A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two. Thomas Frognall Dibdin

her36 as you here behold her. Her gown is brown and gold, trimmed with dark brown fur. Her hair is brown. Her necklace is composed of coloured jewels. Her cheek has a fresh tint; and the missal, upon which her eyes are bent, displays highly ornamented art. The cloth upon the table is dark crimson.

      The Calendar follows; in which, in one of the winter months, we observe a very puerile imitation of flakes of snow falling over the figures and the landscape below. The calendar occupies a space of about six inches by four, completely enclosed by a coloured margin. Then begins a series of the most beautiful ornaments of FLOWERS, FRUITS, INSECTS, &C. for which the illuminators of this period were often eminently distinguished. These ornaments are almost uniformly introduced in the fore-edges, or right-side margins, of the leaves; although occasionally, but rarely, they encircle the text. They are from five to six inches in length, or height; having the Latin name of the plant at top, and the French name at the bottom. Probably these titles were introduced by a later hand. It is really impossible to describe many of them in terms of adequate praise. The downy plum is almost bursting with ripeness: the butterfly's wings seem to be in tremulous motion, while they dazzle you by their varied lustre: the hairy insect puts every muscle and fibre into action, as he insinuates himself within the curling of the crisped leaves; while these leaves are sometimes glittering with dew, or coated with the finest down. The flowers and the vegetables are equally admirable, and equally true to nature. To particularise would be endless. Assuredly these efforts of art have no rival--of their kind. Scripture Subjects. Saints, Confessors, &c. succeed in regular order, with accompaniments of fruits and flowers, more or less exquisitely executed:--the whole, a collection of peculiar, and, of its kind, UNRIVALLED ART. This extraordinary volume measures twelve inches by seven and a half.

      HOURS BELONGING TO POPE PAUL III. 8vo. The portrait of the Pope is at the bottom of the first ornament, which fixes the period of its execution to about the middle of the sixteenth century. Towards the end the pages are elaborately ornamented in the arabesque manner. There are some pleasing children: of that style of art which is seen in the Missal belonging to Sir M.M. Sykes, of the time of Francis I.37 The scription is very beautiful. The volume afterwards belonged to Pius VI., whose arms are worked in tambour on the outside. It is kept in a case, and is doubtless a fine book.

      MISSALS: numbers 19–4650. Under this head I shall notice two pretty volumes of the devotional kind; of which the subjects are executed in red, blue, &c.--and of which the one seems to be a copy of the other. The borders exhibit a style of art somewhat between that of Julio Clovio and what is seen in the famous Missal just mentioned.

      MISSAL OF HENRY IV. No. 1171. This book is of the end of the XVIth century. The ground is gold, with a small brilliant, roman letter for text. The subjects are executed in a pale chocolate tint, rather capricious than tasteful. It has been cropt in the binding. The name and arms of Henry are on the exterior.

      Thus much, my dear friend, for the SACRED TEXT--either in its original, uninterrupted state--or as partially embodied in Missals, Hours, or Rituals. I think it will now be but reasonable to give you some little respite from the toil of further perusal; especially as the next class of MSS. is so essentially different. In the mean while, I leave you to carry the image of ANNE OF BRITTANY to your pillow, to beguile the hours of languor or of restlessness. A hearty adieu.

LETTER IV.

       Table of Contents

      THE SAME SUBJECT CONTINUED.

      Are you thoroughly awake, and disenchanted from the magic which the contents of the preceding letter may have probably thrown around you? Arouse--to scenes of a different aspect, but of a not less splendid and spirit-stirring character. Buckle on your helmet, … for the trumpet sounds to arms. The Knights of the Round Table call upon you, from their rock-hewn, or wood-embowered, recesses, to be vigilant, faithful, enterprising, and undaunted. In language less elevated, and somewhat more intelligible, I am about to place before you a few illuminated MSS. relating to HISTORY and ROMANCE; not without, in the first place, making a digression into one or two volumes of MORALITIES, if they may be so called. Prepare therefore, in the first place, for the inspection of a couple of volumes--which, for size, splendor, and general state of preservation, have no superior in the Royal Library of France.

