Illustrated Edition). John Muir

glossy leaves of the magnolia, filtering through translucent canopies of linden and ash, and falling in mellow patches on the ferny floor; see the shining after rain, breathe the exhaling fragrance, and hear the winds and birds and the murmur of brooks and insects. We watch them from season to season; see the swelling buds when the sap begins to flow in the spring, the opening leaves and blossoms, the ripening of summer fruits, the colors of autumn, and the maze of leafless branches and sprays in winter; and we see the sudden oncome of the storms that overwhelmed them.

      One calm morning at sunrise I saw the oaks and pines in Yosemite Valley shaken by an earthquake, their tops swishing back and forth, and every branch and needle shuddering as if in distress like the frightened screaming birds. One may imagine the trembling, rocking, tumultuous waving of those ancient Yellowstone woods, and the terror of their inhabitants when the first foreboding shocks were felt, the sky grew dark, and rock-laden floods began to roar. But though they were close pressed and buried, cut off from sun and wind, all their happy leaf-fluttering and waving done, other currents coursed through them, fondling and thrilling every fibre, and beautiful wood was replaced by beautiful stone. Now their rocky sepulchres are partly open, and show forth the natural beauty of death.

      After the forest times and fire times had passed away, and the volcanic furnaces were banked and held in abeyance, another great change occurred. The glacial winter came on. The sky was again darkened, not with dust and ashes, but with snow which fell in glorious abundance, piling deeper, deeper, slipping from the overladen heights in booming avalanches, compacting into glaciers, that flowed over all the landscape, wiping off forests, grinding, sculpturing, fashioning the comparatively featureless lava beds into the beautiful rhythm of hill and dale and ranges of mountains we behold to-day; forming basins for lakes, channels for streams, few soils for forests, gardens, and meadows. While this ice-work was going on, the slumbering volcanic fires were boiling the subterranean waters, and with curious chemistry decomposing the rocks, making beauty in the darkness; these forces, seemingly antagonistic, working harmoniously together. How wild their meetings on the surface were we may imagine. When the glacier period began, geysers and hot springs were playing in grander volume, it may be, than those of to-day. The glaciers flowed over them while they spouted and thundered, carrying away their fine sinter and travertine structures, and shortening their mysterious channels.

      The soils made in the down-grinding required to bring the present features of the landscape into relief are possibly no better than were some of the old volcanic soils that were carried away, and which, as we have seen, nourished magnificent forests, but the glacial landscapes are incomparably more beautiful than the old volcanic ones were. The glacial winter has passed away, like the ancient summers and fire periods, though in the chronology of the geologist all these times are recent. Only small residual glaciers on the cool northern slopes of the highest mountains are left of the vast all-embracing ice-mantle, as solfataras and geysers are all that are left of the ancient volcanoes.

      Now the post-glacial agents are at work on the grand old palimpsest of the park region, inscribing new characters; but still in its main telling features it remains distinctly glacial. The moraine soils are being leveled, sorted, refined, re-formed, and covered with vegetation; the polished pavements and scoring and other superficial glacial inscriptions on the crumbling lavas are being rapidly obliterated; gorges are being cut in the decomposed rhyolites and loose conglomerates, and turrets and pinnacles seem to be springing up like growing trees; while the geysers are depositing miles of sinter and travertine. Nevertheless, the ice-work is scarce blurred as yet. These later effects are only spots and wrinkles on the grand glacial countenance of the park.

