Crown Prince, Pregnant Bride. Kate Hardy

thing that made school bearable was the chapel,’ she said. ‘It had these amazing stained-glass windows, and I loved the patterns that the light made on the floor when it shone through. I could just lose myself in that.’

      For him, it had been music. The piano in one of the practice rooms in the music department. Where he could close his eyes and pretend he was playing Bach at home in the library. ‘It helps if you can find something to get you through the hard times,’ he said softly.

      ‘I, um, tended to disappear a bit. One of my teachers found me in the chapel—they’d been looking for me for almost an hour. I thought she’d be angry with me, but she seemed to understand. She bought me some colouring pencils and a pad, and I found that I liked drawing. It made things better.’

      He found himself wanting to give Indigo a hug. Not out of pity, but out of empathy. He’d been there, too. ‘Why did you decide to work with glass instead of being a satirical cartoonist?’ he asked.

      ‘Drawings are flat.’ She wrinkled her nose. ‘But glass... It’s the way the colour works with the light. The way it can make you feel.’

      Passion sparkled in her dark blue eyes; and Lorenzo suddenly wanted to see her eyes sparkle with passion for something else.

      Which was crazy.

      He wasn’t in the market for a relationship. He had more than enough going on in his life, right now. And, even if he had been thinking about starting a relationship, a glass artist with a penchant for skewering people in satirical cartoons would be very far from the most sensible person he could choose to date.

      Besides, for all he knew, she could already be involved with someone. A woman as beautiful as Indigo Moran would have men queuing up to date her.

      ‘You really love your job, don’t you?’ he asked.

      ‘Of course. Don’t you?’

      ‘I guess so,’ he prevaricated. He’d never known anything else. He’d always grown up knowing that one day he’d become king. There wasn’t an option not to love it. It was his duty. His destiny. No arguments.

      ‘So what do you do?’ she asked.

      She really wasn’t teasing him, then; she actually didn’t know who he was. And he wasn’t going to make things awkward or embarrass her by telling her. ‘Family business,’ he said. ‘My grandfather’s retiring, next month, so I’m taking over running things.’ It was true. Just not the whole truth.

      ‘Workaholic, hmm?’

      He would be. But that was fine. He’d accepted that a long time ago. ‘Yes.’ Not wanting her to get too close to the subject, he switched the topic back to her work with glass.

      * * *

      When he smiled, Lorenzo Torelli was completely different. He wasn’t the pompous idiot he’d been in the garden; he was beautiful, Indigo thought.

      And she was seriously tempted to ask him to sit for her. He would be the perfect model for the window she was planning.

      ‘If you’re really interested in the glass,’ she said, ‘come and have a look at my temporary workshop after dinner.’

      ‘I’d like that,’ he said.

      They continued chatting over dinner, and Indigo found her awareness of Lorenzo growing by the second. It wasn’t just that she wanted to sketch him and paint him into glass; she also wanted to touch him.

      Which was crazy.

      Lorenzo Torelli was a total stranger. Although he seemed to be here on his own, for all she knew he could be married. And her radar to warn her that a man was married or totally wrong for her hadn’t exactly worked in the past, had it? She’d made the biggest mistake of her life where Nigel was concerned.

      Though at the same time she knew it wasn’t fair to think that all men were liars and cheats who just abandoned people, like her ex and her father. Her grandfather hadn’t been. Gus wasn’t. And, from what Lottie had told her, their father had been a total sweetheart and had never even as much as looked at another woman. Though Indigo still found it hard to trust. Which was why she hadn’t even flirted since Nigel, much less dated.

      ‘Penny for them?’ Lorenzo asked.

      No way. She fell back on an old standby. ‘When I’m about to start work on a new piece, I tend to be pretty much in another world.’

      ‘There’s nothing wrong with being focused on your work.’

      Good. She was glad he understood that.

      After coffee, he asked, ‘Did you mean it about showing me your work?’

      ‘Sure.’ She took him through to the library. ‘I guess it starts here. We took the window out this afternoon.’

      ‘There’s a facsimile of the window on the boards,’ he said, sounding surprised.

      ‘People come especially to Edensfield to see the mermaid window. I don’t want to disappoint them by hiding everything behind scaffolding,’ she explained. ‘I went to Venice when they were doing some work on the Bridge of Sighs, and they’d put a facsimile of the bridge on the advertising hoardings. I thought that was a brilliant idea and I’ve tried to do something like that with my own work, ever since.’

      ‘Good idea,’ he said.

      ‘Come and see the mermaid up close. She’s gorgeous. Victorian—very much in the style of Burne-Jones, though she isn’t actually one of his.’

      * * *

      He smiled. ‘I was thinking earlier, if you’d been wearing a green velvet dress, you would look like a PRB model.’

      ‘Thank you for the compliment.’ She blushed, looking pleased. ‘That’s my favourite art movement.’

      ‘Mine, too.’ He almost told her that his family had a collection and that Burne-Jones had sketched his great-great-grandmother. But then he’d have to explain who he was, and he wasn’t ready to do that yet.

      ‘I’d love the chance to work on some PRB glass.’ She gave a wistful smile. ‘Maybe one day.’ She led him into a room further down the corridor. ‘Gus set up this room as my workshop. Obviously we’ve had to rope off my table for health and safety purposes—I work with dangerous substances—but people can still talk to me and see what I’m doing. I have a camera on my desk and the picture feeds through to that screen over there, so they can see the close-up work in total safety.’

      She was so matter-of-fact about it. ‘Don’t you mind working with an audience?’ he asked. ‘Doesn’t it get in your way?’

      ‘The house is only open for a few hours, four days a week,’ she said with a shrug. ‘The visitors won’t be that much of a distraction.’

      The window from the library had already been dismantled into frames; the one containing the mermaid was in the centre of her table.

      ‘I took close-ups of the panel this afternoon so I have a complete photographic record,’ she said. ‘Next I’m going to take it apart, clean it all and start the repairs.’

      ‘Which is why the camera’s one of the tools of your trade.’ He understood that now. ‘I’m sorry I accused you of being a pap.’

      ‘You’ve apologised—and nicely—so consider it forgotten.’ She looked at him. ‘Though if you really want to make it up to me, there is something you could do.’

      Quid pro quo. It was a standard part of diplomacy. Though part of Lorenzo was disappointed that she’d asked. He’d thought that Indigo might be different. But maybe everyone had their price, after all. ‘Which is?’

      ‘Would you sit for me?’

      He blinked. ‘Sit for you?’

      ‘So I can draw you.’

      He’d already