Название | 7 best short stories by Ellen Glasgow |
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Автор произведения | Ellen Glasgow |
Жанр | Языкознание |
Серия | 7 best short stories |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 9783969692455 |
“I’m afraid you’ll have a bad night,” she said as we went downstairs together. That was her way, I soon saw, to expect the worst of everything and everybody.
“Does she often keep you up like this?”
“Oh, no, she is usually very considerate. I never knew a sweeter character. But she still has this hallucination—”
Here again, as in the scene with Doctor Maradick, I felt that the explanation had only deepened the mystery. Mrs. Maradick’s hallucination, whatever form it assumed, was evidently a subject for evasion and subterfuge in the household. It was on the tip of my tongue to ask, “What is her hallucination?”—but before I could get the words past my lips we had reached Mrs. Maradick’s door, and Miss Peterson motioned me to be silent. As the door opened a little way to admit me, I saw that Mrs. Maradick was already in bed, and that the lights were out except for a night-lamp burning on a candle-stand beside a book and a carafe of water.
“I won’t go in with you,” said Miss Peterson in a whisper; and I was on the point of stepping over the threshold when I saw the little girl, in the dress of Scotch plaid, slip by me from the dusk of the room into the electric light of the hall. She held a doll in her arms, and as she went by she dropped a doll’s work-basket in the doorway. Miss Peterson must have picked up the toy, for when I turned in a minute to look for it I found that it was gone. I remember thinking that it was late for a child to be up—she looked delicate, too—but, after all, it was no business of mine, and four years in a hospital had taught me never to meddle in things that do not concern me. There is nothing a nurse learns quicker than not to try to put the world to rights in a day.
When I crossed the floor to the chair by Mrs. Maradick’s bed, she turned over on her side and looked at me with the sweetest and saddest smile.
“You are the night nurse,” she said in a gentle voice; and from the moment she spoke I knew that there was nothing hysterical or violent about her mania—or hallucination, as they called it. “They told me your name, but I have forgotten it.”
“Randolph—Margaret Randolph.” I liked her from the start, and I think she must have seen it.
“You look very young, Miss Randolph.”
“I am twenty-two, but I suppose I don’t look quite my age. People usually think I am younger.”
For a minute she was silent, and while I settled myself in the chair by the bed, I thought how strikingly she resembled the little girl I had seen first in the afternoon, and then leaving her room a few moments before. They had the same small, heart-shaped faces, coloured ever so faintly; the same straight, soft hair, between brown and flaxen; and the same large, grave eyes, set very far apart under arched eyebrows. What surprised me most, however, was that they both looked at me with that enigmatical and vaguely wondering expression—only in Mrs. Maradick’s face the vagueness seemed to change now and then to a definite fear—a flash, I had almost said, of startled horror.
I sat quite still in my chair, and until the time came for Mrs. Maradick to take her medicine not a word passed between us. Then, when I bent over her with the glass in my hand, she raised her head from the pillow and said in a whisper of suppressed intensity:
“You look kind. I wonder if you could have seen my little girl?”
As I slipped my arm under the pillow I tried to smile cheerfully down on her. “Yes, I’ve seen her twice. I’d know her anywhere by her likeness to you.”
A glow shone in her eyes, and I thought how pretty she must have been before illness took the life and animation out of her features. “Then I know you’re good.” Her voice was so strained and low that I could barely hear it. “If you weren’t good you couldn’t have seen her.”
I thought this queer enough, but all I answered was, “She looked delicate to be sitting up so late.” A quiver passed over her thin features, and for a minute I thought she was going to burst into tears. As she had taken the medicine, I put the glass back on the candle-stand, and bending over the bed, smoothed the straight brown hair, which was as fine and soft as spun silk, back from her forehead. There was something about her—I don’t know what it was—that made you love her as soon as she looked at you.
“She always had that light and airy way, though she was never sick a day in her life,” she answered calmly after a pause. Then, groping for my hand, she whispered passionately, “You must not tell him—you must not tell any one that you have seen her!”
“I must not tell any one?” Again I had the impression that had come to me first in Doctor Maradick’s study, and afterwards with Miss Peterson on the staircase, that I was seeking a gleam of light in the midst of obscurity.
“Are you sure there isn’t any one listening—that there isn’t any one at the door?” she asked, pushing aside my arm and raising herself on the pillows.
“Quite, quite sure. They have put out the lights in the hall.”
“And you will not tell him? Promise me that you will not tell him.” The startled horror flashed from the vague wonder of her expression. “He doesn’t like her to come back, because he killed her.”
“Because he killed her!” Then it was that light burst on me in a blaze. So this was Mrs. Maradick’s hallucination! She believed that her child was dead—the little girl I had seen with my own eyes leaving her room; and she believed that her husband—the great surgeon we worshipped in the hospital—had murdered her. No wonder they veiled the dreadful obsession in mystery! No wonder that even Miss Peterson had not dared to drag the horrid thing out into the light! It was the kind of hallucination one simply couldn’t stand having to face.
“There is no use telling people things that nobody believes,” she resumed slowly, still holding my hand in a grasp that would have hurt me if her fingers had not been so fragile. “Nobody believes that he killed her. Nobody believes that she comes back every day to the house. Nobody believes—and yet you saw her—”
“Yes, I saw her—but why should your husband have killed her?” I spoke soothingly, as one would speak to a person who was quite mad. Yet she was not mad, I could have sworn this while I looked at her.
For a moment she moaned inarticulately, as if the horror of her thoughts were too great to pass into speech. Then she flung out her thin, bare arm with a wild gesture.
“Because he never loved me!” she said. “He never loved me!”
“But he married you,” I urged gently while I stroked her hair. “If he hadn’t loved you, why should he have married you?”
“He wanted the money—my little girl’s money. It all goes to him when I die.”
“But he is rich himself. He must make a fortune from his profession.”
“It isn’t enough. He wanted millions.” She had grown stern and tragic. “No, he never loved me. He loved someone else from the beginning—before I knew him.”
It was quite useless, I saw, to reason with her. If she wasn’t mad, she was in a state of terror and despondency so black that it had almost crossed the border-line into madness. I thought once that I would go upstairs and bring the child down from her nursery; but, after a moment’s hesitation, I realized that Miss Peterson and Doctor Maradick must have long ago tried all these measures. Clearly, there was nothing to do except soothe and quiet her as much as I could; and this I did until she dropped into a light sleep which lasted well into the morning.
By seven o’clock I was worn out—not from work but from the strain on my sympathy—and I was glad, indeed, when one of the maids came in to bring me an early cup of coffee. Mrs. Maradick was still sleeping—it was a mixture of bromide and chloral I had given her—and she did not wake until Miss Peterson came on duty an hour or two later. Then, when I went downstairs, I found the dining-room deserted