The World as Will and Idea (Vol. 1-3). Arthur Schopenhauer

to the inner being of the higher grades of its objectification as a mere μηχανη, a means of supporting the individual and the species, just like any organ of the body. Originally destined for the service of the will for the accomplishment of its aims, it remains almost throughout entirely subjected to its service: it is so in all brutes and in almost all men. Yet we shall see in the Third Book how in certain individual men knowledge can deliver itself from this bondage, throw off its yoke, and, free from all the aims of will, exist purely for itself, simply as a clear mirror of the world, which is the source of art. Finally, in the Fourth Book, we shall see how, if this kind of knowledge reacts on the will, it can bring about self-surrender, i.e., resignation, which is the final goal, and indeed the inmost nature of all virtue and holiness, and is deliverance from the world.

      § 28. We have considered the great multiplicity and diversity of the phenomena in which the will objectifies itself, and we have seen their endless and implacable strife with each other. Yet, according to the whole discussion up to this point, the will itself, as thing-in-itself, is by no means included in that multiplicity and change. The diversity of the (Platonic) Ideas, i.e., grades of objectification, the multitude of individuals in which each of these expresses itself, the struggle of forms for matter—all this does not concern it, but is only the manner of its objectification, and only through this has an indirect relation to it, by virtue of which it belongs to the expression of the nature of will for the idea. As the magic-lantern shows many different pictures, which are all made visible by one and the same light, so in all the multifarious phenomena which fill the world together or throng after each other as events, only one will manifests itself, of which everything is the visibility, the objectivity, and which remains unmoved in the midst of this change; it alone is thing-in-itself; all objects are manifestations, or, to speak the language of Kant, phenomena. Although in man, as (Platonic) Idea, the will finds its clearest and fullest objectification, yet man alone could not express its being. In order to manifest the full significance of the will, the Idea of man would need to appear, not alone and sundered from everything else, but accompanied by the whole series of grades, down through all the forms of animals, through the vegetable kingdom to unorganised nature. All these supplement each other in the complete objectification of will; they are as much presupposed by the Idea of man as the blossoms of a tree presuppose leaves, branches, stem, and root; they form a pyramid, of which man is the apex. If fond of similes, one might also say that their manifestations accompany that of man as necessarily as the full daylight is accompanied by all the gradations of twilight, through which, little by little, it loses itself in darkness; or one might call them the echo of man, and say: Animal and plant are the descending fifth and third of man, the inorganic kingdom is the lower octave. The full truth of this last comparison will only become clear to us when, in the following book, we attempt to fathom the deep significance of music, and see how a connected, progressive melody, made up of high, quick notes, may be regarded as in some sense expressing the life and efforts of man connected by reflection, while the unconnected complemental notes and the slow bass, which make up the harmony necessary to perfect the music, represent the rest of the animal kingdom and the whole of nature that is without knowledge. But of this in its own place, where it will not sound so paradoxical. We find, however, that the inner necessity of the gradation of its manifestations, which is inseparable from the adequate objectification of the will, is expressed by an outer necessity in the whole of these manifestations themselves, by reason of which man has need of the beasts for his support, the beasts in their grades have need of each other as well as of plants, which in their turn require the ground, water, chemical elements and their combinations, the planet, the sun, rotation and motion round the sun, the curve of the ellipse, &c., &c. At bottom this results from the fact that the will must live on itself, for there exists nothing beside it, and it is a hungry will. Hence arise eager pursuit, anxiety, and suffering.

      It is only the knowledge of the unity of will as thing-in-itself, in the endless diversity and multiplicity of the phenomena, that can afford us the true explanation of that wonderful, unmistakable analogy of all the productions of nature, that family likeness on account of which we may regard them as variations on the same ungiven theme. So in like measure, through the distinct and thoroughly comprehended knowledge of that harmony, that essential connection of all the parts of the world, that necessity of their gradation which we have just been considering, we shall obtain a true and sufficient insight into the inner nature and meaning of the undeniable teleology of all organised productions of nature, which, indeed, we presupposed a priori, when considering and investigating them.

      This teleology is of a twofold description; sometimes an inner teleology, that is, an agreement of all the parts of a particular organism, so ordered that the sustenance of the individual and the species results from it, and therefore presents itself as the end of that disposition or arrangement. Sometimes, however, there is an outward teleology, a relation of unorganised to organised nature in general, or of particular parts of organised nature to each other, which makes the maintenance of the whole of organised nature, or of the particular animal species, possible, and therefore presents itself to our judgment as the means to this end.

      Inner teleology is connected with the scheme of our work in the following way. If, in accordance with what has been said, all variations of form in nature, and all multiplicity of individuals, belong not to the will itself, but merely to its objectivity and the form of this objectivity, it necessarily follows that the will is indivisible and is present as a whole in every manifestation, although the grades of its objectification, the (Platonic) Ideas, are very different from each other. We may, for the sake of simplicity, regard these different Ideas as in themselves individual and simple acts of the will, in which it expresses its nature more or less. Individuals, however, are again manifestations of the Ideas, thus of these acts, in time, space, and multiplicity. Now, in the lowest grades of objectivity, such an act (or an Idea) retains its unity in the manifestation; while, in order to appear in higher grades, it requires a whole series of conditions and developments in time, which only collectively express its nature completely. Thus, for example the Idea that reveals itself in any general force of nature has always one single expression, although it presents itself differently according to the external relations that are present: otherwise its identity could not be proved, for this is done by abstracting the diversity that arises merely from external relations. In the same way the crystal has only one manifestation of life, crystallisation, which afterwards has its fully adequate and exhaustive expression in the rigid form, the corpse of that momentary life. The plant, however, does not express the Idea, whose phenomenon it is, at once and through a single manifestation, but in a succession of developments of its organs in time. The animal not only develops its organism in the same manner, in a succession of forms which are often very different (metamorphosis), but this form itself, although it is already objectivity of will at this grade, does not attain to a full expression of its Idea. This expression must be completed through the actions of the animal, in which its empirical character, common to the whole species, manifests itself, and only then does it become the full revelation of the Idea, a revelation which presupposes the particular organism as its first condition. In the case of man, the empirical character is peculiar to every individual (indeed, as we shall see in the Fourth Book, even to the extent of supplanting entirely the character of the species, through the self-surrender of the whole will). That which is known as the empirical character, through the necessary development in time, and the division into particular actions that is conditioned by it, is, when we abstract from this temporal form of the manifestation the intelligible character, according to the expression of Kant, who shows his undying merit especially in establishing this distinction and explaining the relation between freedom and necessity, i.e., between the will as thing-in-itself and its manifestations in time.38 Thus the intelligible character coincides with the Idea, or, more accurately, with the original act of will which reveals itself in it. So far then, not only the empirical character of every man, but also that of every species of animal and plant, and even of every original force of unorganised nature, is to be regarded as the manifestation of an intelligible character, that is, of a timeless, indivisible act of will. I should like here to draw attention in passing to the naïveté with which every plant expresses and lays open its whole character in its mere form, reveals its whole being and will. This is why the physiognomy of plants is so interesting; while in order to know an animal in its Idea, it is necessary to observe the course of its action.