The History of Antiquity (Vol. 1-6). Duncker Max

cycle every fourth year, as well as by the movable year, is beyond doubt. The decree did not become of universal application till 26 B.C.

[30] Herod. 2, 142.

[31] Bœckh, "Manetho," s. 36; Lepsius, "Chronologie," s. 193.

[32] According to Bœckh's "Kanon des Africanus."

[33] Lepsius, "Königsbuch," s. 118. Biot, "L'Année vague," p. 57; cf. however H. Martin, "Mém. de l'Acad. des Inscript." 1869, pp. 1, 8, 265.

      CHAPTER III.

      THE RELIGION OF THE EGYPTIANS.

       Table of Contents

      Next to its language the oldest possession of a nation is its religion. Living in a country of very distinct outlines and characteristic forms, where the regularity of external life is brought more prominently before the view than in other countries, the Egyptians at an early period arrived at a fixed expression of their religious feelings and of the forms of their gods. Their original conceptions are unknown to us. The oldest monuments, our earliest sources of information, present us with a numerous assemblage of gods, and the conclusions drawn from these carry us back to views far removed from primitive forms of worship. They indicate a system already developed in the circle of the priests. We can only attempt from the fragments of that system preserved in inscriptions and manuscripts, and the very late accounts of the Greeks, to deduce conclusions concerning the religious notions which originally predominated.

      The distinction in the nature of the upper and lower valley, already referred to, cannot have been without influence upon the direction of civic life among the Egyptians, and the formation of their religious ideas. So far as we can tell, these developed independently at the same time in the upper and lower country. In both districts peculiar forms were retained at the most prominent centres of religious worship, until after the union of the country they became amalgamated in all essential points.

Memphis worshipped the god Ptah. The great sanctuary of the god at that city was held to be as ancient as the city itself. So far back as our knowledge extends, the Pharaohs were occupied with the extension and adornment of this temple. Among the Greeks the god of Memphis was known as Hephæstus: they tell us he was represented in the temple by a dwarf-like image; and that similar images of the children of Ptah stood in a part of the temple only entered by the priests.[34] The name Hephæstus, and the further statement of the Greeks, that this god was the father of the Sun-god, prove that in Ptah the Egyptians worshipped not only fire, but the spirit of warmth and light generally; and that they must have regarded him as the origin and source of light.

Manetho puts Ptah at the head of the dynasties of the gods. He ruled for 9,000 years before the other gods. Inscriptions name Ptah "the lord of truth," the "father of truth," the "ruler of the sky," "the king of both worlds." As the god of the light which shows everything in its true form, he is the spirit of truth; as the spirit of the light in the sky, he is the lord of heaven. The inscriptions also say that Ptah "moves the egg of the sun and the moon;" he is called "the weaver of the beginnings," the "god who rolls his egg in the sky." Consequently, to the Egyptians Ptah was the mover of the luminaries, a formative, creative spirit, and as he is called in the inscriptions "the father of the father of the gods," he must have been to them the first and oldest god, the beginning of the gods and of all things.

      The Egyptians believed that a kind of beetle peculiar to their country (scarabæus sacer) was propagated without the female sex; they saw the mode of its reproduction in the balls of dung which the beetles occasionally pushed before them. Hence they consecrated this insect to their god of beginning and creation, and on monuments and records we find the god Ptah with a beetle on his shoulders, in the place of a human head. As the god of the beginning he appears on monuments in the shape of a child or dwarf; and again, as the unchangeable god, he is wrapped in the casings of a mummy, with the symbols of dominion, the whip and sceptre, or the so-called Nile-gauge, a ring with parallel cross bars, in his hand, in order to denote him as the god who gives to all things measure, order, and law. He is also coloured green, to signify, as it would seem, that lie is a god favourable to vegetation, and possessed of a fertilising power.

Thus Ptah was one of the forms under which the Egyptians invoked the creator, the highest god. On a pillar of Memphis, now in the Berlin Museum, belonging to the time of the nineteenth dynasty, he is called "the only unbegotten begetter in the heaven and on the earth," "the god who made himself to be god, who exists by himself, the double being, the begetter of the first beginning." Other inscriptions and records denote him as "the creator in heaven and on earth, who has made all things, the lord of all that is, and is not."[35]

Below Memphis lay On, the city of the sun (Heliopolis). Here the spirit of the sun, Ra, was the pre-eminent god. In Manetho's list Ra succeeds Ptah in the kingdom. "The Egyptians," says Plutarch, "regard the sun as the body of the beneficent power, the visible form of a being only comprehensible to thought. The morning sun they represented as a new-born child seated on a lotus leaf, and thrice each day—at sunrise, noon, and sunset—they offered incense to Helius."[36] We also find that the Egyptians represented the sun of the winter months as a little child, the sun of the vernal equinox as a youth, that of the summer solstice as a bearded man, and again, the sun of the autumnal equinox as an old man.[37] Hence they looked at the yearly course of the sun under the allegory of human life. Plutarch's remark about the morning sun shows that they regarded the daily course of the sun from the same point of view, and when he tells us that according to Egyptian story, Apopis made war against the god of the sky,[38] his statements are confirmed by the monuments. According to the inscriptions Ra is "revealed in the abyss of the sky," he is throned "in the orb of the sun," "he moves his egg." "A Supplication to Ra"—such are the words of a prayer—"who each day by himself brings himself to a new birth. Ra has created all that is in the abysses of the sky."[39] In the tombs of the Ramesids, at Thebes, the course of the sun is represented by the hour of the day and night. On the form of the blue outstretched goddess of the sky appears the boat of the sun, for the Egyptians conceived the sun as navigating the air in a skiff, as they navigated the Nile; and in the boat is Ra, a child with finger in mouth at the first hour of the morning. As the day goes on the child increases in size, and at every hour the spirits who lead the boat are changed. In the hours of the afternoon the evil serpent, Apep, the darkness, the Apopis of Plutarch, attempts to swallow the sun, but twelve spirits draw the serpent by ropes to the side. In the hours of the night the sun-god is inclosed in his shrine on the boat, which is carried along by spirits changing every hour over the waters of the under world to the east—just as the boats on the Nile are drawn against the stream—so that he may again shine out in the east on the next morning. The hieroglyphics accompanying the navigation of the night hours contain seventy-four invocations of Ra in Amenti, i.e. in his concealment. In a similar way the monuments of Edfu exhibit the growth of the sun-god through the twelve hours of the day from a child to a youth and a man, and an old man bowed with age, leaning upon a staff. This last is called in the inscriptions, "The old man who becomes again a child."[40]

      The monuments exhibit Ra in red, with the sun's orb on his head, a sceptre in one hand, and the symbol of life in the other. The cat, the tawny bull, and the hawk are the chosen creatures of Ra; often he is found