Creative Research Methods 2e. Kara, Helen

2.3 Creativity promoted by failure for McCormack et al 2.4 Transformative, multi-modal, arts-based research by Blodgett et al 2.5 Arts-based life-story research by O’Neill 2.6 Embodied research by Finlay 2.7 Multi-modal research by Petros 2.8 Multi-modal research by Robinson et al 2.9 Remix in research by Markham 2.10 Multi-modal research by Robinson and Mendelson 2.11 Integrated methods by Franz et al 2.12 Researching the researchers by Lunde et al 2.13 Compressed ethnography by Pope 2.14 Autoethnography, memoir and travelogue by Cho 2.15 Collaborative online autoethnography by Dumitrica and Gaden 3.1 Critical communicative methodology by Gómez et al 3.2 Community-based research by Chilisa and Chilisa 3.3 Feminist multi-modal research by Hester et al 3.4 Activist disability research: the case of Paul Hunt 3.5 Activist mental health research by Rose 3.6 Queer ethnography 3.7 Creative definition of capabilities by Vaughan 3.8 Decolonising research in South Africa by Ndimande 4.1 Relationship between ethical decision making and creative thought by Mumford et al 4.2 A social justice approach to research by Kiragu and Warrington 4.3 Ethnographic research of IRBs by Stark 4.4 Creative approach to an IRB by González-López 4.5 Ethical difficulties in participatory research by Braye and McDonnell 4.6 Ethics of gathering data via social media by Lomborg 4.7 Participants’ experiences of questionnaire completion by Galasiński and Kozłowska 4.8 Health professionals’ administration of standardised tests by Krohne et al 4.9 Managing risks of gathering data in participants’ homes by Bahn and Weatherill 5.1 Ethical considerations after research is finished by Reeves 5.2 Seven ethically focused questions for researchers by Mauthner et al 5.3 Linking textual data with context by Stenvoll and Svensson 5.4 Worldwide cross-disciplinary literature review by Du Mont and White 5.5 Concept maps by Dias