THE COMPLETE ODES OF JOHN KEATS. John Keats

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Название THE COMPLETE ODES OF JOHN KEATS
Автор произведения John Keats
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 9788027200795



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       John Keats

      THE COMPLETE ODES OF JOHN KEATS

      Ode on a Grecian Urn, Ode to a Nightingale, Ode to Apollo, Ode to Indolence, Ode to Psyche...

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      2017 OK Publishing

      ISBN 978-80-272-0079-5

      Table of Contents

       Life of John Keats by Sidney Colvin

       Poems:

       Ode

       Ode on a Grecian Urn

       Ode to Apollo

       Ode to Fanny

       Ode on Indolence

       Ode on Melancholy

       Ode to Psyche

       Ode to a Nightingale

      Life of John Keats by Sidney Colvin

       Table of Contents

       Preface

       Chapter I

       Chapter II

       Chapter III

       Chapter IV

       Chapter V

       Chapter VI

       Chapter VII

       Chapter VIII

       Chapter IX

       Chapter X

       Chapter XI

       Chapter XII

       Chapter XIII

       Chapter XIV

       Chapter XV

       Chapter XVI

       Chapter XVII

       Appendix

      Preface

       Table of Contents

      To the name and work of Keats our best critics and scholars have in recent years paid ever closer attention and warmer homage. But their studies have for the most part been specialized and scattered, and there does not yet exist any one book giving a full and connected account of his life and poetry together in the light of our present knowledge and with help of all the available material. Ever since it was my part, some thirty years ago, to contribute the volume on Keats to the series of short studies edited by Lord Morley, (the English Men of Letters series), I have hoped one day to return to the subject and do my best to supply this want. Once released from official duties, I began to prepare for the task, and through the last soul-shaking years, being over age for any effectual war-service, have found solace and occupation in carrying it through.

      The following pages, timed to appear in the hundredth year after the publication of Keats’ first volume, are the result. I have sought in them to combine two aims not always easy to be reconciled, those of holding the interest of the general reader and at the same time of satisfying, and perhaps on some points even informing, the special student. I have tried to set forth consecutively and fully the history of a life outwardly remarkable for nothing but its tragic brevity, but inwardly as crowded with imaginative and emotional experience as any on record, and moreover, owing to the openheartedness of the man and to the preservation and unreserved publication of his letters, lying bare almost more than any other to our knowledge. Further, considering for how much friendship counted in Keats’ life, I have tried to call up the group of his friends about him in their human lineaments and relations, so far as these can be recovered, more fully than has been attempted before. I believe also that I have been able to trace more closely than has yet been done some of the chief sources, both in literature and in works of art, of his inspiration. I have endeavoured at the same time to make felt the critical and poetical atmosphere, with its various and strongly conflicting currents, amid which he lived, and to show how his genius, almost ignored in its own day beyond the circle of his private friends, was a focus in which many vital streams of poetic tendency from the past centred and from which many radiated into the future. To illustrate this last point it has been necessary, by way of epilogue, to sketch, however briefly, the story of his posthumous fame, his after life in the minds and hearts of English writers and readers until to-day. By English I mean all those whose mother language is English. To follow the extension of Keats’ fame to the Continent is outside my aim. He has not yet, by means of translation and comment in foreign languages, become in any full sense a world-poet. But during the last thirty years the process has begun, and there would be a good deal to say, did my scheme admit it, of work upon Keats done abroad, especially in France, where our literature has during the last generation been studied with such admirable intelligence and care.

      In an attempt of this scope, I have necessarily had to repeat matters of common knowledge and to say again things that others have said well and sufficiently already. But working from