      CITÉ DE DIEU: No. 6712: folio. 2 vols. These are doubtless among the most magnificent shew-books in this collection; somewhat similar, in size and style of art, to the MS. of Valerius Maximus, in our British Museum--of which, should you not have forgotten it, some account may be read in the Bibliographical Decameron.38 At the very first page we observe an assemblage of Popes, Cardinals, and Bishops, with a King seated on his throne in the midst of them. The figures in the fore-ground are from four to five inches high; and so in gradation upwards. The colouring of some of the draperies is in a most delightful tone. The countenances have also a soft and quiet expression. The arms of Graville (Grãuille?) are in the circular border. Three leaves beyond, a still larger and more crowded illumination appears--in a surprising state of freshness and beauty; measuring nearly a foot and a half in height. It is prefixed to the First Book, and is divided into a group in the clouds, and various groups upon the earth below. These latter are representations of human beings in all situations and occupations of life--exhibiting the prevalence both of virtues and vices. They are encircled at bottom by a group of Demons. The figures do not exceed two inches in height. Nothing can exceed the delicacy and brilliancy of this specimen of art about the middle of the fifteenth century:---a ms. date of 1469 shewing the precise period of its execution. This latter is at the end of the first volume. Each book, into which the work is divided, has a large illumination prefixed, of nearly equal beauty and splendor.

      LES ECHECS AMOUREUX. Folio. No. 6808. The title does not savour of any moral application to be derived from the perusal of the work. Nevertheless, there are portions of it which were evidently written with that view. It is so lovely, and I had almost said so matchless, a volume, that you ought to rejoice to have an account of it in any shape. On the score of delicate, fresh, carefully-executed art, this folio may challenge comparison with any similar treasure in the Bibliothèque du Roi. The subjects are not crowded, nor minute; nor of a very wonderful and intricate nature; but they are quietly composed, softly executed, and are, at this present moment, in a state of preservation perfectly beautiful and entire.

      BOCCACE; DES CAS DES NOBLES HOMMES ET FEMMES: No. 6878. The present seems to be the fit place to notice this very beautiful folio volume of one of the most popular works of Boccaccio. Copies of it, both in ms. and early print--are indeed common in foreign libraries. There is a date of 1409 at the very commencement of the volume: but I take the liberty to question whether that be the date of its actual execution. The illuminations in this manuscript exhibit a fine specimen of the commencement of that soft, and as some may think woolly, style of art, which appears to so much advantage in the Bedford Missal and Bedford Breviary; and of which, indeed, a choice specimen of circular ornaments is seen round the first large illumination of the creation and expulsion of Adam and Eve. These illuminations are not of first rate merit, nor are they all by the same hand.

      THE SAME WORK: with the same date--but the hand-writing is evidently more modern. Of the illuminations, it will be only necessary to mention the large one at fol. iij.c. (ccc.) in which the gray tints and the gold are very cleverly managed. At the end is seen, in a large sprawling character, the following inscription: "Ce Livre est A Le Harne. Fille Et Seur de Roys de France, Duchesse de Bourbonnois et dauuergne. Contesse de Clermont et de Tourez. Dame de Beaujeu." This inscription bears the date of 1468; not very long before which I suspect the MS. to have been executed.

      THE SAME: of the same date--which date I am persuaded was copied by each succeeding scribe. The illuminations are here generally of a very inferior character: but the first has much merit, and is by a superior hand. The text is executed in a running secretary Gothic. There are two other MSS. of the same work which I examined; and in one of which the well known subject of the wheel of fortune is perhaps represented for the first time. It usually accompanied the printed editions, and may be seen in that of our Pynson, in 1494,39 folio. I suspect, from one of the introductory