Bodies, Affects, Politics. Steve Pile

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Название Bodies, Affects, Politics
Автор произведения Steve Pile
Жанр География
Серия
Издательство География
Год выпуска 0
isbn 9781118901946



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Hillsborough families asked a simple question: given that the 96 people killed at Hillsborough were found to have been unlawfully killed, who will be held to account? No one will ever be convicted of their deaths.

      In the immediate aftermath of the Grenfell fire, the families and survivors were already acutely aware of the struggle for justice in the wake of the Hillsborough disaster. Indeed, groups from both tragedies would meet each other and share some of the same lawyers. In many ways, theirs is a shared struggle over truths: not just over what happened and whose testimony counts, but also over how these truths are to be interpreted and contextualised.

      There are certain stark irrefutable facts that one cannot simply ignore about the underlying social, economic and political reality and conditions that culminated in 71 people dying from smoke and fire in a high rise residential building, and a seventy‐second person dying a few months later, in one of the richest boroughs in one of the world’s great cities in one of the richest countries in the twenty‐first century. It is no coincidence that this fire occurred in a building consisting of social housing and former social housing purchased under the right to buy scheme and not in one of the posh swanky high‐rise residential buildings around London that cater to the extremely wealthy. It is no coincidence that this fire occurred in a building owned by a Tory flagship borough that has been at the forefront of promoting austerity cuts and deregulation and promoting business and profit over health and safety….

      Off camera, someone in the audience shouts ‘Justice for Grenfell’; others clap in support. The presiding judge, Sir Martin Moore‐Brick, turns to the audience and solemnly insists that there will be no (further) interruptions of proceedings. Menon continues:

      … It is no coincidence that the vast majority of the residents of Grenfell Tower were first or second‐generation migrants and refugees, the remaining residents being largely local people with long‐standing roots in the north Kensington area. Amongst the 72 that died, 23 countries and more were represented. So, race and class are at the heart of the Grenfell story whether we like it or not, whether the inquiry acknowledges it or not, whether the terms of reference are extended or not. Consequently, we say that what happened at the Grenfell Tower in the early hours of June last year was as political as it gets and symbolic of a deep inequality in our society.

      The parallels between the Grenfell Tower and Hillsborough tragedies are not connected to the high number of victims, nor to the length of time that public inquiries take, nor to the uncertain possibility that anyone will ultimately face what Menon calls ‘real justice’ and ‘real accountability’. The parallels lie in deep and persistent inequalities in society, especially around class. Indeed, for writers such as Gordon Macleod (2018) and Stuart Hodkinson (2019), the core of this inequality is to be understood in the context of a systematic neoliberal assault on the welfare state, which has rendered public housing marginal, neglected, devalued and stigmatised. They point to the way that the local council, the Royal Borough of Kensington and Chelsea, ignored regular complaints by the residents of Grenfell Tower about its safety, including the lack of a sprinkler system. To this is added the actions of an austerity‐driven ruling Conservative Party and unscrupulous private contractors. This view positions Grenfell in a long history of neoliberal assaults on the working class, especially on conditions of work and housing, since Thatcherism in the 1980s (see de Noronha 2019; and also Radical Housing Network, Hudson and Tucker 2019). Indeed, Hillsborough is easily seen as part of this assault.

      The parallels in the aftermath of the tragedies also lie in the difficulty of making anger, truth and justice stick together, especially over long periods of time. The parallel lies in the ease with which political institutions can detach heart‐break from anger, anger from the demand for justice, and justice from the political will to change public institutions, such as the police (Hillsborough) or the council (Grenfell): for example, by circumscribing the terms of reference of inquiries. Facts and affects are cauterised from one another: justice de‐politicised by its gradual assimilation into the legal process. Thus, broader questions about what justice looks like – which are as political as it gets – are transmuted into narrow socio‐technical questions, about cladding, about cost efficiency, about sprinkler systems. These are, of course, important issues, but this transmutation effectively converts the politics of social change into a politics of small changes.

      What replaces justice is, as we have seen, heart‐breaking. Yet, the over‐riding heart‐break of the tragedy can itself shape how we understand what went before. It can be easy only to see the tragedies that led up to the tragedy, making the tragedy appear inevitable, the only possible outcome of all the injuries and inequities that went before. Yet, Grenfell Tower, as a microcosm of London life, has more than one story to tell.

      For most news outlets, including the BBC, and the Inquiry itself, the single most important story about Grenfell is the story of the fire and its victims: its causes, its shockingly quick spread up and around the tower, the horror of the escape…and tragic, heart‐breaking, unbearable death. Yet, out of this story emerges another story: the story of a tower that was teeming with life, giving us a glimpse of a different kind of London – not broken, but getting along. To show this, let’s turn to the BBC’s remarkable reconstruction of the twenty‐first floor (which was chosen by the BBC because it was emblematic of the fine line between life and death) for a Newsnight special, put together by Katie Razzall, Sara Moralioglu and Nick Menzies, broadcast on 27 September 2017 (see www.youtube.com/watch?v=‐cY_fgeeCzc). The report contains interviews with residents, talking about their beautiful homes. A BBC News webpage recounts the story:

      As Rajiv Menon observed at the inquiry, the story of Grenfell was wrapped up in histories of class, race and social inequality (see also Shildrick 2018). After the fire, these grand narratives were replaced with ordinary stories about family, home, work and living alongside different people. Like all other floors (above the fourth floor), the twenty‐first floor was organised into four two‐bedroom flats and two one‐bedroom flats. The two‐bedroom flats each had a corner of the tower, with the one‐bedroom flats sandwiched