Digital Life. Tim Markham

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Название Digital Life
Автор произведения Tim Markham
Жанр Кинематограф, театр
Серия
Издательство Кинематограф, театр
Год выпуска 0
isbn 9781509541072



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them, but also the corporate governance and legal frameworks of big tech. Digital environments include online extremist forums and Netflix, but also urban spaces covered by Wi-Fi, 5G and CCTV, mapped by Google and used as backgrounds for Instagram posts. Digital infrastructures include unnoticed data centres, electricity grids and undersea cables, but also everything that makes digitally afforded experiences possible and meaningful in everyday life, from economic and political systems to educational establishments, Foxconn factories and yttrium mines.

      Digital life is the condition of existing amongst and through these manifestations, processes, mechanisms, environments and infrastructures. That gerund is important: there is no pre-digital existence that the digital has happened to. At the personal level, many of us remember what it was like to live in the pre-internet era, but these memories are not of the past; they are phenomena that we make and remake in the present, through practices that are of a world that is permeated, constrained and enabled by the digital. At the level of the social and political, history of course matters, but is made meaningful by all the things we find ourselves doing in the relentless present that is our constant origin. This means that we should not think of selves who go out into the world and use digital technologies; they are always already part of the world in which we are forever emerging, in the countless acts of subjectivation through which we make that world and ourselves familiar and navigable. The focus of this book then is not on how people feel about digital technologies, or even how they affect them, strictly speaking – there is no ‘them’ prior to the affecting, after all, only ways of being afforded by the contingencies of now, and it was ever thus. There is nothing necessarily amnesiac or myopic about digital life: how we got here, what our possible futures are, and what we can do about them are of vital importance. The point is that we come at understanding and answering these questions by way of the at-hand resources – at once enabling and debased, revealing and complicit – of everyday experience.

      Chapter 4 moves on to the territory of subjectification, and what it means to be an ethical self in everyday digital life. It has been observed already that the digital is not something that happens to the self, but is integral to how we continually become selves. This then raises the question of moral obligation in relation to modes of selfing that change over time, something that appears to have been proceeding at pace in recent history. How does one strike an ethical bearing towards one’s self if it is constituted on the move in a world in flux? The chapter answers this by tackling the thorny issue of data privacy and surveillance culture, and especially the apathy with which many citizens regard these issues. It builds on an exegesis of the Lord and Bondsman section of Hegel’s Phenomenology of Spirit to reframe autonomy as a collective, situated and practical value more appropriate to our digital world.

      Chapter 6 takes up these insights and demonstrates how they can be put to work to reframe public deliberation in the digital age. Specifically, it seeks to shed new light on an aspect of digital life that is said to be undermining the public sphere: identity politics. Beginning with a consideration of Merleau-Ponty’s analysis of the relationship between perception and values in everyday life, it moves on to marshal Alasdair MacIntyre’s After Virtue to work towards a reconceptualization of values as dispositional practices. Rethinking values as things done in everyday digital life rather than internal qualities to be defended from exogenous forces points towards a different future for deliberative democracy far from the polarized filter bubbles often seen as an inevitable consequence of digitization.

      Chapter 7 then asks a critical question that pushes beyond the realm of social relations: what does it mean to live ethically in a world suffused with digital processes, mechanisms, environments and infrastructures? While all of these things structure and generate our conditions of sociality, the lived experience of them exceeds their intent and design. The withdrawal of infrastructure from conscious experience is not necessarily sinister, and it remains possible to live creatively and critically amongst forces like the protocols of social media platforms.

      Finally, Chapter 8 rounds out the discussion by reflecting on Michel de Certeau’s theorization of the possibility of creativity and resistance in the face of an imposed social order. The world-disclosing, agentic potential of making do with the digital resources we find ready at hand in everyday life cannot be underestimated, offering as they do endless opportunities to experiment, reveal stakes, strike stances accordingly, and then to persevere or try something else. It is assuredly the case that those resources, practices and postures are not of us but of the world; nonetheless the temporally indeterminate scope to enact them effects real change in that world. Repertoires of improvisation are key to living ethically in the digital age, as selves that are provisional not programmed, enacting politics that are likewise provisional not programmatic.

      Notes