Complete Works of Swami Vivekananda. Swami Vivekananda

great sages who looked upon the inhabitants of this world as their children. They were the real fathers, the real gods, filled with infinite sympathy and patience for everyone; they were ready to bear and forbear. They knew how human society should grow, and patiently slowly, surely, went on applying their remedies, not by denouncing and frightening people, but by gently and kindly leading them upwards step by step. Such were the writers of the Upanishads. They knew full well how the old ideas of God were not reconcilable with the advanced ethical ideas of the time; they knew full well that what the atheists were preaching contained a good deal of truth, nay, great nuggets of truth; but at the same time, they understood that those who wished to sever the thread that bound the beads, who wanted to build a new society in the air, would entirely fail.

      We never build anew, we simply change places; we cannot have anything new, we only change the position of things. The seed grows into the tree, patiently and gently; we must direct our energies towards the truth and fulfil the truth that exists, not try to make new truths. Thus, instead of denouncing these old ideas of God as unfit for modern times, the ancient sages began to seek out the reality that was in them. The result was the Vedanta philosophy, and out of the old deities, out of the monotheistic God, the Ruler of the universe, they found yet higher and higher ideas in what is called the Impersonal Absolute; they found oneness throughout the universe.

      He who sees in this world of manifoldness that One running through all, in this world of death he who finds that One Infinite Life, and in this world of insentience and ignorance he who finds that One Light and Knowledge, unto him belongs eternal peace. Unto none else, unto none else.

Chapter V. Maya And Freedom

      (Delivered in London, 22nd October 1896)

      “Trailing clouds of glory we come,” says the poet. Not all of us come as trailing clouds of glory however; some of us come as trailing black fogs; there can be no question about that. But every one of us comes into this world to fight, as on a battlefield. We come here weeping to fight our way, as well as we can, and to make a path for ourselves through this infinite ocean of life; forward we go, having long ages behind us and an immense expanse beyond. So on we go, till death comes and takes us off the field — victorious or defeated, we do not know. And this is Mâyâ.

      Hope is dominant in the heart of childhood. The whole world is a golden vision to the opening eyes of the child; he thinks his will is supreme. As he moves onward, at every step nature stands as an adamantine wall, barring his future progress. He may hurl himself against it again and again, striving to break through. The further he goes, the further recedes the ideal, till death comes, and there is release, perhaps. And this is Maya.

      A man of science rises, he is thirsting after knowledge. No sacrifice is too great, no struggle too hopeless for him. He moves onward discovering secret after secret of nature, searching out the secrets from her innermost heart, and what for? What is it all for? Why should we give him glory? Why should he acquire fame? Does not nature do infinitely more than any human being can do? — and nature is dull, insentient. Why should it be glory to imitate the dull, the insentient? Nature can hurl a thunderbolt of any magnitude to any distance. If a man can do one small part as much, we praise him and laud him to the skies. Why? Why should we praise him for imitating nature, imitating death, imitating dullness imitating insentience? The force of gravitation can pull to pieces the biggest mass that ever existed; yet it is insentient. What glory is there in imitating the insentient? Yet we are all struggling after that. And this is maya.

      The senses drag the human soul out. Man is seeking for pleasure and for happiness where it can never be found. For countless ages we are all taught that this is futile and vain, there is no happiness here. But we cannot learn; it is impossible for us to do so, except through our own experiences. We try them, and a blow comes. Do we learn then? Not even then. Like moths hurling themselves against the flame, we are hurling ourselves again and again into sense-pleasures, hoping to find satisfaction there. We return again and again with freshened energy; thus we go on, till crippled and cheated we die. And this is Maya.

      So with our intellect. In our desire to solve the mysteries of the universe, we cannot stop our questioning, we feel we must know and cannot believe that no knowledge is to be gained. A few steps, and there arises the wall of beginningless and endless time which we cannot surmount. A few steps, and there appears a wall of boundless space which cannot be surmounted, and the whole is irrevocably bound in by the walls of cause and effect. We cannot go beyond them. Yet we struggle, and still have to struggle. And this is Maya.

      With every breath, with every pulsation of the heart with every one of our movements, we think we are free, and the very same moment we are shown that we are not. Bound slaves, nature’s bond-slaves, in body, in mind, in all our thoughts, in all our feelings. And this is Maya.

      There was never a mother who did not think her child was a born genius, the most extraordinary child that was ever born; she dotes upon her child. Her whole soul is in the child. The child grows up, perhaps becomes a drunkard, a brute, ill-treats the mother, and the more he ill-treats her, the more her love increases. The world lauds it as the unselfish love of the mother, little dreaming that the mother is a born slave, she cannot help it. She would a thousand times rather throw off the burden, but she cannot. So she covers it with a mass of flowers, which she calls wonderful love. And this is Maya.

      We are all like this in the world. A legend tells how once Nârada said to Krishna, “Lord, show me Maya.” A few days passed away, and Krishna asked Narada to make a trip with him towards a desert, and after walking for several miles, Krishna said, “Narada, I am thirsty; can you fetch some water for me?” “I will go at once, sir, and get you water.” So Narada went. At a little distance there was a village; he entered the village in search of water and knocked at a door, which was opened by a most beautiful young girl. At the sight of her he immediately forgot that his Master was waiting for water, perhaps dying for the want of it. He forgot everything and began to talk with the girl. All that day he did not return to his Master. The next day, he was again at the house, talking to the girl. That talk ripened into love; he asked the father for the daughter, and they were married and lived there and had children. Thus twelve years passed. His father-in-law died, he inherited his property. He lived, as he seemed to think, a very happy life with his wife and children, his fields and his cattle. and so forth. Then came a flood. One night the river rose until it overflowed its banks and flooded the whole village. Houses fell, men and animals were swept away and drowned, and everything was floating in the rush of the stream. Narada had to escape. With one hand be held his wife, and with the other two of his children; another child was on his shoulders, and he was trying to ford this tremendous flood. After a few steps he found the current was too strong, and the child on his shoulders fell and was borne away. A cry of despair came from Narada. In trying to save that child, he lost his grasp upon one of the others, and it also was lost. At last his wife, whom he clasped with all his might, was torn away by the current, and he was thrown on the bank, weeping and wailing in bitter lamentation. Behind him there came a gentle voice, “My child, where is the water? You went to fetch a pitcher of water, and I am waiting for you; you have been gone for quite half an hour.” “Half an hour! ” Narada exclaimed. Twelve whole years had passed through his mind, and all these scenes had happened in half an hour! And this is Maya.

      In one form or another, we are all in it. It is a most difficult and intricate state of things to understand. It has been preached in every country, taught everywhere, but only believed in by a few, because until we get the experiences ourselves we cannot believe in it. What does it show? Something very terrible. For it is all futile. Time, the avenger of everything, comes, and nothing is left. He swallows up the saint and the sinner, the king and the peasant, the beautiful and the ugly; he leaves nothing. Everything is rushing towards that one goal destruction. Our knowledge, our arts, our sciences, everything is rushing towards it. None can stem the tide, none can hold it back for a minute. We may try to forget it, in the same way that persons in a plague-striker city try to create oblivion by drinking, dancing, and other vain attempts, and so becoming paralysed. So we are trying to forget, trying to create oblivion by all sorts of sense-pleasures. And this is Maya.

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