Название | Seeing Europe with Famous Authors (Vol. 1-8) |
---|---|
Автор произведения | Гарриет Бичер-Стоу |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 4064066386528 |
The papers being read, it became my duty to discover the town; and a handsomer town, with fewer people in it, it is impossible to see on a summer's day. In the whole wide square of Stephen's Green, I think there were not more than two nursery-maids, to keep company with the statue of George I., who rides on horseback in the middle of the garden, the horse having his foot up to trot, as if he wanted to go out of town too. Small troops of dirty children (too poor and dirty to have lodgings at Kingstown) were squatting here and there upon the sunshiny steps, the only clients at the thresholds of the professional gentlemen whose names figure on brass-plates on the doors. A stand of lazy carmen, a policeman or two with clinking boot-heels, a couple of moaning beggars leaning against the rails and calling upon the Lord, and a fellow with a toy and book stall, where the lives of St. Patrick, Robert Emmet, and Lord Edward Fitzgerald may be bought for double their value, were all the population of the Green. … In the courts of the College, scarce the ghost of a gyp or the shadow of a bed-maker. In spite of the solitude, the square of the College is a fine sight—a large ground, surrounded by buildings of various ages and styles, but comfortable, handsome, and in good repair; a modern row of rooms; a row that has been Elizabethan once; a hall and senate-house, facing each other, of the style of George I.; and a noble library, with a range of many windows, and a fine manly simple façade of cut stone.
The bank and other public buildings of Dublin are justly famous. In the former may still be seen the room which was the House of Lords formerly, and where the bank directors now sit, under a clean marble image of George III. The House of Commons has disappeared, for the accommodation of clerks and cashiers. The interior is light, splendid, airy, well furnished, and the outside of the building not less so. The Exchange, hard by, is an equally magnificent structure; but the genius of commerce has deserted it, for all its architectural beauty. There was nobody inside when I entered, but a pert statue of George III. in a Roman toga, simpering and turning out his toes; and two dirty children playing, whose hoop-sticks caused great clattering echoes under the vacant sounding dome.
Walking toward the river, you have on either side of you, at Carlisle Bridge, a very brilliant and beautiful prospect. The four courts and their dome to the left, the custom-house and its dome to the right; and in this direction seaward, a considerable number of vessels are moored, and the quays are black and busy with the cargoes discharged from ships. Seamen cheering, herring-women bawling, coal-carts loading—the scene is animated and lively. Yonder is the famous Corn Exchange; but the Lord Mayor is attending to his duties in Parliament, and little of note is going on. I had just passed his lordship's mansion in Dawson Street—a queer old dirty brick house, with dumpy urns at each extremity, and looking as if a story of it had been cut off—a rasée house. Close at hand, and peering over a paling, is a statue of our blest sovereign George II. How absurd these pompous images look, of defunct majesties, for whom no breathing soul cares a halfpenny! It is not so with the effigy of William III., who has done something to merit a statue. At this minute the Lord Mayor has William's effigy under a canvas, and is painting him of a bright green picked out with yellow—his lordship's own livery.
The view along the quays to the four courts has no small resemblance to a view along the quays at Paris, tho not so lively as are even those quiet walks. The vessels do not come above-bridge, and the marine population remains constant about them, and about numerous dirty liquor-shops, eating-houses, and marine-store establishments, which are kept for their accommodation along the quay. As far as you can see, the shining Liffey flows away eastward, hastening (like the rest of the inhabitants of Dublin) to the sea.
In front of Carlisle Bridge, and not in the least crowded, tho in the midst of Sackville Street, stands Nelson upon a stone pillar. The post office is on his right hand (only it is cut off); and on his left, Gresham's and the Imperial Hotel. Of the latter let me say (from subsequent experience) that it is ornamented by a cook who could dress a dinner by the side of M. Borel or M. Soyéld there were more such artists in this ill-fated country! The street is exceedingly broad and handsome; the shops at the commencement, rich and spacious; but in Upper Sackville Street, which closes with the pretty building and gardens of the Rotunda, the appearance of wealth begins to fade somewhat, and the houses look as if they had seen better days. Even in this, the great street of the town, there is scarcely any one, and it is as vacant and listless as Pall Mall in October.
1 From "The Irish Sketch Book."
2 This was written in 1842.]
DUBLIN CASTLE1
By Mr. And Mrs. S. C. Hall
The building of Dublin "Castle"—for the residence of the Viceroys retains the term—was commenced by Meiler FitzHenry, Lord Justice of Ireland, in 1205; and finished, fifteen years afterward, by Henry de Loundres, Archbishop of Dublin. The purpose of the structure is declared by the patent by which King John commanded its erection: "You have given us to understand that you have not a convenient place wherein our treasure may be safely deposited; and forasmuch, as well for that use as for many others, a fortress would be necessary for us at Dublin, we command you to erect a castle there, in such competent place as you shall judge most expedient, as well to curb the city as to defend it if occasion shall so require, and that you make it as strong as you can with good and durable walls." Accordingly it was occupied as a strong fortress only, until the reign of Elizabeth, when it became the seat of the Irish government—the court being held previously at various palaces in the city or its suburbs; and in the seventeenth century, Terms and Parliaments were both held within its walls.
The Castle, however, has undergone so many and such various changes from time to time, as circumstances justified the withdrawal of its defenses, that the only portion of it which nows bears a character of antiquity is the Birmingham Tower; and even that has been almost entirely rebuilt, altho it retains its ancient form. The records of this tower—in modern times the "State Paper Office"—would afford materials for one of the most singular and romantic histories ever published. It received its name, according to Dr. Walsh, not from the De Birminghams, who were lords justices in 1321 and 1348; but from Sir William Birmingham, who was imprisioned there in 1331, with his son Walter; "the former was taken out from thence and executed, the latter was pardoned as to life because he was in holy orders." It was the ancient keep, or ballium, of the fortress; and was for a very long period the great state prison, in which were confined the resolute or obstinate Milesian chiefs, and the rebellious Anglo-Norman lords. Strong and well guarded as it was, however, its inmates contrived occasionally to escape from its durance. Some of the escapes which the historians have recorded are remarkable and interesting.
The Castle is situated on very high ground, nearly in the center of the city; the principal entrance is by a handsome gateway. The several buildings, surrounding two squares, consist of the lord-lieutenant's state apartments, guardrooms, the offices of the chief secretary, the apartments of aides-du-camp and officers of the household, the offices of the treasury, hanaper, register, auditor-general, constabulary, etc., etc. The buildings have a dull and heavy character—no effort has been made at elegance or display—and however well calculated they may seem for business, the whole have more the aspect of a prison than a court. There is, indeed, one structure that contributes somewhat to redeem the somber appearance of "the Castle"—the chapel is a fine Gothic edifice, richly decorated both within and without. The following description of the ancient character of "the Castle" is gathered from Dr. Walsh:
"The entrance from the city on the north side was by