Название | Coming Home To You |
---|---|
Автор произведения | Fay Robinson |
Жанр | Контркультура |
Серия | Mills & Boon Vintage Superromance |
Издательство | Контркультура |
Год выпуска | 0 |
isbn | 9781474019750 |
“You really think the plaques are tacky?”
“A little.”
“I suppose they are.”
“Am I right about your reasons for asking me here today?”
He nodded. “When you mentioned Pine Acres, it made me uneasy. I decided you might be less likely to hurt my kids if you came out here and got to know them. And, too, by showing you the ranch I hoped to change your opinion of me. I was suddenly reminded of that old saying, ‘Never argue with a man who buys his ink by the barrel.”’
That made her smile. “I’d never burn you in print for being nasty to me. That’s not my style. But I am glad you invited me here. I can’t remember when I’ve had a more enjoyable afternoon. The ranch is incredible, and so are the kids. I’d like to know more about them, if you don’t mind telling me.”
“Is your interest personal or professional?”
“Both, I guess. I’m interested in the ranch because I think you used some of the money you inherited from James to build it.” She paused, apparently offering him the opportunity to deny or confirm her statement. He did neither. “If it’s true,” she continued, “that does make Pine Acres a part of my story.”
“See, that’s what I was afraid of. You’re jumping to conclusions about things you know nothing about. I don’t want you writing something that might make the ranch look bad.”
She gave him a reassuring smile. “There’s no reason to be concerned. I can’t imagine anyone finding fault with what you’ve done here, including me, and the only reason I asked about the kids is because I’m interested as a person, not as a writer. Will you tell me about them?”
He hesitated.
“I swear I’m only asking because I like them.”
“All right, but you can’t use anything I say about any individual child. I can’t stop you from mentioning the ranch in your book, but I don’t want the kids hurt by the public knowing the intimate details of their lives.”
“You have my word. I won’t include them.”
He took off his cap and played with it as he talked, telling her first about some of the children she’d met but who hadn’t come to the pond with them.
“Now tell me about Tom,” she prodded.
“Tom’s had it hard. His parents and two sisters died a few years ago from carbon-monoxide poisoning caused by a faulty heater. He was spending the night at a friend’s house and came home to find the bodies. He lived in six foster homes before he came to the ranch last spring.”
“Why has he lived in so many places? He’s so polite and sweet. I can’t understand why a family wouldn’t want him.”
“Because he’s a teenager. They’re more trouble, and they cost more money to care for. Some people don’t want to deal with that extra expense.”
“Are they all orphans like him?”
“No, the majority have at least one living parent, but due to neglect, abuse or some other reason, the kids have been removed from the home. Some have emotional problems brought on by what’s happened to them, and finding adoptive families is next to impossible.”
“Those scars on Shondra’s arm. How did she get them?”
“Her mother’s an addict. When she got high she used Shondra as an ashtray.”
“Dear God.”
“Keith and Adam, the twins with all the freckles, their father’s in prison.”
“What for?”
“Blowing their mother’s head off in front of them.”
He winced when he saw what his words did to her. He’d deliberately been crude to shock her and gauge her reaction. But seeing her distressed look, he felt ashamed of himself.
“Are you sure you want to hear this?” he asked quietly.
She was silent for a long time. She looked at the water, the pier, everywhere but at him. Finally she spoke. “Yes, I want to know. I want to understand how these children came to be here.”
He debated whether he should go on. He knew the horror stories, the kids used as punching bags or pawns in dirty divorces, the ones treated worse than animals or as property. But for someone who wasn’t familiar with the realities of child abuse and neglect, hearing what little value some parents place on the lives of their children could be unsettling.
“Please,” she urged.
“Melissa’s mother was only fourteen when she gave her up. LaKeisha’s mother was also a teenager. She already had two other illegitimate children by two different men, so she wasn’t able to take care of her.”
“And the shy boy with the drawings of sports heroes in his room?”
“That’s Kevin. He was abandoned in a bus station. We still don’t know the extent of the trauma he’s been through because he won’t talk about it. He was sexually abused and was probably forced by his father to act as a prostitute.”
“But he’s a baby! How could a parent do that to a child?”
“We’ve seen them as young as nine and ten selling themselves to finance their parents’ drug habits.”
“How is that possible?”
“I know it’s hard to believe. I had trouble believing it myself, but it happens, and more often than you’d imagine.”
“And Henry? What’s his story?”
He shifted on the pier, making the old boards creak. This story he wasn’t sure he could share without breaking down.
“Henry’s mother…” He stopped and swallowed as the bile rose in his throat. “Henry’s mother had a new boyfriend, and having the kids cramped her style. She was also heavily in debt. So she talked the boyfriend into helping her set fire to the house, a little two-for-one special. Her idea was to collect the insurance money and get rid of the kids at the same time. They tried to make the fire look like an accident, set by the kids playing with matches. As best we can figure, she told four-year-old Sarah that some bad men wanted to hurt them and she should take Henry and hide in the closet and not come out until she came for them. Because she trusted her mother, Sarah did it. Then they set fire to the adjoining bedroom.”
“What happened to Sarah?”
“She died a few hours after the fire of smoke inhalation and burns. Henry spent nearly two months in the hospital recovering from pneumonia and the damage the smoke did to his lungs, but thankfully, he wasn’t badly burned. Sarah had shielded him from the fire with her own body.”
“What happened to his mother and her boyfriend?”
“He made a deal with the district attorney to testify against her and got fifteen years. She pleaded not guilty, and her trial comes up in a couple of months. It’s a capital-murder case, so she’s still in jail, but that hasn’t stopped her from using Henry to get sympathy from the court. She won’t sign over custody of him because it would hurt her case, and the state won’t sever her parental rights because, until she’s convicted, she’s considered innocent.”
“So Henry’s in legal limbo because the state can’t place him until there’s a disposition of the case?”
“Yes,” Bret said, slipping his cap back on. “It stinks because her rights are being placed above Henry’s.”
“And Henry’s father? Where is he?”
“He was a one-night