How He Lied To Her Husband. GEORGE BERNARD SHAW

cry against performances of Mrs. Warren's Profession, and drag actresses to the police court to be insulted, bullied, and threatened for fulfilling their engagements. For please observe that the judicial decision in New York State in favor of the play does not end the matter. In Kansas City, for instance, the municipality, finding itself restrained by the courts from preventing the performance, fell back on a local bye-law against indecency to evade the Constitution of the United States. They summoned the actress who impersonated Mrs. Warren to the police court, and offered her and her colleagues the alternative of leaving the city or being prosecuted under this bye-law.

      Now nothing is more possible than that the city councillors who suddenly displayed such concern for the morals of the theatre were either Mrs. Warren's landlords, or employers of women at starvation wages, or restaurant keepers, or newspaper proprietors, or in some other more or less direct way sharers of the profits of her trade. No doubt it is equally possible that they were simply stupid men who thought that indecency consists, not in evil, but in mentioning it. I have, however, been myself a member of a municipal council, and have not found municipal councillors quite so simple and inexperienced as this. At all events I do not propose to give the Kansas councillors the benefit of the doubt. I therefore advise the public at large, which will finally decide the matter, to keep a vigilant eye on gentlemen who will stand anything at the theatre except a performance of Mrs. Warren's Profession, and who assert in the same breath that [a] the play is too loathsome to be bearable by civilized people, and [b] that unless its performance is prohibited the whole town will throng to see it. They may be merely excited and foolish; but I am bound to warn the public that it is equally likely that they may be collected and knavish.

      At all events, to prohibit the play is to protect the evil which the play exposes; and in view of that fact, I see no reason for assuming that the prohibitionists are disinterested moralists, and that the author, the managers, and the performers, who depend for their livelihood on their personal reputations and not on rents, advertisements, or dividends, are grossly inferior to them in moral sense and public responsibility.

      It is true that in Mrs. Warren's Profession, Society, and not any individual, is the villain of the piece; but it does not follow that the people who take offence at it are all champions of society. Their credentials cannot be too carefully examined.