Regency Pleasures and Sins Part 1. Louise Allen

the squabs and contemplated the stained hatboxes on the seat opposite in an unsuccessful effort to keep her mind off those two unsettling encounters.

      Infuriating man! If only she did not feel such a strong sense of obligation to Nicholas Stangate for the chivalrous way he had behaved yesterday, she could feel thoroughly and justifiably cross with him. And as for Mr Hemsley—well, he was just as much of a rake as she had imagined from what she had heard at the studio. The gleam in his blue eyes and the swift wink he had sent her as they passed in the doorway confirmed her in that opinion. A very good-looking rake, of course, if one had a penchant for that style of rather obvious blond handsomeness. And if one were prepared to tolerate such an insolent regard. Now she had been seen, but not recognised, by three of the four men from the studio; she closed her eyes and gave thanks once again for Nick Stangate’s chivalry.

      The hackney pulled up in front of Miss Gower’s dark green front door and Tallie jumped down with one box. ‘Please wait, I will not be above ten minutes.’

      Miss Gower had not been well for several weeks now and her maid had told Tallie that the doctor had forbidden any but the shortest visits, but even ill health was not enough to stop the indomitable old lady’s interest in her appearance. Of all her little indulgences, pretty hats were perhaps her favourite, and the more frivolous the creation that Tallie could show her, the happier she was.

      On this occasion, however, Tallie saw with dismay that the heavy brass knocker was wrapped in baize. She knocked gently and the door was opened by Smithson, Miss Gower’s butler, whom Tallie suspected was nearly as old as his mistress.

      ‘Oh, Miss Grey,’ he said lugubriously. ‘The mistress cannot see you, I am afraid. Very poorly she is this morning, very poorly indeed.’

      ‘I am sorry to hear that, Smithson.’ The old man looked so shaky and distressed that Tallie wished she could give him a hug, but she knew he would be scandalised. ‘Will you tell her I called and that I sent my best wishes for her recovery?’

      ‘No hope of that, Miss Grey. No hope of that. Doctor Knighton called yesterday and warned us all.’ He sniffed. ‘Slipping away … slipping away.’

      Tallie hesitated. ‘Should I leave her new hat, do you think, Smithson?’

      ‘Yes, please, Miss Grey. I will put it on the stand next to her bed so she can see it. That will give her so much pleasure. Is it a pretty one, Miss Grey?’

      ‘Very,’ Tallie assured him. ‘Her favourite pink ribbons, and ruched silk all under the brim, and just one pink rose tucked above the ear.’

      ‘Oh, she’ll like that, Miss Grey.’ The old man took the box in both tremulous hands.

      ‘Goodbye, then, Smithson, you will let me know when … when she gets better?’

      Thoroughly depressed, Tallie gave the driver Madame d’Aunay’s direction and climbed back into the cab. One could hardly hope that a frail old lady would live for ever, but Miss Gower had seemed so indomitable and had had such a love of life that it seemed impossible that the years would ever catch up with her.

      ‘Well, that will teach you to refine upon encounters with gentlemen and worry about what they think and say,’ Tallie scolded herself out loud as the cab turned into Piccadilly. ‘There are much more important and serious things happening than your foolish adventures. Poor Miss Gower, and without even any family to support her now.’

       Chapter Four

      Tallie spent a week engaged in exemplary hard work at Madame d’Aunay’s, activity that entirely failed to distract her mind from worrying about Miss Gower or, when all self-discipline failed her, brooding about Lord Arndale. She was dwelling upon him, she told herself, because he had proved so infuriating. It was nothing to do with their encounter at the studio and most certainly had not the slightest connection with the fact he was an extremely attractive man.

      As she had feared, Lady Parry’s special hat proved beyond rescue, so it had to be entirely remade from scratch. Faced with the sale of it twice over, Madame was not moved to scold Tallie for the accident and instead recommended her personal service to a certain Mrs Leighton. ‘A cit, of course,’ she confided, ‘but newly married and her husband is as rich as they come and denies her nothing. I expect her to spend at least as much as Miss Gower ever did and I would not want you to suffer from the loss of a client.’

      But Tallie was not concerned about the size of Miss Gower’s orders, and her grief when she heard the news that the old lady had finally slipped away two days after her last hat was delivered was as genuine as if she had been a relative.

      On Saturday evening the residents of the lodging-house in Upper Wimpole Street found themselves together in the parlour before dinner. Although they were each engaged upon some small task, Tallie sensed a palpable air of relaxation amongst all of them with the end of a busy week.

      ‘This is pleasant to be all together,’ Zenna observed cheerfully. ‘Do you not go to the Opera House this evening, Millie?’

      ‘No, the run finished yesterday and they are staging a masquerade tonight. The new production begins on Monday—it is called The Lost Italian Prince and is a very affecting melodrama.’

      ‘And do you have a good part?’ Tallie enquired. She was sorting through a pile of coloured silks, which had become, through some alchemy of their own, hopelessly tangled whilst untouched in a closed box. Millie was a rarity in the world of the theatre—a genuinely chaste young lady—and her aunt and her friends did their best to support her, while living in constant anxiety about the bucks and roués she inevitably encountered.

      ‘Yes!’ Millie glowed with pride. ‘I have a speaking line all to myself and I sing in a trio in the second act. I play one of the village maidens who, with her friends, helps hide the Prince whilst he is fleeing his Wicked Uncle.’

      ‘What happens in the end?’ Mrs Blackstock enquired, looking up from the account book she was filling in at the other end of the table from Zenna, who was marking her pupils.’ French vocabulary work.

      Millie put down the sheet she was hemming, curled up more comfortably on the rather battered sofa and prepared to explain the plot. ‘Well, the Prince falls in love with this village maiden—only she isn’t really, she’s the daughter of the Duke in disguise because he wants her to marry this awful man—and when the Wicked Uncle—the Prince’s uncle, that is, who is trying to murder him—finds where he is hiding, she sacrifices herself by throwing herself from the battlements in front of his troops and—’

      The sound of the front door-knocker thudding with great force in a resounding tattoo brought each lady upright with a start, for one moment convinced that the Wicked Uncle himself must be at the door.

      ‘My goodness, who can that be?’ Mrs Blackstock demanded, putting down her quill.

      ‘Someone’s very superior footman, I should imagine,’ Tallie replied, getting up to edge the curtain aside and peep out into the dark, wet street. ‘That was a fine example of the London Knock if ever I heard one. It is too dark outside, I cannot make out who it is. Oh, yes, now Annie has opened the door I can see the livery. Why, surely that is one of Lady Parry’s footmen! I wonder why she is sending me a message here, she always sends orders to the shop.’

      Annie came in, her sharp face flushed with importance. ‘There’s this footman, mam, and he’s brought this letter for Miss Grey, mam. Cor, he is tall, mam.’

      ‘Thank you, Annie,’ Mrs Blackstock said repressively. ‘Wait and see if Miss Grey has a reply for him.’

      Tallie turned the letter over in her hands, then, realising that she was never going to find out what it was about until she opened it, cracked the seal in a shower of red wax and spread out the single sheet.

      ‘But how strange!’

      ‘What?’ Zenna demanded at last, when,