What's Mine's Mine. George MacDonald

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       George MacDonald

      What's Mine's Mine

      The Highlander's Last Song

      Books

      OK Publishing, 2020

       [email protected] Tous droits réservés.

      EAN 4064066395230

Table of Contents

       Volume 1

       Volume 2

       Volume 3

      Volume 1

       Table of Contents

Table of Contents

       CHAPTER I. HOW COME THEY THERE?

       CHAPTER II. A SHORT GLANCE OVER THE SHOULDER.

       CHAPTER III. THE GIRLS' FIRST WALK.

       CHAPTER IV. THE SHOP IN THE VILLAGE.

       CHAPTER V. THE CHIEF.

       CHAPTER VI. WORK AND WAGE.

       CHAPTER VII. MOTHER AND SON.

       CHAPTER VIII. A MORNING CALL.

       CHAPTER IX. ME. SERCOMBE.

       CHAPTER X. THE PLOUGH-BULLS.

       CHAPTER XI. THE FIR-GROVE.

       CHAPTER XII. AMONG THE HILLS.

       CHAPTER XIII. THE LAKE.

       CHAPTER XIV. THE WOLVES.

       CHAPTER XV. THE GULF THAT DIVIDED.

       CHAPTER XVI. THE CLAN CHRISTMAS.

       CHAPTER XVII. BETWEEN DANCING AND SUPPER.

      CHAPTER I.

       HOW COME THEY THERE?

       Table of Contents

      The room was handsomely furnished, but such as I would quarrel with none for calling common, for it certainly was uninteresting. Not a thing in it had to do with genuine individual choice, but merely with the fashion and custom of the class to which its occupiers belonged. It was a dining-room, of good size, appointed with all the things a dining-room "ought" to have, mostly new, and entirely expensive—mirrored sideboard in oak; heavy chairs, just the dozen, in fawn-coloured morocco seats and backs—the dining-room, in short, of a London-house inhabited by rich middle-class people. A big fire blazed in the low round-backed grate, whose flashes were reflected in the steel fender and the ugly fire-irons that were never used. A snowy cloth of linen, finer than ordinary, for there was pride in the housekeeping, covered the large dining-table, and a company, evidently a family, was eating its breakfast. But how come these people THERE?

      For, supposing my reader one of the company, let him rise from the well-appointed table—its silver, bright as the complex motions of butler's elbows can make it; its china, ornate though not elegant; its ham, huge, and neither too fat nor too lean; its game-pie, with nothing to be desired in composition, or in flavour natural or artificial;—let him rise from these and go to the left of the two windows, for there are two opposite each other, the room having been enlarged by being built out: if he be such a one as I would have for a reader, might I choose—a reader whose heart, not merely his eye, mirrors what he sees—one who not merely beholds the outward shows of things, but catches a glimpse of the soul that looks out of them, whose garment and revelation they are;—if he be such, I say, he will stand, for more than a moment, speechless with something akin to that which made the morning stars sing together.

      He finds himself gazing far over western seas, while yet the sun is in the east. They lie clear and cold, pale and cold, broken with islands scattering thinner to the horizon, which is jagged here and there with yet another. The ocean looks a wild, yet peaceful mingling of lake and land. Some of the islands are green from shore to shore, of low yet broken surface; others are mere rocks, with a bold front to the sea, one or two of them strange both in form and character. Over the pale blue sea hangs the pale blue sky, flecked with a few cold white clouds that look as if they disowned the earth they had got so high—though none the less her children, and doomed to descend again to her bosom. A keen little wind is out, crisping the surface of the sea in patches—a pretty large crisping to be seen from that height, for the window looks over hill above hill to the sea. Life, quiet yet eager, is all about; the solitude itself is alive, content to be a solitude because it is alive. Its life needs nothing from beyond—is independent even of the few sails of fishing boats that here and there with their red brown break the blue of the water.

      If my reader, gently obedient to my thaumaturgy, will now turn and cross to the other window, let him as he does so beware of casting a glance on his right towards the place he has left at the table, for the room will now look to him tenfold commonplace, so that he too will be inclined to ask, "How come these and their belongings HERE—just HERE?"—let him first look from the window. There he sees hills of heather rolling away eastward, at middle distance beginning to rise into mountains, and farther yet, on the horizon, showing snow on their crests—though that may disappear and return several times before settling down for the winter. It is a solemn and very still region—not a PRETTY country at all, but great—beautiful with the beauties of colour and variety of surface; while, far in the distance, where the mountains and the clouds have business together, its aspect rises to grandeur. To his first glance probably not a tree will be discoverable; the second will fall upon a solitary clump of firs, like a mole on the cheek of one of the hills not far off, a hill steeper than most of them, and green to the top.

      Is my reader seized with that form of divine longing which wonders what lies over the nearest hill? Does he fancy, ascending the other side to its crest, some sweet face of highland girl, singing songs of the old centuries while yet there was a people in these wastes? Why should he imagine in the presence of the actual? why dream when the eyes can see? He has but to return to the table to reseat