The Collected Works of R. Austin Freeman (Illustrated Edition). R. Austin Freeman

in the way."

      "No," Thorndyke agreed, "that is true." He looked closely at the sketch, and even took out his pocket lens to help his vision, which seemed almost unnecessary. It appeared that he was as much interested in the unknown artist's peculiar technique as was my friend, Miss Sylvia Vyne. "By the way," said he, when he had resumed his seat at the table," you were telling me about some kind of gold trinket that you had picked up at the foot of the fence. Shall we have a look at it?"

      I fetched the little gold object from the dispatch box in which I had locked it up, and handed it to him. He turned it over in his fingers, read the letters that were engraved on it, and examined the little piece of silk cord that was attached to one ring. "There is no doubt," said he, "as to the nature of this object, nor of its connection with the dead man. This is evidently a reliquary, and these initials engraved upon it bear out exactly your description of the body. S.V.D.P evidently means St. Vincent de Paul, who, as you probably know, was a saint who was distinguished for his works of charity. You have mentioned that the dead man wore a Roman collar, with a narrow, dark stripe up the front. That means that he was the lay-brother of some religious order, probably some philanthropic order, to whom St. Vincent de Paul would be an object of special devotion. The other letters, A.M.D.G., are the initials of the words Ad Majorem Dei Gloriam—the motto of the Society of Jesus. But as St. Vincent de Paul was not a Jesuit saint, the motto probably refers to the owner of the reliquary, who may have been a Jesuit or a friend of the Society. It was apparently attached—perhaps to the neck—by this silk cord, which seems to have been frayed nearly through, and probably broke when the body was drawn over the top of the fence."

      "I suppose I ought to have shown it to the police," I said.

      "I suppose you ought," he replied, "but, as you haven't, I think we had better say nothing about it now."

      He handed it back to me, and I dropped it into my pocket, intending to return it presently to the dispatch box. A few minutes later, we sallied forth on our journey of exploration.

      It is not necessary to describe this journey in detail since I have already taken the reader over the ground more than once. We went, of course, to the place where I had found the body and walked right through to Hampstead Lane. Then we returned, and reconstituted the circumstances of that eventful night, after which, I conducted Thorndyke to the place where I assumed that the body had been lifted over the fence. "I suppose," I said, "we must go round and pick up the track from the other side."

      He looked up and down the lane and smiled. "Would your quondam professor lose your respect for ever, Jardine, if you saw him climb over a fence in a frock coat and a topper?"

      "No," I answered, " but it might look a little quaint if anyone else saw you."

      "I think we will risk that," he said. "There is no one about, and I should rather like to try a little experiment. Would you mind if I hoisted you over the fence? You are something of an out-size, but then, so am I, too, which balances the conditions."

      Of course I had no objection, and, when we had looked up and down the lane and listened to make sure that we had no observers, Thorndyke picked me up, with an ease that rather surprised me, and hoisted me above the level of the fence. "Is it all clear on the other side?" he asked.

      "Yes," I answered, " there's no one in sight."

      "Then I want you to be quite passive," he said, and with this, he hoisted me up further until I hung with my own weight across the top of the fence. Leaving me hanging thus, he sprang up lightly, and, having got astride at the top, dropped down on the other side, when he once more took hold of me and drew me over. "It wasn't so very difficult," he said. "Of course, it would have been more so to a shorter man, but, on the other hand, it is extremely unlikely that the body was anything like your size and weight."

      We now followed the track up to the wood, which we entered by an opening in the fence, through which I assumed that the murderer had probably passed. I conducted Thorndyke by the nearest route to the boat-house, and, when he had thoroughly examined the place and made notes of the points that appeared to interest him, I showed him the way out by the turnstile.

      It was here when we came in sight of the cottage that I bethought me of my promise to Miss Vyne, and somewhat sheepishly explained the matter to Thorndyke. "It won't take me a minute to go in and sneak the things," I said apologetically, and was proposing that he should walk on slowly, when he interrupted me.

      "I'll come in with you," said he. "There may be something else to filch. Besides, I am rather partial to empty houses. There is something quite interesting, I think, in looking over the traces of recent occupation, and speculating on the personality and habits of the late occupiers. Don't you find it so?"

      I said "Yes," truthfully enough, for it was a feeling of this kind that had first led me to look over the cottage. But my interest was nothing to Thorndyke's; for no sooner had I let him in at the front door, than he began to browse about through the empty rooms and passages, for all the world like a cat that has just been taken to a new house. "This was evidently the studio," he remarked, as we entered the room from which I had taken the canvas, "he doesn't seem to have had much of an outfit, as he appears to have worked on his sketching-easel; you can see the indentations made by the toe-points, and there are no marks of the castors of a studio easel. You notice, too, that he sat on a camp-stool to work."

      It did not appear to me to matter very much what he had sat on, but I kept this opinion to myself and watched Thorndyke curiously as he picked up the empty paint tubes and scrutinized them one after the other. His inquisitiveness filled me with amused astonishment. He turned out the rubbish box completely, and having looked over every inch of the discarded canvasses, he began systematically to examine, one by one, the pieces of paper on which the late resident had wiped his palette-knife.

      Having rolled up and pocketed the waste canvasses, I expressed myself as ready to depart. "If you're not in a hurry," said Thorndyke, "I should like to look over the rest of the premises."

      He spoke as though we were inspecting some museum or exhibition, and, indeed, his interest and attention, as he wandered from room to room, were greater than that of the majority of visitors to a public gallery. He even insisted on visiting the little stable and coachhouse, and when he had explored them both, ascended the ricketty steps to the loft over the latter. "I suppose," said I, "this was the lumber room or store. Judging by the quantity of straw it would seem as if some cases had been unpacked here."

      "Probably," agreed Thorndyke. "In fact, you can see where the cases have been dragged along, and also, by that smooth indented line, where some heavy metallic object has been slid along the floor. Perhaps if we look over the straw, we may be able to judge what those cases contained."

      It didn't seem to me to matter a brass farthing what they contained, but again I made no remark; and together we moved the great mass of straw, almost handful by handful, from one end of the loft to the other, while Thorndyke, not only examined the straw but even closely scrutinized the floor on which it lay.

      As far as I could see, all this minute and apparently purposeless searching was entirely without result, until we were in the act of removing the last armful of straw from the corner; and even then the object that came to light did not appear a very remarkable one under the circumstances, though Thorndyke seemed to find what appeared to me a most unreasonable interest in it. The object was a pair of canvas-pliers, which Thorndyke picked up almost eagerly and examined with profound attention. "What do you make of that, Jardine?" he asked, at length, handing the implement to me.

      "It's a pair of canvas-pliers," I replied.

      "Obviously," he rejoined," but what do you suppose they have been used for?"

      I opined that they had been used for straining canvasses, that being their manifest function. "But," objected Thorndyke, "he would hardly have strained his canvasses up here. Besides, you will notice that they have, in fact, been used for something else. You observe that the handles are slightly bent, as if something had been held with great force, and if you look at the jaws, you will see that that something was a metallic object about three quarters of an inch wide with sharp corners. Now, what do you make of that?"

      I looked at the