Название | The History of Antiquity (Vol. 1-6) |
---|---|
Автор произведения | Duncker Max |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 4064066398910 |
According to the account of Herodotus, the dead cats were embalmed in sacred tombs at Bubastis, the hawks at Buto, the ibis at Hermopolis.[114] Mummies of cats have been discovered at Thebes and Sheikhassan; mummies of bulls, cows, jackals, dogs, and vultures at Thebes and Sioot; of hawks and ibises at Thebes, Hermopolis, Abydus, and Memphis; of crocodiles at Thebes and Manfalut.[115]
This reverence for beasts, the excessive regard for the nourishment of the sacred kinds and the preservation of their bodies, the offering of prayers to them, the worship of bulls, birds, and crocodiles as living gods, the royal honours with which these selected examples were buried, would of necessity be regarded as a very rude superstition or degraded fetichism, hardly compatible with the general level of civilisation and culture in the country, had not the Egyptians united a deeper feeling with their worship of animals. In the living and yet typical forms of beasts as contrasted with the deadness of nature, they saw not only creations of the deities, but manifestations of the divine life itself. The consecrated race of animals participated in the nature of the god to whom it belonged, and the specimens in the temples were an unbroken series of incarnations of the deity.
In a different sense from the sacred animals, man also was in the eyes of the Egyptians a manifestation of the divine life and nature. If we set aside the position of the kings (see below), we find no indication that man was regarded as the incarnation of particular deities or their attributes. Yet man had a share in the immortality of the gods; and he who studied and desired the divine was thought by his bodily death to arrive at a complete divine existence. The primary result of this feeling was that the body must be preserved as the vehicle of personality even when life and soul have left it; it must be protected from decay and ruin and any external disturbance by nature or man. Beyond the reach of beasts of prey, safe from the enemy and the destroyer, the corpses must rest uncorrupted and uninjured in cool, secure, inaccessible, unpolluted, indestructible graves. No nation has devoted so much care and labour to the preservation of the corpses, whether of men or of sacred animals, as the Egyptians. It was almost the first duty of the living to attend to the dead. And with his body must be preserved all that the deceased person had done or acquired in life: his occupation, his actions must live on in the grave, like his corpse. Pictures in his tomb must represent his life, and inscriptions must give an account of it. "The Egyptians," says Diodorus, "speak of the dwellings of the living as a lodging; but of the tombs of the dead as eternal habitations, because the dead pass an endless time in Hades. Hence they bestow less toil upon their houses; but their tombs they furnish in a most extraordinary manner."[116]
The tombs are always turned towards the west, and are deeply hollowed out in soil, or hewn in the rocks of the Libyan mountains. Those of the wealthier sort generally consist of two chambers, an upper and a lower, or a front and a back one. The upper or front chamber is furnished with a description of the life of the dead person, his possessions, his office, his occupation, and the most important results of his life exhibited in relief and pictures. It served as a chapel in which the offerings to the dead were made. In the lower or hinder chamber lay the corpse. The corpses of the poorer inhabitants found their resting-place in the common sepulchres. The preservation of the corpse was accomplished in various ways. Either the entrails were taken out through an aperture and placed in separate vessels, or the corpse was protected against corruption by the injection of various substances; or finally it was allowed to lie for a considerable time in saltpetre.
Like the embalmment and the tomb, the cerements and the coffin were more or less costly, according to the rank and wealth of the deceased. The dead person was placed in a receptacle adapted to the shape of the corpse, provided with a mask to represent his face, and adorned with inscriptions and pictures. On the breast was generally depicted the beetle of Ptah, or an open eye, the symbol of Osiris. This receptacle was then placed in two or more coffins, each inclosing the other, which were made of more or less costly wood. Rich persons added to their coffins the stone sarcophagus, a hollow block of granite, the heavy lid of which was then made so fast to the lower part that it could not be opened without destroying the whole.
The sarcophagus was carried to the sepulchre in solemn procession, led by the temple-servants, with the necessary implements, and the bull destined for sacrifice to the dead. Next were seen the implements used by the deceased in his lifetime; the insignia of his order, if he had been a priest, or in any office; or, if he had held any military command, his chariot followed. After this came the waiting-women, hired for this purpose according to the custom of the East; and men with palm-branches, the servants of the dead, and the priests; last of all followed the sarcophagus on a boat—for the soul of the dead passed like the sun-god on a boat to the under world. This boat was on rollers, and drawn by oxen. The procession was closed by the mourners of the family and the friends. When the bull had been sacrificed and frankincense burned to the gods, libations were poured in honour of the dead. He was praised, as Diodorus assures us, not because he was born of a noble race, but because he had been carefully educated and well instructed, because he had been pious towards the gods, and had lived a just and sober life. Then the kinsfolk implored the gods to receive the dead into the society of the good. The accompanying multitude joined in the prayer, and extolled the faith of the deceased, who now would for ever pass his life in the company of the good.[117] The coffin was then brought into the upper chamber, and from thence, when the ceremonies were completed, it was carried to its proper resting-place, and placed on the west side of it; the place was then closed and sealed.
According to the Egyptian story, Osiris was not slain by Typhon. He did not die; he was only taken away from men, as Diodorus says;[118] he descended into the under world; he passed away into the invisible region, while in the visible world he continued to live and work in the vigorous strength of his son Horus. In the shape of Horus, or Ra, Osiris wandered through the visible world. He changed only his name and shape when, every evening, he went back to his distant home in order to be alone. Thus, by descending from earth and dying, he had received the sovereignty of the lower world, and left to the youthful Ra, his son Horus, the empire of this world. As the sun goes down every evening, and every morning awakes to new life, as the vegetation dies away in the heat of summer and in autumn, and again in the spring attains to new life, so to the minds of the Egyptians death, in all its shapes, was only death in appearance, in reality it was a transition to a new life. And as Osiris remained alive in death, and was the source of new life, so through him and in him the soul of man was aroused out of death to a new life. The sacred animals and men were of divine nature and origin; they could not, therefore, end with death; death could only carry them back to their divine origin, to that other world, from which they had come; and in that other world they must awake to a new life.
Owing to this power of awakening life out of death, Osiris became to the Egyptians the special god of the human soul. As lord of the under world, Osiris is often found on the monuments in the shape of a mummy. His colour was in this case