      Perhaps you have already said that you have seen enough for a lifetime. But before you go away you should spend at least one day and a night on a mountain top, for a last general, calming, settling view. Mount Washburn is a good one for the purpose, because it stands in the middle of the park, is unencumbered with other peaks, and is so easy of access that the climb to its summit is only a saunter. First your eye goes roving around the mountain rim amid the hundreds of peaks; some with plain flowing skirts, others abruptly precipitous and defended by sheer battlemented escarpments; flat-topped or round; heaving like sea-waves or spired and turreted like Gothic cathedrals; streaked with snow in the ravines, and darkened with files of adventurous trees climbing the ridges. The nearer peaks are perchance clad in sapphire blue, others far off in creamy white. In the broad glare of noon they seem to shrink and crouch to less than half their real stature, and grow dull and uncommunicative,--mere dead, draggled heaps of waste ashes and stone, giving no hint of the multitude of animals enjoying life in their fastnesses, or of the bright bloom-bordered streams and lakes. But when storms blow they awake and arise, wearing robes of cloud and mist in majestic speaking attitudes like gods. In the color glory of morning and evening they become still more impressive; steeped in the divine light of the alpenglow their earthiness disappears, and, blending with the heavens, they seem neither high nor low.

      Over all the central plateau, which from here seems level, and over the foothills and lower slopes of the mountains, the forests extends like a black uniform bed of weeds, interrupted only by lakes and meadows and small burned spots called parks,--all of them, except the Yellowstone Lake, being mere dots and spangles in general views, made conspicuous by their color and brightness. About eighty-five per cent of the entire area of the park is covered with trees, mostly the indomitable lodge-pole pine (Pinus contoria, var. Murrayana), with a few patches and sprinklings of Douglas spruce, Engelmann spruce, silver fir (Abies lasiocarpa), Pinus flexilis, and a few alders, aspens, and birches. The Douglas spruce is found only on the lowest portions, the silver fir on the highest, and the Engelmann spruce on the dampest places, best defended from fire. Some fine specimens of the flexilis pine are growing on the margins of openings,--wide-branching, sturdy trees, as broad as high, with trunks five feet in diameter, leafy and shady, laden with purple cones and rose-colored flowers. The Engelmann spruce and sub-alpine silver fir are beautiful and notable trees, but as the plateau became drier and fires began to run, they were driven up the mountains, and into the wet spots and islands where we now find them, leaving nearly all the park to the lodge-pole pine, which, though as thin-skinned as they and as easily killed by fire, takes pains to store up its seeds in firmly closed cones, and holds them from three to nine years, so that, let the fire come when it may, it is ready to die and ready to live again in a new generation. For when the killing fires have devoured the leaves and thin resinous bark, many of the cones, only scorched, open as soon as the smoke clears away; the hoarded store of seeds is sown broadcast on the cleared ground, and a new growth immediately springs up triumphant out of the ashes. Therefore, this tree not only holds its ground, but extends its conquests farther after every fire. Thus the evenness and closeness of its growth are accounted for. In one part of the forest that I examined, the growth was about as close as a cane-brake. The trees were from four to eight inches in diameter, one hundred feet high, and one hundred and seventy-five years old. The lower limbs die young and drop off for want of light. Life with these close-planted trees is a race for light, more light, and so they push straight for the sky. Mowing off ten feet from the top of the forest would make it look like a crowded mass of telegraph-poles; for only the sunny tops are leafy. A sapling ten years old, growing in the sunshine, has as many leaves as a crowded tree one or two hundred years old. As fires are multiplied and the mountains become drier, this wonderful lodge-pole pine bids fair to obtain possession of nearly all the forest ground in the West.

      How still the woods seem from here, yet how lively a stir the hidden animals are making; digging, gnawing, biting, eyes shining, at work and play, getting food, rearing young, roving through the underbrush, climbing the rocks, wading solitary marshes, tracing the banks of the lakes and streams! Insect swarms are dancing in the sunbeams, burrowing in the ground, diving, swimming,--a cloud of witnesses telling Nature's joy. The plants are as busy as the animals, every cell in a swirl of enjoyment, humming like a hive, singing the old new song of creation. A few columns and puffs of steam are seen rising above the treetops, some near, but most of them far off, indicating geysers and hot springs, gentle-looking and noiseless as noiseless as downy clouds, softly hinting the reaction going on between the surface and the hot interior. From here you see them better than when you are standing beside them, frightened and confused, regarding them as lawless cataclysms. The shocks and out-bursts of earthquakes, volcanoes, geysers, storms, the pounding of waves, the uprush of sap in plants, each and all tell the orderly