The Complete Travel Books of W.D. Howells (Illustrated Edition). William Dean Howells

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Название The Complete Travel Books of W.D. Howells (Illustrated Edition)
Автор произведения William Dean Howells
Жанр Документальная литература
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Издательство Документальная литература
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of Austria, and are therefore untitled) 55 the citizens are affectionately proud, while I have heard from them nothing but contempt and ridicule of the patricians who, upon a wretched pension or meagre government office, attempt to maintain patrician distinction. Such nobles are usually Austriacanti in their politics, and behind the age in every thing; while there are other descendants of patrician families mingled at last with the very populace, sharing their ignorance and degradation, and feeling with them. These sometimes exercise the most menial employments: I knew one noble lord who had been a facchino, and I heard of another who was a street-sweeper. Conte che non conta, non conta niente, 56 says the sneering Italian proverb; and it would be little less than miraculous if a nobility like that of modern Venice maintained superior state and regard in the eyes of the quick-witted, intelligent, sarcastic commonalty.

      The few opulent patricians are by no means the most violent of Italianissimi. They own lands and houses, and as property is unsafe when revolutionary feeling is rife, their patriotism is tempered. The wealth amassed in early times by the vast and enterprising commerce of the country was, when not dissipated in riotous splendor, invested in real estate upon the main-land as the Republic grew in territory, and the income of the nobles is now from the rents of these lands. They reside upon their estates during the season of the villeggiatura, which includes the months of September and October, when every one who can possibly leave the city goes into the country. Then the patricians betake themselves to their villas near Padua, Vicenza, Bassano, and Treviso, and people the sad-colored, weather-worn stucco hermitages, where the mutilated statues, swaggering above the gates, forlornly commemorate days when it was a far finer thing to be a noble than it is now. I say the villas look dreary and lonesome as places can be made to look in Italy, what with their high garden walls, their long, low piles of stabling, and the passée indecency of their nymphs and fauns, foolishly strutting in the attitudes of the silly and sinful old Past; and it must be but a dull life that the noble proprietors lead there.

      It is better, no doubt, on the banks of the Brenta, where there are still so many villas as to form a street of these seats of luxury, almost the whole length of the canal, from Fusina to Padua. I am not certain that they have a right to the place which they hold in literature and sentiment, and yet there is something very charming about them, with their gardens, and chapels, and statues, and shaded walks. We went to see them one day early in October, and found them every one, when habitable, inhabited, and wearing a cheerful look, that made their proximity to Venice incredible. As we returned home after dark, we saw the ladies from the villas walking unattended along the road, and giving the scene an air of homelike peace and trustfulness which I had not found before in Italy; while the windows of the houses were brilliantly lighted, as if people lived in them; whereas, you seldom see a light in Venetian palaces. I am not sure that I did not like better, however, the villas that were empty and ruinous, and the gardens that had run wild, and the statues that had lost legs and arms. Some of the ingenious proprietors had enterprisingly whitewashed their statues, and there was a horrible primness about certain of the well-kept gardens which offended me. Most of the houses were not large, but there was here and there a palace as grand as any in the city. Such was the great villa of the Contarini of the Lions, which was in every way superb, with two great lions of stone guarding its portals, and a gravel walk, over-arched with stately trees, stretching a quarter of a mile before it. At the moment I was walking down this aisle I met a cleanshaven old canonico, with red legs and red-tasseled hat, and with a book under his arm, and a meditative look, whom I here thank for being so venerably picturesque. The palace itself was shut up, and I wish I had known, when I saw it, that it had a ghostly underground passage from its cellar to the chapel,—wherein, when you get half way, your light goes out, and you consequently never reach the chapel.

      In Venice, the noble still lives sometimes in his ancestral palace, dimly occupying the halls where his forefathers flourished in so much splendor. I can conceive, indeed, of no state of things more flattering to human pride than that which surrounded the patrician of the old aristocratic Republic. The house in which he dwelt was the palace of a king, in luxury of appointment and magnificence of size. Troops of servants that ministered to his state peopled its vast extent; and the gondolas that carried his grandeur abroad were moored in little fleets to the piles that rose before his palace, painted with the family arms and colors. The palace itself stood usually on the Grand Canal, and rose sheer from the water, giving the noble that haughty inaccessibility which the lord of the main-land achieved only by building lofty walls and multiplying gates. The architecture was as costly in its ornament as wild Gothic fancy, or Renaissance luxury of bad taste, could make it; and when the palace front was not of sculptured marble, the painter’s pencil filled it with the delight of color. The main-land noble’s house was half a fortress, and formed his stronghold in times of popular tumult or family fray; but at Venice the strong arm of St. Mark suppressed all turbulence in a city secure from foreign war; and the peaceful arts rejoiced in undisturbed possession of the palaces, which rose in the most delicate and fantastic beauty, and mirrored in the brine a dream of sea-deep strangeness and richness. You see much of the beauty yet, but the pride and opulence which called it into being are gone forever.

      Most palaces, whether of the Gothic or classicistic period, have the same internal arrangement of halls and chambers, and are commonly built of two lofty and two low stories. On the ground floor, or water level, is a hall running back from the gate to a bit of garden at the other side of the palace; and on either side of this hall, which in old times was hung with the family trophies of the chase and war, are the porter’s lodge and gondoliers’ rooms. On the first and second stories are the family apartments, opening on either side from great halls, of the same extent as that below, but with loftier roofs, of heavy rafters gilded or painted. The fourth floor is of the same arrangement, but has a lower roof, and was devoted to the better class of servants. Of the two stories used by the family, the third is the loftier and airier, and was occupied in summer; the second was the winter apartment. On either hand the rooms open in suites.

       Palazzi Balbi and Grimani

      We have seen something of the ceremonies, public and private, which gave peculiar gayety and brilliance to the life of the Venetians of former days; but in his political character the noble had yet greater consequence. He was part of the proudest, strongest, and securest system of his time. He was a king with the fellowship of kings, flattered with the equality of an aristocracy which was master of itself, and of its nominal head. During the earlier times it was